Blue Haze | ||||
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Compilation album by | ||||
Released | Early October 1956 [1] | |||
Recorded | May 19, 1953, March 15 and April 3, 1954 | |||
Studio | ||||
Genre | Jazz, bebop, hard bop | |||
Length | 36:33 | |||
Label | Prestige PRLP 7054 | |||
Producer | Bob Weinstock, Ira Gitler | |||
Miles Davis chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
The Encyclopedia of Popular Music | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Rolling Stone Jazz Record Guide | [5] |
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records. [6]
The album is a reissue in 12" format of the 10" LP Miles Davis Quartet (PRLP 161), with "I'll Remember April" added. Tracks 4, 6, 7, and 8 come from Prestige PREP 1326, The Miles Davis Quartet, recorded May 19, 1953. It features a quartet with John Lewis on piano —replaced on "Smooch" by its co-composer Charles Mingus— Percy Heath, the bassist throughout the album, and Max Roach on drums. Tracks 2, 3, and 5, from March 15, 1954, with Horace Silver on piano and Art Blakey on drums, were first released on PREP 1360, titled Miles Davis Quartet. The first track on the album, "I'll Remember April", is from the April 3, 1954, session and was originally included on the 10" LP Miles Davis Quintet (PRLP 185).
The compositions "Four" and "Tune Up" were always credited to Davis, although both were claimed by Eddie Vinson to be his compositions. Vinson was a known blues singer at that time and had no use for them and gave Davis permission to record them. No one expressed opposition to the false crediting until decades later. [7]
The album's last track, "Miles Ahead" is not the same composition as featured on the 1957 Columbia Records album Miles Ahead , a big band recording arranged by Gil Evans. The "Miles Ahead" played on Blue Haze is a contrafact, and features a new melody played over the chord changes to John Lewis' tune "Milestones", recorded by Davis in 1947 for Savoy Records.
Prestige – LP 7054 [8]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I'll Remember April" | Don Raye, Gene de Paul, Patricia Johnston | 7:55 |
2. | "Four" | Eddie Vinson, Miles Davis | 4:03 |
3. | "Old Devil Moon" | Burton Lane, E.Y. Harburg | 3:24 |
4. | "Smooch" | Miles Davis, Charles Mingus | 3:06 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Blue Haze" | Miles Davis | 6:12 |
2. | "When Lights are Low" | Benny Carter, Spencer Williams | 3:29 |
3. | "Tune Up" | Eddie Vinson, Miles Davis | 3:56 |
4. | "Miles Ahead" | Miles Davis | 4:28 |
Total length: | 36:33 |
Track #1 (April 3, 1954)
Track #2, 3 and 5 (March 15, 1954)
Track #4, 6, 7 and 8 (May 19, 1953)
Miles Davis Volume 2 is the fifth studio album by musician Miles Davis. It refers to two separate but related entities. The first is a Miles Davis studio album released by Blue Note Records as a 10-inch LP, as BLP 5022 in 1953. The six tracks from this LP plus five alternate takes were released on CD in 1990 and remastered with restored artwork in 2001.
Miles Davis Volume 1 refers to two separate but related entities. The title was originally used for the first time in a pair of compilation albums of recordings made by Miles Davis in 1952, 1953 and 1954, released in 1956 as BLP 1501 on the Blue Note Records label.
Walkin' is a Miles Davis compilation album released in March 1957 by Prestige Records. The album compiles material previously released on two 10 inch LPs in 1954 (Miles Davis All-Star Sextet and Side One of Miles Davis Quintet, dropping "I'll Remember April" from Side Two and replacing it with the previously unreleased "Love Me or Leave Me" recorded at the same session. Here credited to the "Miles Davis All-Stars", the songs were recorded on 3 April and 29 April 1954 by two slightly different groups led by Davis. Both sessions were recorded at Rudy Van Gelder's home studio.
Bags' Groove is a jazz album by Miles Davis, released in 1957 by Prestige Records, compiling material from two 10" LPs recorded in 1954, plus two alternative takes.
Conception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP Lee Konitz: The New Sounds makes up all of side 1.
Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.
Miles Davis and Horns is a compilation album by jazz trumpeter Miles Davis, released by Prestige Records in 1956.
Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.
Monk is a 1956 compilation album by jazz pianist and composer Thelonious Monk, featuring material recorded from 1953 to 1954 for the Prestige label and performed by Monk with two quintets, one featuring Julius Watkins, Sonny Rollins, Percy Heath, and Willie Jones and one featuring Ray Copeland, Frank Foster, Curly Russell, and Art Blakey. It was originally titled both Thelonious Monk [on its 1956 cover] and Thelonious Monk Quintets [on its labels]. Over the following decade, it was also re-released as Wee See and The Golden Monk The most common cover art, is 1958 revision, designed by Reid Miles.
Quartet/Quintet/Sextet is an album by jazz saxophonist Lou Donaldson featuring his earliest recordings as a leader on the Blue Note label performed by Donaldson's Quartet with pianist Horace Silver, bassist Gene Ramey and drummer Art Taylor, his Quintet with Silver, trumpeter Blue Mitchell, drummer Art Blakey and bassist Percy Heath, and a Sextet with Heath, Blakey, trumpeter Kenny Dorham, trombonist Matthew Gee and pianist Elmo Hope. The album was originally released as a 10" LP, then as a 12" long-playing record, and finally as a CD with additional tracks added.
"Four" is a 1954 jazz standard. It was first recorded and arranged in 1954 by jazz trumpeter Miles Davis and released on his album Miles Davis Quartet. It is a 32-bar ABAC form.
The New Sounds is the debut solo studio album by Miles Davis, released in late 1951 as a 10-inch LP. It is his first album as a leader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Prestige compilation LP Modern Jazz Trumpets and appeared as a sideman on the 10-inch LP Lee Konitz: The New Sounds.
Miles Davis Quartet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The first four tracks that comprise Side 1 were recorded at New York's WOR Studios, on May 19, 1953. The last three, heard on Side 2, were recorded nearly a year later, at New York's Beltone Studios, on March 15, 1954.
Miles Davis All Star Sextet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The two side-long tracks were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, April 29, 1954.
Miles Davis Quintet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The album title is not to be confused with either of Davis' later Great Quintets. The three tracks on this LP, and one other, were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on April 3, 1954. This was the first session for Prestige Davis recorded at Gelder's home studio, as he would all his remaining sessions for the label.
Miles Davis with Sonny Rollins is a 1954 10 inch LP album by Miles Davis, released by Prestige Records. The four tracks on this LP, along with a second take of "But Not For Me", were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on June 29, 1954.
Miles Davis All Stars, Volume 1 is a 10 inch LP album by Miles Davis, released by Prestige Records. The two side-long tracks on this LP, and two others, were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on December 24, 1954. This was the first of two 10" LPs sourced from the same session, which featured vibraphonist Milt Jackson, pianist Thelonious Monk, bassist Percy Heath and drummer Kenny Clarke. Jackson, Heath and Clarke were three quarters of the Modern Jazz Quartet at this time.
Miles Davis All Stars, Volume 2 is a 10-inch LP album by Miles Davis, recorded in 1954 for Prestige Records. The two side-long tracks on this LP, and two others, were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on December 24, 1954. This was the second of two 10" LPs sourced from the same session, which featured two of Davis’s major be-bop contemporaries: pianist/composer Thelonious Monk and vibraphonist Milt Jackson, along with the same rhythm section that had been used on Davis's other recent albums - bassist Percy Heath and drummer Kenny Clarke. Jackson, Heath and Clarke were three-quarters of the Modern Jazz Quartet at this time.
Miles Davis, Vol. 3 is the sixth studio album by musician Miles Davis. It was released in 1954, as a 10 inch LP album. It consists of the third and last of three sessions recorded for Blue Note Records. Several years later, Davis would once again record at Blue Note, but as a sideman on Cannonball Adderley's Somethin' Else.
Modern Jazz Trumpets is an album released by Prestige Records in 1951 with music by four jazz trumpeters: Fats Navarro, Dizzy Gillespie, Miles Davis and Kenny Dorham. The album was released on the 10" LP format and includes the first recordings by Davis for Prestige.