Circle in the Round | ||||
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Compilation album by | ||||
Released | November 1979 | |||
Recorded | October 26, 1955 – January 27, 1970 | |||
Genre | ||||
Length | 98:25 | |||
Label | Columbia | |||
Producer | Joe McEwen and Jim Fishel | |||
Miles Davis chronology | ||||
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Circle in the Round is a 1979 compilation album by jazz musician Miles Davis. It compiled outtakes from sessions across fifteen years of Davis's career that, with one exception, had been previously unreleased. All of its tracks have since been made available on album reissues and posthumous box sets.
"Two Bass Hit" is from a 1955 session. A 1958 re-recording was released on Milestones . "Love for Sale", previously released on a 1974 Japanese compilation, features the same lineup that would play on most of Kind of Blue . "Blues No. 2" comes from the last session that Davis and John Coltrane would record together in 1961, although Coltrane does not play on the track.
The title track, recorded in late 1967, is the first Davis recording to depart from the strictly acoustic quintet, featuring the sound of the electric guitar (played by Joe Beck). This marks the inception of his "electric" period, which would continue in his music throughout the remainder of his career. Edited here by seven minutes, the full track was released on The Complete Studio Recordings of The Miles Davis Quintet 1965–1968 . The first officially released Davis track with electric guitar was "Paraphernalia", from 1968's Miles in the Sky , [2] with George Benson contributing. Benson appears here on the second take of "Side Car" and "Sanctuary".
"Teo's Bag", [3] "Side Car" (both takes are released), "Splash", and "Sanctuary" come from two sessions in early 1968. ("Teo's Bag", a Herbie Hancock composition, is also known as "The Collector," and had been previously recorded by Wayne Shorter for Blue Note records.) "Splash" was later released unedited on The Complete In a Silent Way Sessions and the 2002 reissue of Water Babies, while a re-recording of "Sanctuary" in August 1969 would be the closing track on Bitches Brew .
"Guinnevere" is from the same "electric" sessions of early 1970, with sitar and tabla, which yielded "Great Expectations", "Orange Lady" and "Lonely Fire" (released on Big Fun ). Like the title track, it was released here in abbreviated form, as on The Complete Bitches Brew Sessions , the track is three minutes longer.
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Christgau's Record Guide | B+ [5] |
Down Beat (1982) | [6] |
Down Beat (1991) | [6] |
Encyclopedia of Popular Music | [7] |
The Penguin Guide to Jazz Recordings | [8] |
Q | [9] |
The Rolling Stone Album Guide | [10] |
Tom Hull – on the Web | B+ ( ) [11] |
In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau deemed the recordings on Circle in the Round "damaged goods", even though "Miles tastes better out of the can than fresh watermelon or even V.S.O.P." [5] Lester Bangs voted it as one of 1979's ten best records in his ballot for The Village Voice 's annual Pazz & Jop poll. [12] "Although seemingly hodgepodge in arrangement, Circle in the Round is a brilliant examination of the depth of scope and range possessed by Miles Davis", Lindsay Planer later wrote in AllMusic. [4]
All tracks by Miles Davis except where noted
No. | Title | Writer(s) | Recording date | Length |
---|---|---|---|---|
1. | "Two Bass Hit" | Dizzy Gillespie, John Lewis | 10/26/1955 | 3:43 |
2. | "Love for Sale" | Cole Porter | 5/26/1958 | 11:52 |
3. | "Blues No. 2" | 3/21/1961 | 6:51 |
No. | Title | Recording date | Length |
---|---|---|---|
1. | "Circle in the Round" | 12/4/1967 | 26:17 |
No. | Title | Recording date | Length |
---|---|---|---|
1. | "Teo's Bag" | 1/16/1968 | 5:58 |
2. | "Side Car I" | 2/13/1968 | 5:00 |
3. | "Side Car II" | 2/13/1968 | 3:37 |
4. | "Splash" | 11/12/1968 | 8:33 |
No. | Title | Writer(s) | Recording date | Length |
---|---|---|---|---|
1. | "Sanctuary" | Wayne Shorter | 5/2/1968 | 8:52 |
2. | "Guinnevere" | David Crosby | 1/27/1970 | 18:06 |
Recorded between October 26, 1955 and January 27, 1970.
'Round About Midnight is an album by jazz trumpeter Miles Davis that was originally released by Columbia Records in March 1957. It was Davis' first album with Columbia.
Filles de Kilimanjaro is a studio album by American jazz trumpeter Miles Davis. It was recorded in June and September 1968, and released on Columbia Records. It was released in the United Kingdom by the company's subsidiary Columbia (CBS) in 1968 and in the United States during February 1969. The album is a transitional work for Davis, who was shifting stylistically from acoustic recordings with his "second great quintet" to his electric period. Filles de Kilimanjaro was well received by contemporary music critics, who viewed it as a significant release in modern jazz. Pianist Chick Corea and bassist Dave Holland appear together on two tracks, their first participation on a Davis album.
Milestones is a studio album by American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded with his "first great quintet" augmented as a sextet and released in 1958 by Columbia Records.
Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, New York City, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.
Nefertiti is a studio album by American jazz musician Miles Davis, released in March 1968. Recorded on June 7, June 22–23 and July 19, 1967, at Columbia's 30th Street Studio, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions- three were written by tenor saxophonist Wayne Shorter, two by pianist Herbie Hancock and one by drummer Tony Williams.
Miles in the Sky is a studio album by American trumpeter and composer Miles Davis, released on July 22, 1968, by Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track “Stuff”. Additionally, electric guitarist George Benson features on “Paraphernalia”.
The Complete Bitches Brew Sessions is a four-disc box set of music recordings by trumpeter Miles Davis. The set collects all tracks Davis recorded between August 19, 1969, and February 6, 1970, including the 1970 double album Bitches Brew in its entirety. However, the title of the box set is somewhat of a misnomer: outside of the Bitches Brew tracks themselves, none of the other tracks were recorded during the same August 1969 sessions that resulted in Bitches Brew. Furthermore, additional material recorded for, but not used in Bitches Brew, is not included in this set.
Miles: The New Miles Davis Quintet is an album by jazz musician Miles Davis released in April 1956 on Prestige Records, catalogue 7014. It is the debut record by the Miles Davis Quintet, and generally known by the original title Miles as indicated on the cover.
Star People is a 1983 album recorded by Miles Davis and issued by Columbia Records. It is the second studio recording released after the trumpeter's six-year hiatus, the first to feature electric guitarist John Scofield, who was recommended by saxophonist Bill Evans, and the last to be produced by long-standing collaborator Teo Macero.
The Complete In a Silent Way Sessions is a three-disc box set by trumpeter Miles Davis released by Legacy Records, featuring recordings from the sessions that would produce his 1969 album In a Silent Way as well as transitional pieces from the era. Besides two tracks previously released on the 1968 album Filles de Kilimanjaro, the set also includes material for Columbia outtake compilations Water Babies, Circle in the Round, and Directions. The box set features previously unreleased music, mostly from the In a Silent Way sessions proper. As well as the CDs, it includes essays by Michael Cuscuna and Bob Belden and details of the recording sessions. It is number five in the Legacy series of Miles Davis' Complete Sessions box sets.
The Complete Jack Johnson Sessions were recorded in April 1970 by Miles Davis, and released in September 2003. These sessions formed the basis for the 1971 album Jack Johnson, as well as some of the studio portions of Live-Evil.
Tenor Madness is an album by jazz musician Sonny Rollins released in October 1956 by Prestige Records. It is most notable for its title track, the only known recording featuring both Rollins and John Coltrane.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1959, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired.
The Complete Studio Recordings of The Miles Davis Quintet 1965–1968 is a box set of six CDs covering the work of Miles Davis and his critically acclaimed second great quintet which featured Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams.
The Legendary Prestige Quintet Sessions is a four compact disc box set of recordings by the Miles Davis Quintet released in 2006 by the Concord Music Group. It collates on three discs the entire set of recordings that made up the Prestige Records albums released from 1956 through 1961 — Miles, Cookin', Relaxin', Workin', and Steamin'. The track "'Round Midnight" was released on the album Miles Davis and the Modern Jazz Giants. The fourth disc contains live material from a television broadcast and in jazz club settings. It peaked at #15 on the Billboard jazz album chart, and was reissued on December 2, 2016, in a smaller compact disc brick packaging.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
Miles & Coltrane is a live album by American jazz musician Miles Davis, released in 1988 by Columbia Records. The music was recorded at two different shows—one on July 4, 1958, at the Newport Jazz Festival, and one from October 27, 1955, in New York. The tracks have been digitally remastered directly from the original analog tapes.
Chambers' Music is the debut album by jazz bassist Paul Chambers. It was released in September 1956 on the Jazz West label. It features Chambers with his Miles Davis bandmates, tenor saxophonist John Coltrane and drummer Philly Joe Jones, along with pianist Kenny Drew, and baritone saxophonist Pepper Adams and trombonist Curtis Fuller on three tracks.
Miles Davis at Newport 1955–1975: The Bootleg Series Vol. 4 is a four-CD album compiling five of Miles Davis's performances at the Newport Jazz Festival in Newport, Rhode Island and two European concerts branded under the Festival moniker with one additional track recorded in New York City.
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