↑ cf. Jack Chambers, Milestones: The Music and Times of Miles Davis, Da Capo Press, Cambridge, Massachusetts, 1998 (unabr. paperback ed.), pt. 1, p.158: "Dig, credited to Davis, was recorded seven month later as Donna and credited to McLean; by either title and author, it is a bebop line superimposed on the chord sequence of Sweet Georgia Brown."; Chambers (1998), p.164f: "Donna is a peculiarly methodical reading of the bouncy tune recorded under the title Dig for Prestige..."
Kind of Blue is a studio album by the American jazz trumpeter and composer Miles Davis. It was released on August17,1959 through Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track—"Freddie Freeloader"—instead of Evans. The album was recorded in two sessions on March2 and April22,1959, at Columbia's 30th Street Studio in New York City.
Walter Bishop Jr. was an American jazz pianist.
William McKinley "Red" Garland Jr. was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz piano.
"Hot House" is a bebop standard, composed by American jazz musician Tadd Dameron in 1945. Its harmonic structure is identical to Cole Porter's "What Is This Thing Called Love?". The tune was made famous by Dizzy Gillespie and Charlie Parker as a quintet arrangement and become synonymous with those musicians; "Hot House" became an anthem of the bebop movement in American jazz. The most famous and referred to recording of the tune is by Parker and Gillespie on the May 1953 live concert recording entitled Jazz at Massey Hall, after previously recording it for Savoy records in 1945 and at Carnegie Hall in 1947. The tune continues to be a favorite among jazz musicians and enthusiasts:
"Donna Lee" is a jazz standard tune attributed to Charlie Parker, although Miles Davis has also claimed authorship. Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a compositional style based on four-note groups over each change.
Dillon "Curley" Russell was an American jazz musician, who played bass on many bebop recordings.
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by the trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor March”.
A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody mass and In Nomine of the 16th century. More recently, Cheap Imitation (1969) by John Cage was produced by systematically changing notes from the melody line of Socrate by Erik Satie using chance procedures.
"Oleo" is a hard bop composition by Sonny Rollins, written in 1954. It has become a jazz standard, and has been performed by numerous jazz artists such as Miles Davis, John Coltrane, and Bill Evans.
Confirmation is a bebop standard composed by saxophonist Charlie Parker in 1945. It is known as a challenging number due to its long, complex head and rapid chord changes, which feature an extended cycle of fifths. Jazz educator Dariusz Terefenko has pointed out the speed and intricacy of "Confirmation's" "harmonic rhythm", which he notes is typical of the bebop era.
Settin' the Pace is a studio album by the jazz musician and composer John Coltrane. It was released in December 1961 through Prestige Records. It is assembled from previously unissued tracks from a recording session at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. Coltrane on tenor saxophone is accompanied by Red Garland on piano, Paul Chambers on bass, and Art Taylor on drums. With Garland and Chambers, Coltrane had played together since at least October 1955 in Miles Davis' band. With Art Taylor they were part of the Tenor Conclave recordings in September 1956. As a quartet they had already recorded two albums for Prestige, John Coltrane with the Red Garland Trio and Soultrane. The material the quartet recorded on this session were extended interpretations of three popular songs and "Little Melonae", a classic bebop tune written by Jackie McLean. Of note is Coltrane's use of the sheets of sound technique, particularly on "Little Melonae".
"Scrapple from the Apple" is a bebop composition by Charlie Parker written in 1947, commonly recognized today as a jazz standard, written in F major. The song borrows its chord progression from "Honeysuckle Rose", a common practice for Parker, as he based many of his successful tunes over already well-known chord changes.
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" and a colloquial use of the classical music term "suite". The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers."
"Ko-Ko" is a 1945 bebop recording composed by Charlie Parker. The original recorded version lists Parker on alto saxophone with trumpeter Miles Davis, double bassist Curley Russell and drummer Max Roach. Due to the absence of Bud Powell, Dizzy Gillespie was enlisted to play piano, instead of his usual trumpet. Pianist Sadik Hakim, then known as Argonne Thornton, was also known to be present at the session. Rumors persist to this day about precisely who played trumpet and piano on this piece; some say it's young Miles Davis who plays trumpet and Gillespie comping at piano, on both takes; most say Gillespie plays trumpet and, or instead of, piano; some say Hakim is the pianist on all or part of one or both of the takes. However, Miles Davis confirms in his autobiography that he did not play trumpet on "Ko Ko":
"I remember Bird wanting me to play "Ko-Ko," a tune that was based on the changes of "Cherokee." Now Bird knew I was having trouble playing "Cherokee" back then. So when he said that that was the tune he wanted me to play, I just said no, I wasn't going to do it. That's why Dizzy's playing trumpet on "Ko-Ko," "Warmin' up a Riff," and "Meandering" on Charlie Parker’s Reboppers, because I wasn't going to get out there and embarrass myself. I didn't really think I was ready to play tunes at the tempo of "Cherokee" and I didn't make no bones about it."
1958 Miles is a compilation album by American jazz musician Miles Davis, released in 1974 on CBS/Sony. Recording sessions for tracks that appear on the album took place on May 26, 1958, at Columbia's 30th Street Studio and September 9, 1958, at the Plaza Hotel in New York City. 1958 Miles consists of three songs featured on side two of the LP album Jazz Track, which was released in November 1959, one song from the same session not appearing in the album, and three recordings from Davis' live performance at the Plaza Hotel with his ensemble sextet. The recording date at 30th Street Studio served as the first documented session to feature pianist Bill Evans performing in Davis' group.
"Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie. The song was a bebop mainstay that became a jazz standard, one of Gillespie's best known hits, and according to Bebop: The Music and Its Players author Thomas Owens, "the first famous bebop recording". The song is a complex musical arrangement based on the chord structure of the 1920 standard originally recorded by Paul Whiteman, "Whispering", with lyrics by John Schonberger and Richard Coburn (né Frank Reginald DeLong; 1886–1952) and music by Vincent Rose. The biography Dizzy characterizes the song as "a pleasant medium-tempo tune" that "demonstrates...[Gillespie's] skill in fashioning interesting textures using only six instruments".
"Conception" is a 1950 jazz standard written by George Shearing in the bebop style. The composition is in the key of Db and is noticeable for its chromatic descending chord sequences. The original score was adapted by Miles Davis in 1950, who created an arrangement that kept Shearing's chord changes and main theme, but replaced the composition's bridge and ending with new melodic material. This arrangement is documented on a February 1950 broadcast recording in New York City featuring Stan Getz, J.J. Johnson, and Art Blakey. Davis recorded this same arrangement in October 1951 for his first LP, The New Sounds. Davis also did a complete rewrite of "Conception" in 1950 for his Birth of the Cool nonet, giving the composition the title "Deception". Recorded in March 1950, "Deception" retained the rewritten bridge melody from Davis's 1950 "Conception" arrangement, as well as Shearing's original chord progression. Davis's 1954 Blue Note recording "Take Off" also uses the "Conception" chord progression, including Davis's own additions to the form, but "Take Off" does not include any of Shearing's original melody, and is credited to Davis.
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