Kind of Blue is the fifth studio album released on Columbia, and twenty-eighth overall, by the American jazz musician, trumpeter, composer, and bandleader Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that same year by Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track – "Freddie Freeloader" – in place of Evans.
Grant Green was an American jazz guitarist and composer.
Clifford Benjamin Brown was an American jazz trumpeter. pianist and composer. He died at the age of 25 in a car crash, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the DownBeat magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.
Cool jazz is a style of modern jazz music inspired by bebop and big band that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that of contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of [Dizzy] Gillespie and his followers could be compared to fiery red colors."
Henry "Hank" Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players such as Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure", "Soul Station", and "Dig Dis".
Eli "Lucky" Thompson was an American jazz tenor and soprano saxophonist whose playing combined elements of swing and bebop. Although John Coltrane usually receives the most credit for bringing the soprano saxophone out of obsolescence in the early 1960s, Thompson embraced the instrument earlier than Coltrane.
Paul Laurence Dunbar Chambers Jr. was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's "first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68).
Walter Davis Jr. was an American bebop and hard bop pianist.
Birth of the Cool is a compilation album by American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950.
Kenny Garrett is an American post-bop jazz musician and composer who gained recognition in his youth as a member of the Duke Ellington Orchestra and for his time with Miles Davis's band. His primary instruments are alto and soprano saxophone and flute. Since 1985, he has pursued a solo career.
The Complete Live at the Plugged Nickel 1965 is a live box set of the Miles Davis Quintet, recorded on December 22 and 23, 1965. First released in Japan in March 1992 by Sony Records as a 7 disc set, it was re-released on Legacy Records in July 1995 as an 8 disc set. In conjunction with Legacy, Mosaic Records released a 10 LP set. It was re-released as an SA-CD Box in October 2023 in a limited edition of 1500 by Sony Japan for Tower Records Japan. It comprises recordings of seven performance sets over the two nights by the second great Davis quintet at the now-defunct Plugged Nickel nightclub in Chicago. A single-disc sampler, Highlights from the Plugged Nickel was released by Legacy on November 14, 1995, and was reissued on February 1, 2008.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August of 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.
Irving Sidney "Duke" Jordan was an American jazz pianist.
The Bird and the Bee is an American indie pop musical duo from Los Angeles, consisting of Inara George and Greg Kurstin. Kurstin is a nine-time Grammy Award–winning producer and multi-instrumentalist who has worked with artists including Sia, Adele, Beck, Kendrick Lamar, and the Foo Fighters. George and Kurstin met while the two were working on her debut album and they decided to collaborate on a jazz-influenced electropop project. Their debut EP, Again and Again and Again and Again, was released on October 31, 2006, followed by their self-titled debut album on January 23, 2007.
The Complete Columbia Recordings of Miles Davis with John Coltrane is a box set featuring jazz musicians Miles Davis and John Coltrane. It is the first box set in a series of eight from Columbia/Legacy compiling Davis's work for Columbia Records, and includes never-before-released alternate takes, omissions of other musicians, musician comments, false starts and a first version of compositions, some of which have made it to the 50th Anniversary 2-disc CD version of Kind of Blue. Originally issued on April 11, 2000, in a limited-edition metal slipcase, it was reissued in 2004 in an oversized book format. In conjunction with Sony, Mosaic Records released the 9-LP set.
The discography of the American jazz artist Herbie Hancock consists of forty-one studio albums, twelve live albums, sixty-two compilation albums, five soundtrack albums, thirty-eight physical singles, nine promo singles and four songs not released as singles, but that charted due to downloads. This article does not include re-issues, unless they are counted separately from the original works in the charts, furthermore because of the enormous amount of material published, this discography omits less notable appearances in compilations and live albums. The discography shows the peak weekly main chart positions of eight selected countries: United States, France,[a] Germany, Japan,[b] Netherlands, Sweden,[c] Switzerland and United Kingdom. Positions also listed on United States are R&B / hip hop, dance / club, jazz[d] and bubbling under charts.[e] The peaks do not refer necessarily to the position that a record reached when it was first released. Also included are certifications from the Recording Industry Association of America (RIAA)[f] and the Bundesverband Musikindustrie (BVMI).[g]
The discography of the rock band Santana formed by the Mexican-American rock guitarist Carlos Santana consists of 26 studio albums, 8 live albums, 61 singles, and 23 compilation albums.
First Miles is a compilation album by American jazz musician Miles Davis, released on July 12, 1990 by Savoy Records. The album includes tracks from Davis's first recording session, backing singer Rubberlegs Williams on April 24, 1945, and the first session produced under his name, leading the members of Charlie Parker's band on August 14, 1947.
The Bop Session is an album by jazz legends Dizzy Gillespie, Sonny Stitt, John Lewis, Hank Jones, Percy Heath and Max Roach recorded in 1975 and released on the Swedish Sonet label.
To Bird with Love is a live album by trumpeter Dizzy Gillespie with an array of guest stars. It was recorded at the Blue Note Jazz Club in New York City on January 23–25, 1992 and released on the Telarc label. Gillespie's performances at the club in January and February of that year yielded two additional live albums, Bird Songs: The Final Recordings and To Diz with Love. Together, these three titles represent his final recordings prior to his death in 1993.
