Miles in the Sky | ||||
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Studio album by | ||||
Released | July 22, 1968 | |||
Recorded | January 16 and May 15–17, 1968 | |||
Studio | Columbia 52nd Street (New York City) | |||
Genre | ||||
Length | 50:56 | |||
Label | Columbia | |||
Producer | Teo Macero | |||
Miles Davis chronology | ||||
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Miles in the Sky is a studio album by the jazz trumpeter and composer Miles Davis. It was released on July 22, 1968, through Columbia Records. [2] It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track "Stuff". Additionally, electric guitarist George Benson features on "Paraphernalia". [3]
Miles in the Sky was produced by Teo Macero and recorded at Columbia Studio B in New York City on January 16, 1968, and May 15–17, 1968. [4] The album's title was a nod to the Beatles' 1967 song "Lucy in the Sky with Diamonds". [2] This is the final appearance of tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams together on a full-length studio album in Davis’ discography. [4]
For Miles in the Sky, Davis and his quintet pulled further away from conventional jazz and more toward jazz-rock fusion. The album's compositions are extended and groove-oriented, often with rhythms that, according to Stephen Thomas Erlewine, "are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano". [3] In the opinion of All About Jazz 's C. Michael Bailey, Miles in the Sky was one of six albums by Davis' quintet between 1965 and 1968 that introduced the poorly-defined jazz subgenre post-bop. [5]
Review scores | |
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Source | Rating |
AllMusic | [3] |
Down Beat | [4] |
The Encyclopedia of Popular Music | [6] |
The Penguin Guide to Jazz Recordings | [7] |
The Rolling Stone Album Guide | [8] |
Rolling Stone Jazz Record Guide | [9] |
Sputnikmusic | 4/5 [10] |
Tom Hull – on the Web | B+ [11] |
In a contemporary review, Down Beat magazine called Miles in the Sky one of the best albums by Davis and his second quintet because of how it shows he had been influenced by Ornette Coleman and John Coltrane: "even as Miles denies it, for their assault on the popular song has pushed Miles along the only path that seems open to him, an increasingly ironic detachment from sentiment and prettiness". [4]
In a retrospective review for AllMusic, Erlewine found it less adventurous than Nefertiti (1968): "Intriguing, successful jams in many respects, but ... this is less visionary than its predecessor and feels like a transitional album – and, like many transitional albums, it's intriguing and frustrating in equal measures." [3] Hernan M. Campbell of Sputnikmusic was more enthusiastic and praised the musicianship throughout, particularly that of Williams, whose drumming he found "mind-blowing". Campbell felt that Miles in the Sky should not be overlooked because it marked the beginning of Davis' electric period and was one of the defining jazz fusion albums. [10]
No. | Title | Writer(s) | Recording session [13] | Length |
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1. | "Stuff" | Miles Davis | May 17, 1968 | 17:00 |
2. | "Paraphernalia" | Wayne Shorter | January 16, 1968 | 12:38 |
No. | Title | Writer(s) | Recording session [13] | Length |
---|---|---|---|---|
3. | "Black Comedy" | Tony Williams | May 16, 1968 | 7:26 |
4. | "Country Son" | Miles Davis | May 15, 1968 | 13:52 |
Total length: | 50:56 |
Herbert Jeffrey Hancock is an American jazz musician, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, using a wide array of synthesizers and electronics. It was during this period that he released one of his best-known and most influential albums, Head Hunters.
Maiden Voyage is the fifth album led by jazz musician Herbie Hancock, and was recorded by Rudy Van Gelder on March 17, 1965, for Blue Note Records. It was issued as BLP 4195 and BST 84195. Featuring Hancock with tenor saxophonist George Coleman, trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams, it is a concept album aimed at creating an oceanic atmosphere. As such, many of the track titles refer to marine biology or the sea, and the musicians develop the concept through their use of space. The album was presented with the Grammy Hall of Fame Award in 1999.
Filles de Kilimanjaro is a studio album by the American jazz trumpeter Miles Davis. It was recorded in June and September 1968 at Columbia 30th Street Studio in Manhattan, New York City, and released on Columbia Records in December of that year in the United Kingdom and in the United States the following February. The album is a transitional work for Davis, who was shifting stylistically from acoustic post-bop recordings with his Second Great Quintet to the jazz fusion of his subsequent "electric period". Filles de Kilimanjaro was well received by contemporary music critics, who viewed it as a significant release in modern jazz. Pianist Chick Corea and bassist Dave Holland appear on two tracks, marking their first participation on a Davis album.
E.S.P. is an album by Miles Davis, recorded on January 20–22, 1965 and released on August 16 of that year by Columbia Records. It is the first release from what is known as Davis's second great quintet: Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums. The album was named after a tune by Shorter, and was inspired by the fact that, "since Wayne Shorter's arrival, the five members of the quintet seemed to communicate by mental telepathy."
Miles Smiles is an album by the jazz musician Miles Davis. It was released on February 16, 1967 through Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. It is the second of six albums recorded by Davis' second great quintet, which featured tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.
Sorcerer is an album by the jazz trumpeter and composer Miles Davis. It is the third of six albums that his 1960s quintet recorded. It also includes one track from a 1962 session with vocalist Bob Dorough, which was the first time Wayne Shorter recorded with Davis. Davis does not play on the second track, "Pee Wee". The album's cover is a profile photo of actress Cicely Tyson, who at the time was Davis's girlfriend.
Nefertiti is a studio album by the jazz trumpeter and composer Miles Davis. It was released in March 1968 through Columbia Records. The recording was made at Columbia's 30th Street Studio over four dates between June 7 and July 19, 1967, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions – three were written by tenor saxophonist Wayne Shorter, two by pianist Herbie Hancock, and one by drummer Tony Williams.
Speak No Evil is the sixth album by Wayne Shorter. It was released in June 1966 by Blue Note Records. The music combines elements of hard bop and modal jazz, and features Shorter on tenor saxophone, trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter and drummer Elvin Jones. The cover photo is of Shorter's first wife, Teruko (Irene) Nakagami, whom he met in 1961.
Post-bop is a jazz term with several possible definitions and usages. It has been variously defined as a musical period, a musical genre, a musical style, and a body of music, sometimes in different chronological periods, depending on the writer. Musicologist Barry Kernfeld wrote in The New Grove Dictionary of Music and Musicians that post-bop is "a vague term, used either stylistically or chronologically to describe any continuation or amalgamation of bop, modal jazz, and free jazz; its meaning sometimes extends into swing and earlier styles or into fusion and third-world styles."
My Point of View is the second album by pianist Herbie Hancock. It was released in 1963 on Blue Note Records as BLP 4126 and BST 84126. Musicians featured are trumpeter Donald Byrd, trombonist Grachan Moncur III, tenor saxophonist Hank Mobley, guitarist Grant Green, bassist Chuck Israels and drummer Tony Williams.
Circle in the Round is a 1979 compilation album by jazz musician Miles Davis. It compiled outtakes from sessions across fifteen years of Davis's career that, with one exception, had been previously unreleased. All of its tracks have since been made available on album reissues and box sets.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired.
Speak Like a Child, the sixth album by American jazz pianist Herbie Hancock, which was recorded and released by Blue Note Records in 1968, features Hancock's arrangements for an unusual front line of Jerry Dodgion on alto flute, Peter Phillips on bass trombone, and Thad Jones on flugelhorn. Critic Nat Hentoff described the album as an "impressive further stage in the evolution of Herbie Hancock as writer and player," saying it is characterized by a "singular quality of incisive, searching lyricism." Unusually, none of the wind players perform solos on any song. The rhythm section is bassist Ron Carter and drummer Mickey Roker.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, along with jazz fusion/jazz-funk performances by the ‘Mwandishi’ band and The Headhunters.
The Complete Studio Recordings of The Miles Davis Quintet 1965–1968 is a box set of six CDs covering the work of Miles Davis and his critically acclaimed second great quintet which featured Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams.
V.S.O.P. was an American jazz quintet consisting of Herbie Hancock, Wayne Shorter, Ron Carter (bass), Tony Williams (drums), and Freddie Hubbard . Hancock, Shorter, Carter, and Williams had all been members of Miles Davis' "Second Great Quintet" during the 1960s. The name V.S.O.P. is taken from a grade of Cognac brandy, where it signifies aged stock.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums—mostly consisting of, at that time, previously unreleased music—that Columbia released to bridge Davis' recording hiatus that ended with the Man with the Horn in July 1981.
Live at the 1963 Monterey Jazz Festival is a live album by Miles Davis recorded on September 20, 1963 and released July 31, 2007. Davis searched for new musicians for his quintet, after splitting with saxophonist John Coltrane in 1960. The new quintet consists of saxophonist George Coleman, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams. It was recorded at the Monterey Jazz Festival in the early fall of 1963.
Freedom Jazz Dance: The Bootleg Series, Vol. 5 is a 3-CD box set by the Miles Davis Quintet compiling studio recordings by jazz trumpeter Miles Davis recorded between 1966 and 1968. The album contains remastered versions, alternate takes, and conversations among the musicians.