Miles Ahead | ||||
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Studio album by | ||||
Released | October 21, 1957 [1] [2] | |||
Recorded | May 6–August 22, 1957 | |||
Studio | Columbia 30th Street Studio, New York City | |||
Genre | ||||
Length | 37:21 | |||
Label | Columbia | |||
Producer | George Avakian, Cal Lampley | |||
Miles Davis chronology | ||||
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Alternate cover | ||||
![]() LP cover used for reissues |
Miles Ahead is a studio album by American jazz musician Miles Davis, released on October 21, 1957, by Columbia Records. [1] [2] It was Davis' first collaboration with arranger Gil Evans, following the Birth of the Cool sessions. Along with their subsequent collaborations Porgy and Bess (1959) and Sketches of Spain (1960), Miles Ahead is one of the most famous recordings of Third Stream, a fusion of jazz, European classical, and world musics. [3] Davis played flugelhorn throughout.
Evans combined the ten pieces that make up the album into a suite, each flowing into the next without interruption; the only exception to this rule was on the title track since it was placed last on side A (this has been corrected on the CD versions). Davis is the only soloist on Miles Ahead, which features a large ensemble consisting of sixteen woodwind and brass players. Art Taylor played drums on the sessions and the then current Miles Davis Quintet member Paul Chambers was the bassist.
The album was originally recorded at Columbia's 30th Street Studio on May 6, 10, 23 and 27, 1957. On August 22, 1957, Davis re-recorded material to cover or patch mistakes or omissions in his solos using overdubbing. The fact that this album was originally produced in mono makes these inserted overdubbings rather obvious in the new stereo setting. [4]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Disc | ![]() ![]() ![]() ![]() ![]() |
DownBeat | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | A [9] |
The Independent | (favorable) [10] |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz gave Miles Ahead a four-star rating out of a possible four stars, and called the album "a quiet masterpiece... with a guaranteed place in the top flight of Miles albums." [12] Of Davis' flugelhorn, Kevin Whitehead of Cadence wrote that it "seemed to suit [Davis] better than trumpet: more full-bodied, less shrill, it glosses over his technical deficiencies." [13] The Penguin Guide, on the other hand, opined that "the flugelhorn's sound isn't so very different from his trumpet soloing, though palpably softer-edged.... [S]ome of the burnish seems to be lost." [12] Tony Hall of Disc said the album "one of the finest records of the decade" and rated five stars and plus. [6]
Davis was reportedly unhappy about the album's original cover, which featured a photograph of a young white woman and child aboard a sailboat. He made his displeasure known to Columbia executive George Avakian, asking, "Why'd you put that white bitch on there?" [14] Avakian later stated that the question was made in jest. For later releases of the record, however, the original cover-photo has been replaced by a photograph of Davis.
Bonus tracks on the 1997 CD reissue:
Source: Miles Ahead (album) at Discogs.