Film noir is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.
Raymond Thornton Chandler was an American-British novelist and screenwriter. In 1932, at the age of forty-four, Chandler became a detective fiction writer after losing his job as an oil company executive during the Great Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published seven novels during his lifetime. All but Playback have been made into motion pictures, some more than once. In the year before his death, he was elected president of the Mystery Writers of America.
Billy Wilder was an Austrian-born filmmaker and screenwriter. His career in Hollywood spanned five decades, and he is regarded as one of the most brilliant and versatile filmmakers of Classic Hollywood cinema. He received seven Academy Awards, a BAFTA Award, the Cannes Film Festival's Palme d'Or and two Golden Globe Awards.
Kiss Me Deadly is a 1955 American film noir produced and directed by Robert Aldrich, starring Ralph Meeker, Albert Dekker, Paul Stewart, Juano Hernandez, and Wesley Addy. It also features Maxine Cooper and Cloris Leachman appearing in their feature film debuts. The film follows a private investigator in Los Angeles who becomes embroiled in a complex mystery after picking up a female hitchhiker. The screenplay was written by Aldrich and A.I. Bezzerides, based on the 1952 crime novel Kiss Me, Deadly by Mickey Spillane.
Double Indemnity is a 1944 American crime thriller film noir directed by Billy Wilder, co-written with Raymond Chandler, and produced by Buddy DeSylva and Joseph Sistrom. The film was based on James M. Cain's novella of the same name, which ran as an eight-part serial in Liberty magazine beginning in February 1936.
Robert Burgess Aldrich was an American film director, producer, and screenwriter. An iconoclastic and maverick auteur working in many genres during the Golden Age of Hollywood, he directed mainly films noir, war movies, westerns and dark melodramas with Gothic overtones. His most notable credits include Vera Cruz (1954), Kiss Me Deadly (1955), The Big Knife (1955), Autumn Leaves (1956), Attack (1956), What Ever Happened to Baby Jane? (1962), Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).
The Longest Yard is a 1974 American prison sports comedy-drama film directed by Robert Aldrich, written by Tracy Keenan Wynn, based on a story by producer Albert S. Ruddy, and starring Burt Reynolds, Eddie Albert, Ed Lauter, Michael Conrad and James Hampton. The film was released as The Mean Machine in the United Kingdom and South Africa. The film follows a former NFL player recruiting a group of prisoners and playing football against their guards. It features many real-life football players, including Green Bay Packers legend Ray Nitschke.
Martha Coolidge is an American film director and former President of the Directors Guild of America. She has directed such films as Valley Girl, Real Genius and Rambling Rose.
World for Ransom is a 1954 American film noir drama directed by Robert Aldrich and starring Dan Duryea, Patric Knowles, Gene Lockhart, Reginald Denny, and Nigel Bruce.
The Big Knife is a 1955 American melodrama film directed and produced by Robert Aldrich from a screenplay by James Poe based on the 1949 play by Clifford Odets. The film stars Jack Palance, Ida Lupino, Wendell Corey, Jean Hagen, Rod Steiger, Shelley Winters, Ilka Chase, and Everett Sloane. The story delves into the dark side of Hollywood, exploring themes of corruption, betrayal, and the destructive nature of fame. Jack Palance delivers a powerful performance as a conflicted movie star trapped by his own success and the manipulations of the film industry. The film is noted for its intense atmosphere and sharp critique of the pressures and moral compromises inherent in show business. It received critical acclaim for its direction, screenplay, and strong ensemble cast, cementing its place as a significant work in 1950s American cinema.
Apache is a 1954 American Western film directed by Robert Aldrich and starring Burt Lancaster, Jean Peters and John McIntire. The film was based on the novel Broncho Apache by Paul Wellman, which was published in 1936. It was Aldrich's first color film.
4 for Texas is a 1963 American comedy Western film starring Frank Sinatra, Dean Martin, Anita Ekberg and Ursula Andress, and featuring Charles Bronson and Mike Mazurki, with a cameo appearance by Arthur Godfrey and the Three Stooges. The film was written by Teddi Sherman and Robert Aldrich, who also directed.
Big Leaguer is a 1953 American sports drama film starring Edward G. Robinson and was the first film directed by Robert Aldrich.
Phedon Papamichael, ASC is a Greek cinematographer and film director, known for his collaborations with directors James Mangold, Alexander Payne and Wim Wenders. He has twice been nominated for the Academy Award for Best Cinematography and the BAFTA Award for Best Cinematography. He has been a member of the American Society of Cinematographers since 2000.
Hustle is a 1975 American neo-noir crime thriller film directed by Robert Aldrich, and starring Burt Reynolds and Catherine Deneuve.
The Angry Hills is a 1959 American-British war film directed by Robert Aldrich and starring Robert Mitchum, Stanley Baker and Elisabeth Müller. It is based on the novel by Leon Uris.
Catherine Ann Corman is an American photographer and filmmaker.
James Ursini is an American writer living in Los Angeles, and an educator.
Michael Luciano was an American film and television editor with about forty feature film credits and many additional credits for television programs. From 1954 to 1977, Luciano edited 20 of the films directed, and often produced, by Robert Aldrich. Aldrich was a prolific and independent maker of popular films "who depicted corruption and evil unflinchingly, and pushed limits on violence throughout his career." Their early collaboration, the film noir Kiss Me Deadly (1955), was entered into the US National Film Registry in 1999; the unusual editing of the film has been noted by several critics. Luciano's work with Aldrich was recognized by four Academy Award nominations, for Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).
The Greatest Mother of 'em All is a 1969 short film made by Robert Aldrich.
