Head Hunters is the twelfth studio album by American pianist, keyboardist and composer Herbie Hancock, released October 26, 1973, on Columbia Records. Recording sessions for the album took place in the evening at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California.
Dis Is da Drum is Herbie Hancock's thirty-fourth album and his first solo album since leaving Columbia Records. Guests include saxophonist Bennie Maupin, trumpeter Wallace Roney and flautist Hubert Laws.
On the Corner is a studio album by the American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and released on October 11 of that year by Columbia Records. The album continued Davis' exploration of jazz fusion, and explicitly drew on the influence of funk musicians Sly Stone and James Brown, the experimental music of Karlheinz Stockhausen, the free jazz of Ornette Coleman, and the work of collaborator Paul Buckmaster.
Secrets is a jazz-funk fusion album by keyboard player Herbie Hancock. It is also Hancock's seventeenth album overall. Participating musicians include saxophonist Bennie Maupin and guitarist Wah Wah Watson.
Future 2 Future is the thirty-eighth album by Herbie Hancock. Hancock reunited with producer Bill Laswell. The two tried to repeat the success of the three previous albums that combine jazz with electronic music.
Paul Jerome Jackson Jr. was an American jazz electric bassist and composer. He was a founding member of the Headhunters and played on several of Herbie Hancock's albums, including Head Hunters and Thrust. Jackson subsequently moved to Japan and started a voluntary concert called Jazz for Kids, with the intent of familiarizing students there with African-American history.
Sextant is the eleventh studio album by Herbie Hancock, released in 1973 by Columbia. It is the last album with the Mwandishi-era sextet featuring saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart. Synthesizer player Patrick Gleeson and percussionist Buck Clarke also appear.
Mwandishi is the ninth album by jazz pianist Herbie Hancock, released in 1971. It is the first album to officially feature Hancock’s ‘Mwandishi’ sextet consisting of reed player Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart.
Actual Sounds + Voices is the sixth studio album by electronic music group Meat Beat Manifesto, released in 1998.
"Watermelon Man" is a jazz standard written by Herbie Hancock for his debut album, Takin' Off (1962).
Mr. Hands is the twenty-fourth album by Herbie Hancock. Unlike the preceding album, Monster, which was conceptualized as a dance album, Mr. Hands is a collection of different musical styles with distinct groups. It features bass guitarist Jaco Pastorius on the track "4 A.M.," plus multiple guests including Bennie Maupin, Sheila E. and Ron Carter, plus an all-synthesizer track ("Textures") performed entirely by Hancock. "Shiftless Shuffle" was recorded by the members of the Headhunters quintet in 1973 during the sessions for the album Head Hunters. This album was the first on which Hancock used a computer, an Apple II. He continued his relationship with Apple Computer for many years.
Man-Child is the fifteenth studio album by jazz pianist Herbie Hancock. The record was released on August 22, 1975 by Columbia Records. It was the final studio album to feature The Headhunters, and a number of guest musicians including saxophonist Wayne Shorter, a full brass section, three different guitarists, and Stevie Wonder on harmonica.
"Chameleon" is a jazz fusion standard composed by Herbie Hancock with Bennie Maupin, Paul Jackson and Harvey Mason, all of whom also performed the original 15:44 full-length version on the 1973 album Head Hunters, and featuring solos by Hancock and Maupin. The 9:41 edit omits an out-of-tune segment, features a new bassline added in at around 6:40 and new instruments added in post-production.
Crossings is the tenth album by jazz pianist Herbie Hancock, released in 1972.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, along with jazz fusion/jazz-funk performances by the ‘Mwandishi’ band and The Headhunters.
Directstep is the twentieth studio album by jazz pianist Herbie Hancock. The record was released exclusively in Japan on January 21, 1979, via the Japanese CBS/Sony label. Participating musicians include saxophonist Bennie Maupin, keyboardist Webster Lewis, bass guitarist Paul Jackson, guitarist Ray Obiedo, percussionist Bill Summers, and drummer Alphonse Mouzon.
Flood is the second live album, and sixteenth album overall, by American jazz pianist and keyboardist Herbie Hancock. Recorded live in Tokyo, the album was originally released exclusively in Japan in 1975 as a double LP 洪水, reads kōzui meaning flood. It features The Headhunters performing selections from the albums Maiden Voyage, Head Hunters, Thrust, and Man-Child –– with the latter album still two months away from release at the time of these concerts.
The Jewel in the Lotus is the debut album by jazz woodwind player Bennie Maupin, recorded in March 1974 and released on ECM later that year. The sextet's rhythm section consists of pianist Herbie Hancock, bassist Buster Williams and percussionists Billy Hart, Freddie Waits and Bill Summers, with guest appearances from trumpeter Charles Sullivan. The title is a translation of the Buddhist mantra Oṃ maṇi padme hūṃ.
Realization is the debut album by American jazz trumpeter Eddie Henderson recorded in 1973 and released on the Capricorn label.
Butterfly is a studio album by Kimiko Kasai with Herbie Hancock, originally released only in Japan in 1979. This is the only vocal collection album of Hancock's compositions, including six tracks, with accompaniment by Hancock's regular group. The title track "Butterfly" makes an appearance following the original album Thrust (1974), and this is also a vocal version. In 2018, this album was reissued in the UK from Be With Records.
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