Love Songs | ||||
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Compilation album by Miles Davis | ||||
Released | February 2, 1999 | |||
Recorded | May 10, 1957 - February 12, 1964 | |||
Genre | Jazz | |||
Length | 60:29 | |||
Label | Sony | |||
Producer | George Avakian, Bob Belden, Cal Lampley, Teo Macero, Seth Rothstein | |||
Miles Davis chronology | ||||
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Love Songs is a compilation album by American jazz musician Miles Davis, released on February 2, 1999, by Sony Music Records. The songs it compiles were recorded between May 10, 1957, and February 12, 1964.
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
Miles Dewey Davis III was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.
Robert Christgau, writing in The Village Voice , gave Love Songs an "A" and said that "Miles's quiet cool and taciturn affection for the limits of the melody at hand" summons a "consensual intimacy" that "definitely won't kill the mood." [1] Matt Robinson of All About Jazz felt that it explores Davis' "trademark poise and lyricism" that was best expressed in ballads and credited the compilation for "revealing a diversity even in the broad unity of the love song." [2] Q magazine gave it four out of five stars and stated, "The master of the art, Davis could push an entire universe of fragility into a simple love song and play the trumpet with such disarming candour it hurt". [3]
Robert Thomas Christgau is an American essayist and music journalist. One of the earliest professional rock critics, he spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and was a visiting arts teacher at New York University.
The Village Voice was an American news and culture paper, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the Voice began as a platform for the creative community of New York City. It still is kept alive online.
All About Jazz is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, Jazz Near You, about local concerts and events.
In a mixed review for Allmusic, Scott Yanow gave the album two-and-a-half stars and said that, because of "the slow tempos and the lack of variety in moods, this set is really designed more for background music than for close listening." [4] In The Rolling Stone Album Guide (2004), J. D. Considine gave Love Songs three-and-a-half out of five stars and found it "quite sweet" for a "theme-oriented collection". [5]
Scott Yanow is an American jazz reviewer, historian, and author.
Background music refers to a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such a concentration, relaxation, distraction, and excitement. Listeners are uniquely subject to background music with no control over its volume and content. The range of responses created are of great variety, and even opposite, depending on numerous factors such as, setting, culture, audience, and even time of day.
The Rolling Stone Album Guide, previously known as The Rolling Stone Record Guide, is a book that contains professional music reviews written and edited by staff members from Rolling Stone magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net.
Julian Edwin "Cannonball" Adderley was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone. George Mesrop Avakian was an American record producer, artist manager, writer, educator and executive. Best known for his work from 1939 to the early 1960s at Decca Records, Columbia Records, World Pacific Records, Warner Bros. Records, and RCA Records, he was a major force in the expansion and development of the U.S. recording industry. Avakian functioned as an independent producer and manager from the 1960s to the early 2000s and worked with artists such as Louis Armstrong, Miles Davis, Duke Ellington, Benny Goodman, Dave Brubeck, Eddie Condon, Keith Jarrett, Erroll Garner, Buck Clayton, Sonny Rollins, Paul Desmond, Edith Piaf, Bob Newhart, Johnny Mathis, John Cage, Alan Hovhaness, Ravi Shankar, and many other notable jazz musicians and composers. |
Donald Robert Hunstein was an American photographer. Taft Jordan was an American jazz trumpeter, heavily influenced by Louis Armstrong. Wynton Charles Kelly was a Jamaican American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12, and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as leader occurred three years later, around the time he started to become better known as accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly returned to Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Julian "Cannonball" Adderley, John Coltrane, Roland Kirk, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln. |
Chart | Peak chart position |
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U.S. Top Jazz Albums (Billboard) | 1 [6] |
Sketches of Spain is an album by Miles Davis, recorded between November 1959 and March 1960 at the Columbia 30th Street Studio in New York City. An extended version of the second movement of Joaquín Rodrigo's Concierto de Aranjuez (1939) is included, as well as a piece called "Will o' the Wisp", from Manuel de Falla's ballet El amor brujo (1914–1915). Sketches of Spain is regarded as an exemplary recording of Third Stream, a musical fusion of jazz, European classical, and styles from world music.
Jack Johnson is a studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971, by Columbia Records.
Get Up with It is a compilation album by American jazz musician Miles Davis. Released by Columbia Records on November 22, 1974, it compiled songs Davis had recorded in sessions between 1970 and 1974, including those for the studio albums Jack Johnson (1971) and On the Corner (1972). In The Rolling Stone Album Guide (2004), J. D. Considine described the compilation's music as "worldbeat fusion".
The Genius of Ray Charles is the sixth studio album by American recording artist Ray Charles, released in 1959 by Atlantic Records. The album eschewed the soul sound of his 1950s recordings, which fused jazz, gospel, and blues, for swinging pop with big band arrangements. It comprises a first half of big band songs and a second half of string-backed ballads. The Genius of Ray Charles sold fewer than 500,000 copies and charted at number 17 on the Billboard 200. "Let the Good Times Roll" and "Don't Let the Sun Catch You Cryin'" were released as singles in 1959.
Tutu is an album by American jazz trumpeter Miles Davis, released in 1986 by Warner Bros. Records. It was recorded primarily at Capitol Studios in Los Angeles and Clinton Recording in New York, except the song "Backyard Ritual", which was recorded at Le Gonks in West Hollywood. Davis received the 1987 Best Jazz Instrumental Performance, Soloist Grammy Award for his performance on the album.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet and sometimes also as Miles Davis and Milt Jackson and reissued as Miles Davis: Odyssey!, is an album which compiles recordings made for Prestige Records on August 5, 1955 by Miles Davis. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of the time. Jackie McLean only plays on his own compositions.
Miles Davis at Fillmore is a 1970 live album by jazz trumpeter Miles Davis and band, recorded at the Fillmore East, New York City on four consecutive days, June 17 through June 20, 1970, originally released as a double vinyl LP. The performances featured the double keyboard set-up Davis toured with for a few months, with Keith Jarrett and Chick Corea playing electronic organ and Fender Rhodes, respectively. The group opened for Laura Nyro at these performances.
Super Hits is a 1970 compilation album released by American soul singer Marvin Gaye on the Tamla label. It compiles Gaye's string of pop-R&B songs he recorded during 1962 to 1969.
Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired.
Looking Back, also later known as Anthology, is a triple LP anthology by American soul musician Stevie Wonder, released in 1977 on Motown Records. Since its release in 12-inch triple LP format, it has not been reissued and is considered a limited edition. The album chronicles 40 songs from Wonder's first Motown period, which precedes the classic period of his critically acclaimed albums.
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
The Paris Concert: Edition One is a live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded in Paris, France in 1979 and originally released on the Elektra/Musician label. Additional recordings from this concert were released as The Paris Concert: Edition Two.
Time Remembered is a live album by jazz pianist Bill Evans with Chuck Israels and Larry Bunker partially recorded at the Shelly Manne's club in Hollywood, California in May 1963, but not released until 1983 on the Milestone label as a 16-track double LP. It would be later reissued on CD in 1999, with only 13 tracks. The trio performances were recorded at the same sessions that produced At Shelly's Manne-Hole (1963) and were first released on Bill Evans: The Complete Riverside Recordings (1984). The four solo performances were recorded in a separate session in April 1962 in New York City. "Some Other Time" was recorded in December 1958, in New York City.
The Space Book is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1964 for the Prestige label, with his quartet including Jaki Byard on piano, Richard Davis on bass, and Alan Dawson on drums.
The Song Book is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1964 for the Prestige label.
The Voice That Is! is an album by American jazz vocalist Johnny Hartman featuring performances recorded in 1964 for the Impulse! label.
Bebop Revisited! is the debut album led by saxophonist Charles McPherson recorded in 1964 and released on the Prestige label.
In the Land of the Giants is an album by saxophonist Eric Kloss which was recorded in 1968 and released on the Prestige label.
Reflections in Blue is an album by drummer Art Blakey and the Jazz Messengers recorded in 1978 in the Netherlands and released on the Dutch Timeless label.
The Source is a live album by American saxophonist Jackie McLean featuring Dexter Gordon recorded at the Jazzhus Montmartre in 1973 and released on the SteepleChase label.
J. D. Considine is a music critic who has been writing about music professionally since 1977.
Simon & Schuster, Inc., a subsidiary of CBS Corporation, is an American publishing company founded in New York City in 1924 by Richard Simon and Max Schuster. As of 2016, Simon & Schuster was publishing 2,000 titles annually under 35 different imprints.
The International Standard Book Number (ISBN) is a numeric commercial book identifier which is intended to be unique. Publishers purchase ISBNs from an affiliate of the International ISBN Agency.