Maiden Voyage | ||||
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Studio album by | ||||
Released | 1966 | |||
Recorded | March 17, 1965 | |||
Studio | Van Gelder Studio Englewood Cliffs, New Jersey | |||
Genre | Modal jazz, post-bop | |||
Length | 42:20 | |||
Label | Blue Note | |||
Producer | Alfred Lion | |||
Herbie Hancock chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [1] |
Penguin Guide to Jazz | 👑 [2] |
The Rolling Stone Jazz Record Guide | [3] |
Uncut | [4] |
Maiden Voyage is the fifth album led by jazz musician Herbie Hancock, and was recorded by Rudy Van Gelder on March 17, 1965, for Blue Note Records. It was issued as BLP 4195 and BST 84195. Featuring Hancock with tenor saxophonist George Coleman, trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams, it is a concept album aimed at creating an oceanic atmosphere. As such, many of the track titles refer to marine biology or the sea, and the musicians develop the concept through their use of space. [5] [6] The album was presented with the Grammy Hall of Fame Award in 1999.
Coleman, Carter, Williams and Hancock himself were all recently a part of the Miles Davis quintet.
According to Bob Blumenthal's 1999 liner notes: "Blue Note logs indicate that an attempt had been made to record 'Maiden Voyage', 'Little One', and 'Dolphin Dance' six days earlier, with Hubbard on cornet and Stu Martin in place of Williams. Those performances were rejected at the time and have been lost in the ensuing years." A different version of "Little One" was recorded by Miles Davis and his quintet (by then including Wayne Shorter instead of Coleman) for the album E.S.P., also released in 1965.
Hancock cites Count Basie's "Shiny Stockings" as the main source of inspiration for "Dolphin Dance". [7]
The Penguin Guide to Jazz designated the album as part of its Core Collection with a four star rating, calling it "a colossal achievement from a man still just 24 years old". [8] Stephen Thomas Erlewine of AllMusic describes the album as "arguably his finest record of the '60s, reaching a perfect balance between accessible, lyrical jazz and chance-taking hard bop". [9]
"Maiden Voyage", "The Eye of the Hurricane" and "Dolphin Dance" have become jazz standards and are featured in Hal Leonard's New Real Book vol. 2. While being interviewed for KCET in 2011, Hancock said he considered "Maiden Voyage" to be his favorite of all of the compositions he had written. [10] During an interview on KTLA in 2020, the composer told Frank Buckley that he originally wrote the tune for a television commercial. Hancock was the pianist on another version of "Maiden Voyage" for Bobby Hutcherson's album Happenings which was recorded in February 1966. Hancock rerecorded "Maiden Voyage" and "Dolphin Dance" on his 1974 album Dedication and updated the title track on his 1988 album Perfect Machine . "Dolphin Dance" was rerecorded in 1981 for the Herbie Hancock Trio album. Hancock has released live concert versions of "Maiden Voyage" on CoreaHancock (1979) and An Evening With Herbie Hancock & Chick Corea: In Concert (1980) (both with Chick Corea). Hancock recorded "Maiden Voyage" and "Eye of the Hurricane" with the VSOP Quintet on VSOP: Tempest in the Colosseum (1977).
All tracks are written by Herbie Hancock
No. | Title | Length |
---|---|---|
1. | "Maiden Voyage" | 7:53 |
2. | "The Eye of the Hurricane" | 5:57 |
3. | "Little One" | 8:43 |
No. | Title | Length |
---|---|---|
4. | "Survival of the Fittest" | 9:59 |
5. | "Dolphin Dance" | 9:16 |
Total length: | 42:20 |
Artists who have covered "Maiden Voyage", the title track, include:
Artists who have covered "Dolphin Dance" include:
Other covers include:
Chart (2021) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [17] | 150 |
Belgian Albums (Ultratop Wallonia) [18] | 168 |
Swiss Albums (Schweizer Hitparade) [19] | 89 |
Herbert Jeffrey Hancock is an American jazz musician, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, using a wide array of synthesizers and electronics. It was during this period that he released one of his best-known and most influential albums, Head Hunters.
Anthony Tillmon Williams was an American jazz drummer. Williams first gained fame as a member of Miles Davis' "Second Great Quintet", and later pioneered jazz fusion with Davis' group and his own combo, the Tony Williams Lifetime. In 1970, music critic Robert Christgau described him as "probably the best drummer in the world." Williams was inducted into the Modern Drummer Hall of Fame in 1986 and the Percussive Arts Society Hall of Fame in 1997.
Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
Filles de Kilimanjaro is a studio album by the American jazz trumpeter Miles Davis. It was recorded in June and September 1968 at Columbia 30th Street Studio in Manhattan, New York City, and released on Columbia Records in December of that year in the United Kingdom and in the United States the following February. The album is a transitional work for Davis, who was shifting stylistically from acoustic post-bop recordings with his Second Great Quintet to the jazz fusion of his subsequent "electric period". Filles de Kilimanjaro was well received by contemporary music critics, who viewed it as a significant release in modern jazz. Pianist Chick Corea and bassist Dave Holland appear on two tracks, marking their first participation on a Davis album.
Seven Steps to Heaven is a studio album by the jazz musician Miles Davis. It was released through Columbia Records on July 15, 1963. The recording took place at Columbia Studios in Los Angeles in April 1963, and at Columbia's 30th Street Studios in Manhattan in May 1963. It presents the Miles Davis Quintet in transition, with the New York session introducing the rhythm section of Herbie Hancock, Ron Carter and Tony Williams, who would become Davis' regular sidemen for the next five years. Upon release, the album was Davis' most successful on the Billboard pop LPs chart up to that point, peaking at number 62.
E.S.P. is an album by Miles Davis, recorded on January 20–22, 1965 and released on August 16 of that year by Columbia Records. It is the first release from what is known as Davis's second great quintet: Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums. The album was named after a tune by Shorter, and was inspired by the fact that, "since Wayne Shorter's arrival, the five members of the quintet seemed to communicate by mental telepathy."
Miles in the Sky is a studio album by the jazz trumpeter and composer Miles Davis. It was released on July 22, 1968, through Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track "Stuff". Additionally, electric guitarist George Benson features on "Paraphernalia".
Happenings is an album by the jazz vibraphonist Bobby Hutcherson, released in 1967 on the Blue Note label. The album contains six compositions by Hutcherson, and one by Herbie Hancock, "Maiden Voyage".
Empyrean Isles is the fourth studio album by American jazz pianist Herbie Hancock, released on Blue Note Records in November 1964. The album features Hancock alongside trumpeter Freddie Hubbard, bassist Ron Carter, and drummer Tony Williams.
An Evening with Herbie Hancock & Chick Corea: In Concert is a live album compiling several performances from February of 1978 and released the same year as a double LP. The album features just Herbie Hancock and Chick Corea playing acoustic pianos. The use of the acoustic instruments comes as a marked departure from both men's favoring of electric keyboards at that time. Hancock received top billing on this album, while Corea was credited first on the album CoreaHancock, another recording from the same tour released by Polydor.
The Quintet is an album by V.S.O.P. It was compiled from two concert performances: one at the Greek Theatre, University of California, Berkeley, on July 16, 1977; the other at the San Diego Civic Theatre on July 18, 1977. The quintet were keyboardist Herbie Hancock, trumpeter Freddie Hubbard, drummer Tony Williams, bassist Ron Carter and saxophonist Wayne Shorter. The album was originally released in October 1977 as a 2-disc LP by Columbia Records.
Quartet is the twenty-seventh album by jazz pianist Herbie Hancock, featuring a quartet with trumpeter Wynton Marsalis, bassist Ron Carter and drummer Tony Williams. It was originally issued in Japan on CBS/Sony, and later given a US release by Columbia.
My Point of View is the second album by pianist Herbie Hancock. It was released in 1963 on Blue Note Records as BLP 4126 and BST 84126. Musicians featured are trumpeter Donald Byrd, trombonist Grachan Moncur III, tenor saxophonist Hank Mobley, guitarist Grant Green, bassist Chuck Israels and drummer Tony Williams.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
V.S.O.P : Live Under the Sky is a 1979 live album by the V.S.O.P. Quintet, a record of a performance at the 1979 Live Under the Sky Festival as it was performed live in Japan over two days. The first day, which took place during a furious rainstorm, was broadcast live on national television. The original release featured the first day, while the 2004 re-master/re-release also featured the second concert. This, the fourth VSOP release, once again featured pianist Herbie Hancock, saxophonist Wayne Shorter, drummer Tony Williams, bassist Ron Carter and trumpeter Freddie Hubbard.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, along with jazz fusion/jazz-funk performances by the ‘Mwandishi’ band and The Headhunters.
CoreaHancock is an acoustic live album by Chick Corea and Herbie Hancock. It was recorded over the course of several live performances in February 1978 and released in 1979. Corea has top billing on this album, as Hancock did for An Evening with Herbie Hancock & Chick Corea: In Concert, another recording of the same tour released on Hancock's label. The CD version heavily edits what was released on the final side of the vinyl version.
"Maiden Voyage" is a jazz composition by Herbie Hancock from his 1965 album Maiden Voyage. It features Hancock's quartet – trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams – together with saxophonist George Coleman. It is one of Hancock's best-known compositions and has become a jazz standard.
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
V.S.O.P. was an American jazz quintet consisting of Herbie Hancock, Wayne Shorter, Ron Carter (bass), Tony Williams (drums), and Freddie Hubbard . Hancock, Shorter, Carter, and Williams had all been members of Miles Davis' "Second Great Quintet" during the 1960s. The name V.S.O.P. is taken from a grade of Cognac brandy, where it signifies aged stock.