Tutu (album)

Last updated
Tutu
Miles Davis-Tutu (album cover).jpg
Cover photograph by Irving Penn
Studio album by
ReleasedSeptember 1986 [1]
RecordedFebruary 6 – March 25, 1986
Studio
Genre
Length42:05
Label Warner Bros.
Producer
Miles Davis chronology
You're Under Arrest
(1985)
Tutu
(1986)
Music from Siesta
(1987)
Audio sample
"Tutu"

Tutu is an album by jazz trumpeter Miles Davis, released in 1986 by Warner Bros. Records. It was recorded primarily at Capitol Studios in Los Angeles and Clinton Recording in New York, except the song "Backyard Ritual", which was recorded at Le Gonks in West Hollywood. [5] Davis received the 1986 Best Jazz Instrumental Performance, Soloist Grammy Award for his performance on the album. [6]

Contents

Background

Originally some tracks were planned as a collaboration with Prince. Prince later pulled out for undisclosed reasons, although the two remained firm friends and later collaborated on "Can I Play With U" as well. (Davis later covered "Movie Star" and "Penetration" by Prince.) Davis ultimately worked with bassist/multi-instrumentalist Marcus Miller. Miller wrote and arranged all the songs, except "Tomaas" (co-written by Davis), "Backyard Ritual" (by keyboardist George Duke), and "Perfect Way" (by pop group Scritti Politti). The music is strongly inspired by mid-1980s R&B and funk, with heavy use of synthesizers, sequencers and drum machines. Miller performed the bulk of instrumentation on the album, including bass guitar, synthesizers and drum machines, bass clarinet and soprano saxophone.

As indicated in the notes accompanying the album, Tutu was produced by Tommy LiPuma and Marcus Miller, with the exception of "Backyard Ritual", which was co-produced by Duke and LiPuma.

The cover was designed by Eiko Ishioka and photographed by Irving Penn. Eiko Ishioka received the 1987 Grammy Award for Best Album Package for her work as the art director. [7] The original vinyl album featured a colored inner sleeve printed with the album credits on one side and a photograph of Davis's left hand (with middle finger depressed) on the reverse.

Reception and legacy

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [8]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [9]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [10]
Jazzwise Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [11]
MusicHound Jazz Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [12]
The New Zealand Herald 4/5 [13]
The Penguin Guide to Jazz Star full.svgStar full.svgStar full.svgStar empty.svg [14]
Record Collector Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [15]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [16]
The Village Voice B+ [17]

Tutu divided critics and listeners when it was released in 1986. [18] Like Davis's pivotal 1970 album Bitches Brew , Paul Tingen wrote, Tutu became one of the "defining jazz albums" of its decade and attracted a young, new audience while alienating many other jazz listeners because of its heavy reliance on the drum machine and synthesizers. A number of critics felt the music was ingratiatingly elegant, designed for casual listening, and largely a work by Miller. [19] In The New York Times that year, Robert Palmer said it "already sounds curiously dated" and unambitious, featuring synthesizers that "have glutinous textures so overly familiar from the mainstream of late-1970s pop jazz" and electronic rhythms lacking the innovation of contemporary hip hop records. [4]

Others believed the album gave a musical setting for Davis's improvisations to thrive in, comparable to his orchestral recordings with Gil Evans from the late 1950s and early 1960s. [19] The Village Voice critic Robert Christgau deemed it a marginal success but also Davis's "best in a decade". He contended that while Davis's 1970s fusion recordings for Columbia Records were purely improvised jazz-rock, Tutu sounded "more like pop-funk Sketches of Spain , with the starperson's trumpet glancing smartly off an up-to-date panoply of catchy little tunes, beats, and rhythm effects". [17] Jazz musician and writer Mike Zwerin was more enthusiastic, hailing it as "the best jazz record of the decade". [19]

In a retrospective piece, Christgau later wrote that with "shlock" like Tutu and Amandla , Davis was taking advantage of the fusion movement he helped develop while showing "gratifying groove and class". [20] In J. D. Considine's opinion, the album's compositions and improvisations endured well with the passage of time, even though its electronically processed and enigmatic music turned off jazz purists. [21] Writing for Something Else! in 2006, S. Victor Aaron said the best song from Tutu may have been Davis's own composition "Tomaas": "With a reggae beat married to repetitive single note underpinned by some very nifty bass work by Miller, Miles and Miller (also on soprano sax) trade fours and eights in a rare opportunity for Miles to stretch out. Overall, though, the trumpet playing is subdued, probably more constrained by production than declining abilities. Rarely does the mute come off his horn." [22] Reviewing the album for Jazzwise in 2011, Davis' biographer George Cole said, "Tutu was a product of the 80s, a decade where music was often in danger of becoming subservient to technology. But while much of the music from this era is now long forgotten; Tutu continues to thrive; artists such as George Benson, Al Jarreau and Cassandra Wilson have recorded cover versions of the title track." [23]

Between May and August 2010, Miller performed on the "Tutu Revisited" concert tour with a band comprising Christian Scott on trumpet with Alex Han on saxophone, Federico González Peña on keyboards and Louis Cato on drums. In an interview for JazzTimes , Miller said, "I'm finding that although the music mirrored the times in which it was created, there is so much in the music that still seems relevant today. Although we've replaced some of the super electro sounding elements, the melodies are still very cool. It feels like they have withstood the test of time. People seem to be feeling this music twenty years later." [24]

Track listing

All tracks composed by Marcus Miller except where indicated:

  1. "Tutu" – 5:15
  2. "Tomaas" – 5:38 (Davis, Marcus Miller)
  3. "Portia" – 6:18
  4. "Splatch" – 4:46
  5. "Backyard Ritual" – 4:49 (George Duke)
  6. "Perfect Way" – 4:35 (David Gamson, Green Gartside)
  7. "Don't Lose Your Mind" – 5:49
  8. "Full Nelson" – 5:06

Deluxe edition

Disc two (Live from Nice Festival, France, July 1986)

  1. "Opening Medley": 'Theme from Jack Johnson', 'Speak', 'That's What Happened' – 15:14
  2. "New Blues" – 5:20
  3. "The Maze" – 10:15
  4. "Human Nature" – 9:04
  5. "Portia" – 7:54
  6. "Splatch" – 17:10
  7. "Time After Time" – 7:22
  8. "Carnival" – 4:20

Personnel

Musicians

Production

Charts

Chart performance for Tutu
Chart (1986)Peak
position
Dutch Albums (Album Top 100) [25] 46
Swedish Albums (Sverigetopplistan) [26] 33
Swiss Albums (Schweizer Hitparade) [27] 27
UK Albums (OCC) [28] 74
US Billboard 200 [29] 141

Certifications and sales

Certifications for Tutu
RegionCertification Certified units/sales
France (SNEP) [30] Gold100,000*

* Sales figures based on certification alone.

Related Research Articles

<span class="mw-page-title-main">Marcus Miller</span> American musician, composer and producer

William Henry Marcus Miller Jr. is an American musician, songwriter, and record producer. He has worked with trumpeter Miles Davis, pianist Herbie Hancock, singer Luther Vandross, and saxophonists Wayne Shorter and David Sanborn, among others. He was the main songwriter and producer on three of Davis' albums: Tutu (1986), Music from Siesta (1987), and Amandla (1989). His collaboration with Vandross was especially close; he co-produced and served as the arranger for most of Vandross' albums, and he and Vandross co-wrote many of Vandross' songs, including the hits "I Really Didn't Mean It", "Any Love", "Power of Love/Love Power" and "Don't Want to Be a Fool". He also co-wrote the 1988 single "Da Butt" for Experience Unlimited.

<i>The Sun Dont Lie</i> 1993 studio album by Marcus Miller

The Sun Don't Lie is an album by Marcus Miller, released in 1993 on PRA Records. The album rose to No. 10 on the Billboard Jazz Albums chart. The album "is dedicated to the memory of Miles Davis."

<i>Bitches Brew</i> 1970 studio album by Miles Davis

Bitches Brew is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970 by Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero.

<i>Sketches of Spain</i> 1960 studio album by Miles Davis

Sketches of Spain is an album by Miles Davis, recorded between November 1959 and March 1960 at the Columbia 30th Street Studio in New York City. An extended version of the second movement of Joaquín Rodrigo's Concierto de Aranjuez (1939) is included, as well as a piece called "Will o' the Wisp", from Manuel de Falla's ballet El amor brujo (1914–1915). Sketches of Spain is regarded as an exemplary recording of third stream, a musical fusion of jazz, European classical, and styles from world music.

<i>Nefertiti</i> (Miles Davis album) 1968 studio album by Miles Davis

Nefertiti is a studio album by jazz musician Miles Davis, released in March 1968. Recorded at Columbia's 30th Street Studio over four dates between June 7 and July 19, 1967, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions – three were written by tenor saxophonist Wayne Shorter, two by pianist Herbie Hancock, and one by drummer Tony Williams.

<i>Jack Johnson</i> (album) 1971 studio album / Soundtrack album by Miles Davis

Jack Johnson is a studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971, by Columbia Records.

<i>Get Up with It</i> 1974 compilation album by Miles Davis

Get Up with It is a compilation album by American jazz trumpeter, bandleader, and composer Miles Davis. Released by Columbia Records on November 22, 1974, it compiled songs Davis had recorded in sessions between 1970 and 1974, including those for the studio albums Jack Johnson (1971) and On the Corner (1972). In The Rolling Stone Album Guide (2004), J. D. Considine described the compilation's music as "worldbeat fusion".

<i>Star People</i> 1983 studio album by Miles Davis

Star People is a 1983 album recorded by Miles Davis and issued by Columbia Records. It is the second studio recording released after the trumpeter's six-year hiatus, the first to feature electric guitarist John Scofield, who was recommended by saxophonist Bill Evans, and the last to be produced by long-standing collaborator Teo Macero.

<i>Amandla</i> (album) 1989 studio album by Miles Davis

Amandla is an album by jazz musician Miles Davis, released in 1989. The word Amandla holds significance in various Nguni languages, including Zulu and Xhosa, where it translates to "power." It is the third collaboration between Miles Davis and producer/bassist Marcus Miller, following their previous works Tutu (1986) and Music from Siesta (1987), and it serves as their final album together.

<i>Doo-Bop</i> 1992 studio album by Miles Davis

Doo-Bop is the last studio album by American jazz trumpeter Miles Davis. It was recorded with hip hop producer Easy Mo Bee and released posthumously on June 30, 1992, by Warner Bros. Records. The album was received unfavorably by most critics, although it won a Grammy Award for Best R&B Instrumental Performance the following year.

<i>Pangaea</i> (album) 1976 live album by Miles Davis

Pangaea is a live album by American jazz trumpeter, composer, and bandleader Miles Davis. It was originally released as a double album in 1976 by CBS/Sony in Japan.

<i>Miles Davis at Fillmore</i> 1970 live album by Miles Davis

Miles Davis at Fillmore is a 1970 live album by jazz trumpeter Miles Davis and band, recorded at the Fillmore East, New York City on four consecutive days, June 17 through June 20, 1970, originally released as a double vinyl LP. The performances featured the double keyboard set-up Davis toured with for a few months, with Keith Jarrett and Chick Corea playing electronic organ and Fender Rhodes electric piano, respectively. The group opened for Laura Nyro at these performances.

<i>Traveling Miles</i> 1999 studio album (Tribute album) by Cassandra Wilson

Traveling Miles is the thirteenth studio album by American jazz vocalist Cassandra Wilson. Released on the Blue Note label in 1999, it is a tribute to Miles Davis, taking many of its cues from Davis' catalog of recordings with Columbia Records. The album was nominated for the Grammy Award as Best Jazz Vocal Performance.

<i>In Concert</i> (Miles Davis album) 1973 live album by Miles Davis

In Concert is a live double album by American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics."

<i>Free</i> (Marcus Miller album) 2007 studio album by Marcus Miller

Free is a studio album by jazz bassist Marcus Miller, released in 2007.

<i>Water Babies</i> (album) 1976 compilation album by Miles Davis

Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired.

<i>Live Around the World</i> (Miles Davis album) 1996 live album by Miles Davis

Live Around the World is a live album by American jazz musician Miles Davis. The single CD contains live recordings from 1988 to 1991. The album peaked at No. 4 on the Billboard Top Jazz Albums chart.

<i>Love Songs</i> (Miles Davis album) 1999 compilation album by Miles Davis

Love Songs is a compilation album by American jazz musician Miles Davis, released on February 2, 1999, by Sony Music Records. The songs it compiles were recorded between May 10, 1957, and February 12, 1964.

<i>Closer to the Source</i> (Dizzy Gillespie album) 1984 studio album by Dizzy Gillespie

Closer to the Source is an album by trumpeter Dizzy Gillespie, recorded in 1984, featuring an all star cast of guest musicians and released on the Atlantic label.

<i>Laid Black</i> 2018 studio album by Marcus Miller

Laid Black is a studio album by American recording artist Marcus Miller. It was released on June 1, 2018 by Blue Note Records. Laid Black was nominated for Best Contemporary Instrumental Album at the 61st Annual Grammy Awards. The album features collaborations with Trombone Shorty, Jonathan Butler, Take 6, Selah Sue, Kirk Whalum & Alex Han.

References

  1. "BBC - Music - Review of Miles Davis - Tutu".
  2. Hoffman, Frank, ed. (2004). Encyclopedia of Recorded Sound, Volume 1 (2nd ed.). CRC Press. p. 616. ISBN   0203484274 . Retrieved June 26, 2013. ...Miles Davis's last pop-jazz albums for Warners Bros. (Tutu [1986], and Amandla [1987]).
  3. Freeman, Phil (2014). "Miles Davis Albums From Worst to Best". Stereogum . Retrieved May 22, 2016.
  4. 1 2 Palmer, Robert (October 1, 1986). "The Pop Life; In 'Tutu,' Miles Davis Goes Fully Electronic". The New York Times . Retrieved May 22, 2016.
  5. Tutu (deluxe edition reissue booklet). Miles Davis. Warner Jazz. 2011. 8122797687.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  6. "29th Annual GRAMMY Awards". GRAMMY.com. 2017-11-28. Retrieved 2020-03-02.
  7. "Past Winners Search | GRAMMY.com". grammy.com. Retrieved 2 June 2013.
  8. Yanow, Scott (2011). "Tutu - Miles Davis | AllMusic". allmusic.com. Retrieved 8 August 2011.
  9. Larkin, Colin (2011). "Miles Davis". The Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN   978-0857125958.
  10. Fordham, John (May 19, 2011). "Miles Davis – Tutu: Deluxe Edition – review". The Guardian . Retrieved June 26, 2013.
  11. Nicholson, Stuart (October 9, 2015). "Miles Davis – Tutu Deluxe Edition". Jazzwise . Retrieved May 22, 2016.
  12. Holtje, Steve; Lee, Nancy Ann, eds. (1998). "Miles Davis". MusicHound Jazz: The Essential Album Guide . Music Sales Corporation. ISBN   0825672538.
  13. Reid, Graham (June 4, 2011). "Album review: Miles Davis, Tutu: Special Edition". The New Zealand Herald . Retrieved June 26, 2013.
  14. Cook & Morton 1992, p. 273.
  15. Waring, Charles (June 2011). "Tutu Revisited". Record Collector (389): 97. Retrieved June 26, 2013.
  16. Considine et al. 2004, p. 215.
  17. 1 2 Christgau, Robert (October 28, 1986). "Consumer Guide". The Village Voice . Retrieved June 26, 2013.
  18. "Miles Davis – Tutu". Jazzwise. May 2011. Retrieved May 22, 2016.
  19. 1 2 3 Tingen, Paul (March 2002). "Miles Davis: Miles on Target". JazzTimes . Retrieved May 22, 2016.
  20. Christgau 1990, p. 463.
  21. Considine et al. 2004, p. 219.
  22. S. Victor Aaron (2015-06-21). "Miles Davis - Tutu (1986) | Something Else!". Somethingelsereviews.com. Retrieved 2015-06-25.
  23. "Jazzwise".
  24. "Jazz Columns: Marcus Miller Revisits Music of Tutu on Tour - By Lee Mergner — Jazz Articles". Jazztimes.com. Retrieved 2015-06-25.
  25. "Dutchcharts.nl – Miles Davis – Tutu" (in Dutch). Hung Medien. Retrieved April 26, 2021.
  26. "Swedishcharts.com – Miles Davis – Tutu". Hung Medien. Retrieved April 26, 2021.
  27. "Swisscharts.com – Miles Davis – Tutu". Hung Medien. Retrieved April 26, 2021.
  28. "Official Albums Chart Top 100". Official Charts Company. Retrieved April 26, 2021.
  29. "Miles Davis Chart History (Billboard 200)". Billboard. Retrieved April 26, 2021.
  30. "French album certifications – Miles Davis – Tutu" (in French). InfoDisc. Retrieved November 18, 2021.Select MILES DAVIS and click OK. 

Bibliography

Further reading