James Ursini | |
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Born | Pittsburgh, Pennsylvania, US | May 10, 1947
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Education |
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Genre | Documentaries on Film noir |
Years active | 1973–present |
James Ursini (born May 10, 1947) is an American writer living in Los Angeles, and an educator.
Born on May 10, 1947, in Pittsburgh, Pennsylvania, Ursini received his master's degree in Theater Arts and a Doctorate in Film in 1975 from UCLA. [1] [2]
He has written and/or edited over a dozen books—most with Alain Silver and two with Dominique Mainon (The Modern Amazons: Warrior Women On-Screen and Cinema of Obsession: Erotic Fixation and Love Gone Wrong in the Movies). He is noted for his work on film noir with Alain Silver (The Noir Style,The Film Noir Reader series, Film Noir,LA Noir, etc.) He has also done director studies on David Lean, Robert Aldrich, Preston Sturges, [1] and Roger Corman and numerous DVD commentaries for Warner Bros., 20th Century-Fox, and The Criterion Collection. Books forthcoming in 2024 are From the Moment They Met It Was Murder, Double Indemnity and the Rise of Film Noir (Running Press/TCM) [3] and The Films of David Lean (3rd edition, Pendragon Books).
He has also produced several features and short documentaries as well as appearing in documentaries on film noir.
Film noir is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression, known as noir fiction.
Kiss Me Deadly is a 1955 American film noir produced and directed by Robert Aldrich, starring Ralph Meeker, Albert Dekker, Paul Stewart, Juano Hernandez, and Wesley Addy. It also features Maxine Cooper and Cloris Leachman appearing in their feature film debuts. The film follows a private investigator in Los Angeles who becomes embroiled in a complex mystery after picking up a female hitchhiker. The screenplay was written by Aldrich and A.I. Bezzerides, based on the 1952 crime novel Kiss Me, Deadly by Mickey Spillane.
Sir David Lean was an English film director, producer, screenwriter, and editor, widely considered one of the most important figures of British cinema. He directed the large-scale epics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965), Ryan's Daughter (1970), and A Passage to India (1984). He also directed the film adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945).
Preston Sturges was an American playwright, screenwriter, and film director.
Crime film, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir.
John Eliot Sturges was an American film director. His films include Bad Day at Black Rock (1955), Gunfight at the O.K. Corral (1957), The Magnificent Seven (1960), The Great Escape (1963), and Ice Station Zebra (1968). In 2013 and 2018, respectively, The Magnificent Seven and Bad Day at Black Rock were selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
After Dark, My Sweet is a 1990 American neo-noir crime thriller film directed by James Foley, and starring Jason Patric, Rachel Ward and Bruce Dern. It is based on the 1955 Jim Thompson novel of the same name.
The Big Clock is a 1948 American film noir thriller directed by John Farrow and adapted by novelist-screenwriter Jonathan Latimer from the 1946 novel of the same title by Kenneth Fearing.
Great Expectations is a 1946 British drama film directed by David Lean, based on the 1861 novel by Charles Dickens and starring John Mills and Valerie Hobson. The supporting cast included Bernard Miles, Francis L. Sullivan, Anthony Wager, Jean Simmons, Finlay Currie, Martita Hunt and Alec Guinness.
Too Late for Tears is a 1949 American film noir starring Lizabeth Scott, Don DeFore, and Dan Duryea. Directed by Byron Haskin, its plot follows a ruthless woman who resorts to multiple murders in an attempt to retain a suitcase containing US$60,000 that does not belong to her. The screenplay was written by Roy Huggins, developed from a serial he wrote for The Saturday Evening Post. Arthur Kennedy, Kristine Miller, and Barry Kelley appear in support.
T-Men is a 1947 semidocumentary and police procedural style film noir about United States Treasury agents. The film was directed by Anthony Mann and shot by noted noir cameraman John Alton. The production features Dennis O'Keefe, Mary Meade, Alfred Ryder, Wallace Ford, June Lockhart and Charles McGraw. A year later, director Mann used the film's male lead, Dennis O'Keefe, in Raw Deal.
A Personal Journey with Martin Scorsese Through American Movies is a 1995 British documentary film of 225 minutes in length, presented by Martin Scorsese and produced by the British Film Institute.
The Big Knife is a 1955 American melodrama film directed and produced by Robert Aldrich from a screenplay by James Poe based on the 1949 play by Clifford Odets. The film stars Jack Palance, Ida Lupino, Wendell Corey, Jean Hagen, Rod Steiger, Shelley Winters, Ilka Chase, and Everett Sloane.
Hell Up in Harlem is a 1973 blaxploitation American neo-noir film, starring Fred Williamson and Gloria Hendry. Written and directed by Larry Cohen, it is a sequel to the film Black Caesar.
Alain Silver is an American film producer, director, and screenwriter; music producer; film critic, film historian, DVD commentator, author and editor of books and essays on film topics, especially film noir, the samurai film, and horror films. Filmmakers about whom he has written include David Lean, Robert Aldrich, Raymond Chandler, Roger Corman, and James Wong Howe.
Mort Mills was an American film and television actor who had roles in over 150 movies and television episodes. He was often the town lawman or the local bad guy in many popular westerns of the 1950s and 1960s.
A motif is any distinctive feature or idea that recurs across a story; often, it helps develop other narrative elements such as theme or mood.
Key Witness is a black-and-white 1960 American neo-noir crime film directed by Phil Karlson and starring Jeffrey Hunter, Pat Crowley, and Dennis Hopper.
Michael Luciano was an American film and television editor with about forty feature film credits and many additional credits for television programs. From 1954 to 1977, Luciano edited 20 of the films directed, and often produced, by Robert Aldrich. Aldrich was a prolific and independent maker of popular films "who depicted corruption and evil unflinchingly, and pushed limits on violence throughout his career." Their early collaboration, the film noir Kiss Me Deadly (1955), was entered into the US National Film Registry in 1999; the unusual editing of the film has been noted by several critics. Luciano's work with Aldrich was recognized by four Academy Award nominations, for Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).