Peter Doell | |
---|---|
Born | Rochester, New York |
Occupation(s) | Recording Engineer, Mixing Engineer, Mastering Engineer |
Peter Doell is an American recording and mastering engineer known for his work with Miles Davis, Toto, Céline Dion and The Beach Boys. [1] Doell has been a staff engineer at Capitol Studios, Sunset Sound Recorders [2] [3] and Universal Mastering Studios West. [4] [5] [6] His film and TV work includes Road To Perdition, Black Hawk Down and Monsters, Inc., American Idol, The Voice and Empire. [7] [8] [9]
Doell is a member of the executive committee of the Audio Engineering Society Los Angeles Section, the National Academy of Recording Arts and Sciences Producers and Engineers Wing and past member of the AES Mastering Panel. [10]
Doell grew up in Rochester, New York. His interest in music was sparked by the summer concert series "The Arrangers Holiday" at the Eastman School of Music, where Phil Ramone was the recording engineer. During high school, Doell played the electric bass on bands he put together. [11] [2]
Doell started college enrolled in a biology program to later pursue a career in medicine. He changed from biology to music after seeing the multi-track tape recorders at his college's music department. [11] Doell graduated from University at Albany with a B.A. in Electronic Music Composition. [10]
Doell began his career as a recording engineer at Dimension Sound in Boston in 1974. In 1980, he relocated to Los Angeles as a recording engineer at Wally Heider Studios. [11] He was assistant engineer on Eddie Money's album “No Control” produced by Tom Dowd [12] [2]
After a year at Wally Heider, Doell moved to Sunset Sound Factory, where he was a technician for 18 months. In 1983 Doell moved to Capitol Studios, [13] [14] [15] where he worked for 15 years. [2] Peter Doell was the recording engineer for the albums “While the City Sleeps...” by George Benson and “Tutu” by Miles Davis, produced by Tommy LiPuma. He was recommended to LiPuma by James Newton Howard. [11] Davis won the Grammy Award for "Best Jazz Instrumental Performance, Soloist" for his performance on "Tutu". [16]
Throughout the late 80s and 90s, Doell was recording engineer on albums including “Festival” by Lee Ritenour (1988), “Standard Time, Vol. 3: The Resolution of Romance” by Wynton Marsalis (1990), “The Sun Don't Lie” by Marcus Miller (1993), “Duets” and “Duets II” by Frank Sinatra (1993 and 1994), “Falling into You” by Céline Dion (1996) and the original motion picture soundtrack for “Tarzan” by Phil Collins and Mark Mancina (1999). [12]
In the early 2000s, Doell took on a role as mastering engineer. [17] He worked as senior mastering engineer at Universal Mastering Studios West's Studio A. [2] [18] This room was known for its unusually large dimensions for a mastering studio (32’x21’x11’). [4] Doell mastered records from labels affiliated to Capitol Music Group, owned by Universal Music Group (UMG), as well as from independent clients. [5] [19] At Universal, Doell mastered the album "Toto XIV", which won a TEC Award in 2016 in the "Record Production/Album" category. [20]
In February 2016, Doell joined AfterMaster Audio Labs [6] as senior mastering engineer as the company expanded its mastering services. [21] [22] [23]
In September 2022, Doell founded the mastering studio 21st Century Audio. Albums mastered by Doell at 21st Century Audio include "Fifty" by The Manhattan Transfer , [24] "Live in Italy" by the Peter Erskine Trio and "Vulnerable" by Nikkole. [25]
Doell organizes a weekly lunchtime gathering in Burbank, California. Producers and engineers meet on the outdoor patio of a Mexican restaurant. Attendance has reached 150. [26] [27]
Doell is credited as mastering engineer on the following Grammy-nominated albums at the 65th Annual Grammy Awards: [28]
Doell is credited as engineer in the following RIAA certified records: [29] [30]
Doell is credited as mastering engineer on Nikkole's 2021 album "Vulnerable", chosen #1 on Goldmine Magazine's 2022 Top 10 Soul and R&B albums of the year. [31]
Year | Album | Artist | Role |
---|---|---|---|
1970 | Asante | McCoy Tyner | Remixing |
1972 | The Last Session | Lee Morgan | Remixing |
1975 | Teaser | Tommy Bolin | Mastering |
1977 | Street Survivors | Lynyrd Skynyrd | Remixing |
1986 | While the City Sleeps... | George Benson | Engineer |
1986 | Tutu | Miles Davis | Engineer |
1986 | Rock Therapy | Stray Cats | Engineer |
1986 | Abstract Emotions | Randy Crawford | Mixing |
1988 | Recently | Joan Baez | Engineer |
1988 | Born 2 B Blue | Steve Miller | Engineer |
1989 | Repeat Offender | Richard Marx | Engineer |
1990 | Standard Time, Vol. 3: The Resolution of Romance | Wynton Marsalis | Engineer |
1990 | If There Was a Way | Dwight Yoakam | Engineer |
1991 | Back from Rio | Roger McGuinn | Engineer |
1992 | La Croix d’Amour | Dwight Yoakam | Engineer |
1993 | This Time | Dwight Yoakam | Engineer |
1993 | The Sun Don't Lie | Marcus Miller | Engineer |
1994 | Healing Hands of Time | Willie Nelson | Engineer |
1995 | Absolutely! | Clayton-Hamilton Jazz Orchestra | Engineer |
1996 | What the Hell Happened to Me? | Adam Sandler | Engineer |
1996 | Static Prevails | Jimmy Eat World | Engineer |
1996 | Stars and Stripes, Vol. 1 | The Beach Boys | Engineer |
1999 | Tarzan (Original Motion Picture Soundtrack) | Phil Collins, Mark Mancina | Engineer |
1999 | At First Sight (Score/Original Motion Picture Soundtrack) | Mark Isham | Mixing |
2000 | The Road to El Dorado (Original Motion Picture Soundtrack) | Elton John | Engineer |
2000 | Complete Blue Note Elvin Jones Sessions | Elvin Jones | Remixing |
2002 | An American Journey: Winter Olympics 2002 | John Williams | Scoring Crew |
2002 | A New Day Has Come | Céline Dion | Engineer |
2002 | 200 km/h in the Wrong Lane | t.A.T.u. | Mastering |
2004 | Trios | Wynton Marsalis | Engineer |
2006 | To Go: Stick It in Your Ear | The Jackson 5 | Mastering |
2006 | To Go: Stick It in Your Ear | Commodores | Mastering |
2006 | To Go: Stick It in Your Ear | James Brown | Mastering |
2007 | Hits and Rarities | Sheryl Crow | Mastering |
2009 | You Never Can Tell: The Complete Chess Recordings 1960-1966 | Chuck Berry | Remixing |
2009 | The High End of Low | Marilyn Manson | Mastering |
2009 | Let's Talk About Love/A New Day Has Come | Céline Dion | Engineer |
2010 | Rarities Edition: Street Survivors | Lynyrd Skynyrd | Remixing |
2010 | Have Mercy: His Complete Chess Recordings (1969-1974) | Chuck Berry | Mixing |
2011 | Re: (Disc)overed | Puddle of Mudd | Mastering |
2011 | Beg for Mercy | Adam Lambert | Mastering |
2013 | Transition | Steve Lukather | Mastering |
2013 | Made in California | The Beach Boys | Engineer |
2013 | Icon | Tom Jones | Mastering |
2013 | Icon | The Beach Boys | Mastering |
2014 | Genius Loves Company (10th Anniversary Deluxe Edition) | Ray Charles | Mastering |
2015 | Toto XIV | Toto | Mastering |
2016 | Dr. Um | Peter Erskine | Mastering |
2017 | Second Opinion | Peter Esrkine | Mastering |
2021 | Dimmi di più | Elemento 38 | Mastering |
2021 | Vulnerable | Nikkole | Mastering |
2022 | Live in Italy | Peter Erskine Trio | Mastering |
2022 | Fifty | The Manhattan Transfer ft. WDR Funkhausorchester | Mastering |
Tutu is an album by American jazz trumpeter Miles Davis, released in 1986 by Warner Bros. Records. It was recorded primarily at Capitol Studios in Los Angeles and Clinton Recording in New York, except the song "Backyard Ritual", which was recorded at Le Gonks in West Hollywood. Davis received the 1986 Best Jazz Instrumental Performance, Soloist Grammy Award for his performance on the album.
Faith: A Holiday Album is the second holiday album and tenth studio album by saxophonist Kenny G. It was released by Arista Records on November 16, 1999 and peaked at number 1 on the Contemporary Jazz Albums chart, number 4 on the R&B/Hip-Hop Albums chart, number 5 on the Internet Albums chart, and number 6 on the Billboard 200. The album also received a Grammy nomination for Best Pop Instrumental Album.
Elliot Ray Scheiner is a music producer, mixer and engineer. Scheiner has received 27 Grammy Award nominations, eight of which he won, and he has been awarded four Emmy nominations, two Emmy Awards for his work with the Eagles on their farewell tour broadcast, and the documentary film History of the Eagles, three TEC Awards nominations, a TEC Hall of Fame inductee, and recipient of the Surround Pioneer Award. Elliot holds an honorary Doctor of Music degree from the Berklee College of Music and is one of the only Americans to be awarded the Master of Sound honour from the Japan Audio Society.
George Y. Massenburg is a Grammy award-winning recording engineer and inventor. Working principally in Baltimore, Los Angeles, Nashville, and Macon, Georgia, Massenburg is widely known for submitting a paper to the Audio Engineering Society in 1972 regarding the parametric equalizer.
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Unique Recording Studios was a five-room recording studio operating near Times Square in New York City from 1978 until 2004. Founders and co-owners Bobby Nathan and Joanne Georgio-Nathan installed the first Otari 24-track tape deck in New York. The studio was known for its extensive collection of synthesizers, which attracted Steve Winwood, who jammed for many hours in the process of creating his multi-Grammy winning album Back in the High Life (1986) at Unique.
Gerry "the Gov." Brown is a recording engineer, mixer and music producer based in Los Angeles, best known for his work with artists including Whitney Houston, John Legend, Earth, Wind & Fire, Madonna, Sting, Prince, Phil Collins, Marcus Miller, Wayne Shorter and Victor Wooten. He is credited on multiple RIAA Gold and Platinum certified albums.
Lawrence G. Ryckman is a music industry executive known for his knowledge of audio production and mastering and the development of patented audio and video technologies used in the music and entertainment industries. He is president and CEO of AfterMaster Audio Labs and Recording Studios in Hollywood, California, part of Scottsdale, Arizona-based Aftermaster, Inc. In November 2014, recording artist Justin Timberlake joined Ryckman as a co-owner of AfterMaster.
Ted Jensen is an American mastering engineer, known for having mastered many recordings, including the Eagles' Hotel California, Green Day's American Idiot and Norah Jones' Come Away with Me.
Stephen Dent is an American audio engineer and managing director at Daddy's House Recording Studio in New York. He is a Grammy award nominee (1999) and worked on the platinum album Bad Boys II.
Emily B. Lazar is an American mastering engineer. She is the founder, president, and chief mastering engineer of The Lodge, an audio mastering facility that has operated in New York City's Greenwich Village since 1997. She won a Grammy Award for Best Engineered Album, Non-Classical for Beck's album Colors, becoming the first female mastering engineer to win in this category.
Recording Workshop (RECW) is a school that teaches the process of music recording and audio production. It is located seven miles south of Chillicothe, Ohio, USA.
Dave Pensado is a Grammy Award-winning mix engineer. His career began in Atlanta in the 1970s and 1980s doing live and studio sound engineering. He has lived in Los Angeles since 1990. He mixes between 200 and 250 songs a year at Larrabee Studios in Los Angeles. When recording he usually records at Echo Bar Studios in North Hollywood.
F. Reid Shippen is a mixer, engineer and producer currently based in Nashville. He has mixed a wide variety of records including "Cosmic Hallelujah" by Kenny Chesney, "Lights Out" by Ingrid Michaelson, "The Mountain" by Dierks Bentley, "When I Was Younger" by Colony House, and "Eye On It" by TobyMac. Shippen has mixed nine Grammy Award winning projects and received the Audio Engineer of the Year award at the 54th Annual Academy of Country Music Awards.
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Thomas Vicari is an American recording engineer, mixing engineer, record producer and scoring mixer known for his work with Quincy Jones, Gino Vannelli, Nicholas Britell, Thomas Newman, Prince, George Duke and Barbra Streisand. He was the sound mixer for TV shows and films including Six Feet Under, The Newsroom, Behind the Candelabra, Phantom of the Paradise, Finding Nemo, Finding Dory, Wall-E and Road to Perdition.
Barry Rudolph is a recording engineer, mixing engineer, record producer and technical writer best known for his work with Rod Stewart, Lynyrd Skynyrd and Hall & Oates. He has been a contributing editor for Music Connection Magazine since 1987 and Mix Magazine since 1997. Rudolph is credited on more than 30 RIAA-certified gold and platinum records.
Sound Credit is a music credits platform with computer software applications for Windows, macOS, iOS, and Android. It includes the Sound Credit Publisher cross-platform desktop application, the Tracker cross-platform digital audio workstation (DAW) plug-in, physical kiosks, smart card check-in system, and online database.