Seven Steps to Heaven | ||||
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Studio album by | ||||
Released | July 15, 1963 [1] | |||
Recorded | April 16–17, 1963 (#1, 3, 5);May 14, 1963 (#2, 4, 6) | |||
Studio | ||||
Genre | Jazz | |||
Length | 46:08 | |||
Label | Columbia CL 2051 CS 8851 | |||
Producer | Teo Macero | |||
Miles Davis chronology | ||||
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Review scores | |
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Source | Rating |
Down Beat (Original Lp release) | [2] |
AllMusic | [3] |
Down Beat (1992) | [4] |
Encyclopedia of Popular Music | [5] |
MusicHound Jazz | 3.5/5 [6] |
The Penguin Guide to Jazz | [7] |
The Rolling Stone Album Guide | [8] |
Tom Hull | B [9] |
Seven Steps to Heaven is a studio album by the jazz musician Miles Davis. It was released through Columbia Records on July 15, 1963. [1] The recording took place at Columbia Studios in Los Angeles in April 1963, and at Columbia's 30th Street Studios in Manhattan in May 1963. It presents the Miles Davis Quintet in transition, with the New York session introducing the rhythm section of Herbie Hancock, Ron Carter and Tony Williams, who would become Davis' regular sidemen for the next five years. Upon release, the album was Davis' most successful on the Billboard pop LPs chart up to that point, peaking at number 62.
After the unfinished sessions for Quiet Nights in 1962, Davis returned to club work. However, he had a series of health problems in 1962, which made his live dates inconsistent and meant that he missed gigs, with financial repercussions. [10] [11] Faced with diminishing returns, by late 1962 his entire band quit, Hank Mobley to a solo career, and the rhythm section of Wynton Kelly, Paul Chambers, and Jimmy Cobb to work as a unit. [12] The departure of Chambers especially was a blow, as he had been the only man still left from the original formation of the quintet in 1955.
With club dates to fulfill, Davis hired several musicians to fill in: Frank Strozier on alto saxophone and Harold Mabern on piano, with George Coleman and Ron Carter arriving early in the year. [13] For shows on the West Coast in March, Davis added drummer Frank Butler, [14] but when it came time for the sessions, Davis jettisoned Strozier and Mabern in favor of pianist Victor Feldman. [15] With a lucrative career as a session musician, Feldman declined Davis's offer to join the group, and both he and Butler were left behind in California. [16] Back in New York, Davis located the musicians who would be with him for the next six years, Herbie Hancock and Tony Williams; with Carter and Coleman, the new Miles Davis Quintet was in place. [17] Williams, then only 17 years old, had been working with Jackie McLean, and Hancock had already scored a hit single with "Watermelon Man", recorded by percussionist Mongo Santamaria. [18]
The assembled group at the April recording sessions finished enough material for an entire album, but Davis decided the uptempo numbers were not acceptable, and rerecorded all of them with the new group during the May sessions in New York. [19] Two of the ballad tunes recorded in Los Angeles were old – "Baby Won't You Please Come Home", written in 1919 and a hit for Bessie Smith in 1923, while "Basin Street Blues" had been introduced by Louis Armstrong in 1928. [20] Neither features Coleman; both are quartet performances with Davis and the rhythm section.
The uptempo numbers from New York in May include Feldman's "Joshua", which remained in the Davis performance book for the rest of the decade. This is the last of Davis' studio albums with standards rather than band originals; they were gone by the time the quintet made its last personnel change, Wayne Shorter replacing Coleman in late 1964.
On March 15, 2005, Legacy Records reissued the album for compact disc with two bonus tracks, both from the Los Angeles sessions in April. "Summer Night" had been previously released on Quiet Nights to bring that album up to an acceptable running time.
No. | Title | Writer(s) | Length |
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1. | "Basin Street Blues" | Spencer Williams | 10:29 |
2. | "Seven Steps to Heaven" | Victor Feldman, Miles Davis | 6:26 |
3. | "I Fall in Love Too Easily" | Jule Styne, Sammy Cahn | 6:46 |
No. | Title | Writer(s) | Length |
---|---|---|---|
4. | "So Near, So Far" | Tony Crombie, Benny Green | 6:59 |
5. | "Baby Won't You Please Come Home" | Clarence Williams, Charles Warfield | 8:28 |
6. | "Joshua" | Victor Feldman | 7:00 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "So Near, So Far" (alternative version) | Tony Crombie, Benny Green | 5:11 |
8. | "Summer Night" | Harry Warren, Al Dubin | 6:02 |
Tracks 1, 3, 5, 7 & 8 – recorded in Hollywood on April 16 or 17, 1963
Tracks 2, 4 & 6 – recorded in New York on May 14, 1963
Maiden Voyage is the fifth album led by jazz musician Herbie Hancock, and was recorded by Rudy Van Gelder on March 17, 1965, for Blue Note Records. It was issued as BLP 4195 and BST 84195. Featuring Hancock with tenor saxophonist George Coleman, trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams, it is a concept album aimed at creating an oceanic atmosphere. As such, many of the track titles refer to marine biology or the sea, and the musicians develop the concept through their use of space. The album was presented with the Grammy Hall of Fame Award in 1999.
E.S.P. is an album by Miles Davis, recorded on January 20–22, 1965 and released on August 16 of that year by Columbia Records. It is the first release from what is known as Davis's second great quintet: Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums. The album was named after a tune by Shorter, and was inspired by the fact that, "since Wayne Shorter's arrival, the five members of the quintet seemed to communicate by mental telepathy."
Miles Smiles is an album by the jazz musician Miles Davis. It was released on February 16, 1967 through Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. It is the second of six albums recorded by Davis' second great quintet, which featured tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.
Miles in the Sky is a studio album by the jazz trumpeter and composer Miles Davis. It was released on July 22, 1968, through Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track "Stuff". Additionally, electric guitarist George Benson features on "Paraphernalia".
George Edward Coleman is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.
Miles in Berlin is a live album by Miles Davis from a performance at the Berliner Philharmonie on September 25, 1964 with his "Second Great Quintet," featuring tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams, marking their first recorded work.
The Quintet is an album by V.S.O.P. It was compiled from two concert performances: one at the Greek Theatre, University of California, Berkeley, on July 16, 1977; the other at the San Diego Civic Theatre on July 18, 1977. The quintet were keyboardist Herbie Hancock, trumpeter Freddie Hubbard, drummer Tony Williams, bassist Ron Carter and saxophonist Wayne Shorter. The album was originally released in October 1977 as a 2-disc LP by Columbia Records.
A Tribute to Miles is a tribute album recorded by the then surviving members of the Miles Davis "Second Great" Quintet: pianist Herbie Hancock, saxophonist Wayne Shorter, bassist Ron Carter and drummer Tony Williams. Taking the Davis role was trumpeter Wallace Roney.
Quartet is the twenty-seventh album by jazz pianist Herbie Hancock, featuring a quartet with trumpeter Wynton Marsalis, bassist Ron Carter and drummer Tony Williams. It was originally issued in Japan on CBS/Sony, and later given a US release by Columbia.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired.
My Funny Valentine: Miles Davis in Concert is a live album by the jazz trumpter and composer Miles Davis. It was recorded at a concert at the Philharmonic Hall of Lincoln Center, New York City, on February 12, 1964 and released through Columbia Records the following year.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, along with jazz fusion/jazz-funk performances by the ‘Mwandishi’ band and The Headhunters.
Miles Davis in Europe is a live album by Miles Davis, released in 1964. It was the first full album by the first incarnation of the "Second Quintet" featuring George Coleman, Herbie Hancock, Ron Carter and Tony Williams, whose first recordings with Davis had made up half of the album Seven Steps to Heaven.
'Four' & More: Recorded Live in Concert is a live album by Miles Davis. It was recorded at the Philharmonic Hall of Lincoln Center on February 12, 1964 and released two years later. Two albums were assembled from the concert recording: the up-tempo pieces were issued on this album, while My Funny Valentine consists of the slow and medium-tempo numbers.
Seven Steps: The Complete Columbia Recordings of Miles Davis 1963–1964 is a box set of studio and concert recordings by Miles Davis for Columbia over a two-year period. Instead of focusing on a particular collaboration or session period, it focuses on the time period in between the solidified lineups of the first and second Great Quintets, starting with Ron Carter's introduction and finishing with the establishment of Wayne Shorter in the lineup.
Miles in Tokyo is a live album recorded on July 14, 1964, by the Miles Davis Quintet at the Tokyo Kōsei Nenkin Kaikan, Shinjuku, Tokyo, Japan. It was released in the United States on CD in 2005 and is the first recording of Davis in Japan. It is the only album to showcase an early incarnation of his Second Great Quintet featuring Sam Rivers on tenor saxophone, following George Coleman's departure; after this, Wayne Shorter's appointment completed the classic lineup that recorded such albums as ESP and Miles Smiles, through to Miles in the Sky.
Quiet Nights is a studio album by the American jazz trumpeter Miles Davis, and his fourth album collaboration with arranger and conductor Gil Evans, released in 1963 on Columbia Records, catalogue CL 2106 and CS 8906 in stereo. Recorded mostly at Columbia's 30th Street Studios in Manhattan, it is the final album by Davis and Evans.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums—mostly consisting of, at that time, previously unreleased music—that Columbia released to bridge Davis' recording hiatus that ended with the Man with the Horn in July 1981.
Live at the 1963 Monterey Jazz Festival is a live album by Miles Davis recorded on September 20, 1963 and released July 31, 2007. Davis searched for new musicians for his quintet, after splitting with saxophonist John Coltrane in 1960. The new quintet consists of saxophonist George Coleman, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams. It was recorded at the Monterey Jazz Festival in the early fall of 1963.