The Hot Spot | |
---|---|
Directed by | Dennis Hopper |
Screenplay by |
|
Based on | Hell Hath No Fury by Charles Williams |
Produced by | Paul Lewis |
Starring | |
Cinematography | Ueli Steiger |
Edited by | Wende Phifer Mate |
Music by | Jack Nitzsche |
Distributed by | Orion Pictures |
Release dates |
|
Running time | 130 minutes |
Country | United States |
Language | English |
Budget | $10 million [1] |
Box office | $1,293,976 |
The Hot Spot is a 1990 American neo-noir romantic thriller film [2] directed by Dennis Hopper, based on the 1953 novel Hell Hath No Fury by Charles Williams, who also co-wrote the screenplay. It stars Don Johnson, Virginia Madsen, and Jennifer Connelly, and features a score by Jack Nitzsche played by John Lee Hooker, Miles Davis, Taj Mahal, Roy Rogers, Tim Drummond, and drummer Earl Palmer.
Drifter Harry Madox takes a job as a used car salesman in a small Texas town. In the summer heat, he develops an interest in Gloria Harper, a young demure woman who works at the car dealership in the loan office. He notices Gloria's legs, and her shoes which have wooden fruit on them. Dolly Harshaw, who is married to the dealership's owner, flirts shamelessly with Harry, telling him that she has a pair of shoes exactly like Gloria's. Soon after they begin a torrid affair.
Harry learns that the staff of the local bank are all volunteer firemen and that the cameras in the bank do not work. After careful planning, he sets a fire in a building across the street to lure them all away and while they are gone, he robs the bank. His conscience forces him to enter the burning building to save a homeless man trapped inside. Despite this the town's sheriff suspects Harry of committing the robbery and he is arrested. He learns the money is useless anyway as the serial numbers were recorded. Dolly gives him an alibi and tells him she will sell him out unless he kills her husband, whom she married for his money. When he refuses, Dolly threatens to expose him. She ultimately kills her husband herself by overstimulating his weak heart during a vigorous sexual encounter.
Meanwhile, Harry discovers that Gloria is being blackmailed by a local criminal named Frank Sutton. Sutton has nude photographs he took of Gloria and her best friend Irene Davey, after following them down by the local swimming hole, having heard tell of Irene being with another woman, who was her former teacher. Irene killed herself after being blackmailed and Harry, who has fallen in love with the 19-year-old Gloria, confronts Sutton to get the pictures. The tense conversation escalates into a fight, and Harry severely beats Sutton, but he defiantly continues to blackmail Gloria. Harry visits Sutton at his home and finds him having sex with a woman having wooden fruit shoes exactly like those belonging to Gloria. As Harry and Sutton begin fighting the unknown woman escapes, suffering an injury to her face. Harry ends up killing Sutton in the ensuing struggle. He plants the stolen money to divert suspicion away from himself, and disposes of the shoes, believing they belong to Gloria. He then tells the police that Sutton, who had no job and few assets, had recently paid cash for a new car, making it seem that Sutton had robbed the bank. The serial numbers tally and Harry receives the promise of a hefty reward for providing the tip that helps the police "solve" the robbery. He plans to marry Gloria and take her to the Caribbean Islands.
After being called over by the new business owner, Dolly, to the Harshaw house, Harry notices as they arrive that Gloria is wearing her wooden fruit shoes. Then Harry seeing the fresh scar on Dolly's face realizes that it was her and not Gloria who was having sex with Sutton. Before he can maneuver, Dolly ruins Harry's plans by showing him a copy of a certified letter she says she has entrusted to her attorney, to be opened in the event of her death. The letter is a firsthand account that will implicate him in the bank robbery, in Sutton's death, and records Gloria's embezzlement, information she had from Sutton. Dolly begins telling Gloria about her affair with Harry and that she knows also, from Harry, as a proper employee, that she was using company funds to pay off Sutton. Dolly then tells Gloria that she won't go to the police and that she can keep her job at the car dealership to pay back the money she stole. Believing she has been played for a fool, a heartbroken Gloria leaves Harry. Trapped, enraged, Harry tries to strangle Dolly, but cannot bring himself to kill her. Harry resigns himself to life with Dolly, and leaves town with her.
Charles Williams wrote a screenplay version of his own novel with Nona Tyson in 1962. [5] It was intended for Robert Mitchum. Many years later, Dennis Hopper found the script and updated it. [5] The director described the film as " Last Tango in Texas . Real hot, steamy stuff". [6]
A bedroom scene originally called for Madsen to appear naked, but she decided to put on a negligee because she felt that, "Not only was the nudity weak storywise, but it didn't let the audience undress her". [7] Hopper later admitted that Madsen was right. [7]
Dennis Hopper gave his impressions of working with Johnson:
He wasn't that bad. He has a lot of people with him. He came on to this film with two bodyguards, a cook, a trainer, ah let's see, a helicopter pilot he comes to and from the set in a helicopter, very glamorous let's see, two drivers, a secretary, and, oh yes, his own hair person, his own make-up person, his own wardrobe person. So when he walks to the set he has five people with him. [8]
Johnson found Hopper's approach to filmmaking "a little disappointing, I gotta tell you". [9] He later recalled:
Mike Figgis had written a script called The Hot Spot, and it was a heist movie. Three days before we started shooting, Dennis Hopper came to all of us, he called a meeting on a Sunday, and he said, "Okay, we're not making that script. We're making this one." And he passed a script around the table that had been written for Robert Mitchum in the '60s... or maybe it was the '50s... and it was based on a book called Hell Hath No Fury. And that was the movie that we ended up making. This was three days before we started shooting! So he was kind of looking around the table at everybody and saying, "Well, you know, if Don Johnson bails, we don't have a movie." [Laughs.] And I read the script, and I said, "Wow!" I mean, the Figgis script was really slick and cool, and it was a heist movie, but this was real noir, the guy was an amoral drifter, and it was all about how women were going to take him down. [10]
Hopper shot the film on location in Texas during what he described as the "hottest, steamiest weather you could imagine". The primary locations were in Taylor, Texas, especially its iconic downtown area, [11] locations around and in Austin as well as in Luling. [12] The swimming scenes were filmed at the Hamilton Pool Preserve west of Austin. [13] In part of the skinny-dipping scene, Madsen was body doubled by Heather Cruikshank, who was working in a strip club when she was cast. [14]
The Hot Spot had its world premiere at the 1990 Toronto International Film Festival. [15] Director Dennis Hopper felt that stars Don Johnson and Virginia Madsen were not as enthusiastic in promoting the film as he would have liked. Hopper said of Johnson that "He says he's not going to do anything for this picture until he reads the reviews." [16] Johnson claims that he was unable to do promotion because he was shooting the film Harley Davidson and the Marlboro Man . [16] Of Madsen, Hopper claimed that she "was very embarrassed" by the amount of her on-screen nudity. [17] The film was released on October 12, 1990, in 23 theaters, grossing US$112,188 in its opening weekend. The film grossed only $1.2 million in the North American market, far less than the cost of its production. [18]
The Hot Spot received generally positive reviews from critics. Rotten Tomatoes gives it a 71% rating at based on reviews from 28 critics. Roger Ebert gave the film three out of four stars and wrote, "Only movie lovers who have marinated their imaginations in the great B movies from RKO and Republic will recognize The Hot Spot as a superior work in an old tradition." [19] In her review for The New York Times , Janet Maslin wrote, "Mr. Hopper's direction is tough and stylish, in effective contrast with the sunny look of Ueli Steiger's cinematography." [20] USA Today gave the film two-and-a-half stars out of four and wrote, "In other words, Hopper's direction isn't any great shakes, and the wrap-up is somewhat confusing, but this film does make you want to go skinny-dipping with someone else's mate." [21] In his review for The Washington Post , Desson Howe wrote, "Hot Spot will never go down as timeless, neoclassic noir. But, with its Hopperlike moments, over-the-top performances and infectious music, it carries you along for a spell." [22] Entertainment Weekly gave the film a "B" rating and Owen Gleiberman wrote, "Hopper still hasn't learned how to pace a movie, but working from Charles Williams' 1952 novel Hell Hath No Fury he comes up with a reasonably diverting hothouse yarn." [23]
In 1990, the movie premiered exclusively on Showtime.
On August 13, 2013, Shout! Factory released The Hot Spot on Blu-ray as part of a double feature along with Killing Me Softly . [24] Kino Lorber re-released the film on Blu-ray on May 4, 2021 in a new 2k master, containing new interviews with Virginia Madsen and William Sadler, and an audio commentary from entertainment journalist Bryan Reesman. [25]
The soundtrack for the film is composed by Jack Nitzsche and features an original collaboration between John Lee Hooker, Miles Davis, Taj Mahal, Tim Drummond, Earl Palmer, and Roy Rogers. Allmusic describes the soundtrack album as "marvelous music ... something listeners should be thankful for, particularly fans of either Miles Davis or John Lee Hooker". [26]
Blue Velvet is a 1986 American neo-noir mystery thriller film written and directed by David Lynch. Blending psychological horror with film noir, the film stars Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, and Laura Dern, and is named after the 1951 song of the same name. The film concerns a young college student who, returning home to visit his ill father, discovers a severed human ear in a field. The ear then leads him to uncover a vast criminal conspiracy and enter into a romantic relationship with a troubled lounge singer.
Dennis Lee Hopper was an American actor and film director. He is known for his roles as mentally disturbed outsiders and rebels. He earned prizes from the Cannes Film Festival and Venice International Film Festival as well as nominations for two Academy Awards, a Primetime Emmy Award and two Golden Globe Awards. Hopper studied acting at the Old Globe Theatre in San Diego and the Actors Studio in New York. Hopper also began a prolific and acclaimed photography career in the 1960s.
Touch of Evil is a 1958 American film noir written and directed by Orson Welles, who also stars in the film. The screenplay was loosely based on the contemporary Whit Masterson novel Badge of Evil (1956). The cast included Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff and Marlene Dietrich.
Sunset Boulevard is a 1950 American black comedy film noir directed by Billy Wilder and co-written by Wilder and Charles Brackett. It is named after a major street that runs through Hollywood.
Sudden Fear is a 1952 American film noir thriller film starring Joan Crawford and Jack Palance in a tale about a successful woman who marries a murderous man. Directed by David Miller, the screenplay by Lenore J. Coffee and Robert Smith was based upon the novel of the same name by Edna Sherry.
Out of the Blue is a 1980 drama film directed by Dennis Hopper, and starring Linda Manz, Hopper, Sharon Farrell, Don Gordon, and Raymond Burr. The film was produced by Leonard Yakir and written by him and Brenda Nielson. Its plot follows a troubled and rebellious teenage girl living in the Pacific Northwest with her dysfunctional mother and alcoholic father. The title is taken from the Neil Young song "My My, Hey Hey ", which is also featured in the film.
Killer's Kiss is a 1955 American independently-produced crime film noir directed by Stanley Kubrick and written by Kubrick and Howard Sackler. It is the second feature film directed by Kubrick, following his 1953 debut feature Fear and Desire. The film stars Jamie Smith, Irene Kane, and Frank Silvera.
Night Moves is a 1975 American neo-noir film directed by Arthur Penn, and starring Gene Hackman, Jennifer Warren, Susan Clark, with supporting performances from Melanie Griffith and James Woods. Its plot follows a Los Angeles private investigator who uncovers a series of sinister events while searching for the missing teenage daughter of a former movie actress.
The Blue Gardenia is a 1953 American film noir starring Anne Baxter, Richard Conte, and Ann Sothern. Directed by Fritz Lang from a screenplay by Charles Hoffman, it is based on the novella The Gardenia by Vera Caspary.
The Racket is a 1951 black-and-white film noir drama directed by John Cromwell with uncredited directing help from Nicholas Ray, Tay Garnett, and Mel Ferrer. The production features Robert Mitchum, Lizabeth Scott, Robert Ryan, and William Conrad. Future Perry Mason regular cast members William Talman and Ray Collins appear in key roles.
They Won't Believe Me is a 1947 American film noir directed by Irving Pichel and starring Robert Young, Susan Hayward and Jane Greer. It was produced by Alfred Hitchcock's longtime assistant and collaborator, Joan Harrison. The film was made and distributed by Hollywood major studio RKO Pictures.
Scandal Sheet is a 1952 American film noir directed by Phil Karlson. The film is based on the 1944 novel The Dark Page by Samuel Fuller, who himself was a newspaper reporter before his career in film. The drama features Broderick Crawford, Donna Reed and John Derek.
My Name Is Julia Ross is a 1945 American film noir thriller directed by Joseph H. Lewis, and starring Nina Foch, Dame May Whitty, and George Macready. Its plot follows a young woman in England who is hired as a live-in secretary for an ailing widow, where she awakens one day and is gaslit by those around her, claiming she is someone else. The screenplay is based on the 1941 novel The Woman in Red by Anthony Gilbert. The film received a loose remake called Dead of Winter (1987), starring Mary Steenburgen.
I Wake Up Screaming is a 1941 American mystery thriller film noir. directed by H. Bruce Humberstone and starring Betty Grable, Victor Mature and Carole Landis, and features one of Grable's few dramatic roles. It is based on the novel of the same name by Steve Fisher, adapted by Dwight Taylor. It was produced and distributed by 20th Century Fox.
Glorifying the American Girl is a 1929 American pre-Code musical comedy film produced by Florenz Ziegfeld that highlights Ziegfeld Follies performers. The last third of the film, which was filmed in early Technicolor, is basically a Follies production, with appearances by Rudy Vallee, Helen Morgan, and Eddie Cantor.
Hello, Dolly! is a 1969 American musical romantic comedy film based on the 1964 Broadway production of the same name, which was based on Thornton Wilder's play The Matchmaker. Directed by Gene Kelly and written and produced by Ernest Lehman, the film stars Barbra Streisand, Walter Matthau, Michael Crawford, Danny Lockin, Tommy Tune, Fritz Feld, Marianne McAndrew, E. J. Peaker and Louis Armstrong.
Restless is a 2011 American romantic drama film directed by Gus Van Sant, written by Jason Lew, and produced by Brian Grazer, Ron Howard and his daughter Bryce Dallas Howard. The film stars Henry Hopper and Mia Wasikowska, with Ryō Kase, Schuyler Fisk, and Jane Adams playing supporting roles. The film was shot in Portland, Oregon.
Scene of the Crime is a 1949 American film noir directed by Roy Rowland, starring Van Johnson, and featuring Gloria DeHaven, Arlene Dahl, and Tom Drake. The film's screenplay, by Charles Schnee, is based on a non-fiction article by John Bartlow Martin, "Smashing the Bookie Gang Marauders". It was the only property sold by Martin to be made into a film. Scene of the Crime was producer Harry Rapf's last film of his thirty-plus year career; he died of a heart attack a week after principal photography for the film began.
Because of You is a 1952 American drama romance film noir directed by Joseph Pevney and starred Loretta Young and Jeff Chandler. This film was surprising in that it showed a provocative "sexy side" of Miss Young, quite different from her usual dignified brunette "nice girl" part.
Tear Gas Squad is a 1940 American drama film directed by Terry O. Morse and starring Dennis Morgan, John Payne and Gloria Dickson. The film was made under the working title of State Cop. It includes the song I'm an Officer of the Law.
The new film, a blend of "The Long Hot Summer" and "Double Indemnity," is terminally dull, a 130-minute long movie that should run no longer than 90 minutes.
...Debra Cole are the only memorable things about this less-than-stellar Hollywood flick, which was directed by Dennis Hopper