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Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.
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Maximillian Oppenheimer, known as Max Ophüls or simply Ophuls, was a German-born film director who worked in Germany (1931–1933), France, and the United States (1947–1950). He made nearly 30 films, the latter ones being especially notable: La Ronde (1950), Le Plaisir (1952), The Earrings of Madame de… (1953) and Lola Montès (1955). He was credited as Max Opuls on several of his American films, including The Reckless Moment, Caught, Letter from an Unknown Woman, and The Exile. The annual Filmfestival Max Ophüls Preis in Saarbrücken is named after him.
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David Loeb Goodis was an American writer of crime fiction noted for his output of short stories and novels in the noir fiction genre. Born in Philadelphia, Goodis alternately resided there and in New York City and Hollywood during his professional years. According to critic Dennis Drabelle, "Despite his [university] education, a combination of ethnicity (Jewish) and temperament allowed him to empathize with outsiders: the working poor, the unjustly accused, fugitives, criminals."
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T-Men is a 1947 semidocumentary and police procedural style film noir about United States Treasury agents. The film was directed by Anthony Mann and shot by noted noir cameraman John Alton. The production features Dennis O'Keefe, Mary Meade, Alfred Ryder, Wallace Ford, June Lockhart and Charles McGraw. A year later, director Mann used the film's male lead, Dennis O'Keefe, in Raw Deal.
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Impulse is a 1990 American neo-noir film directed by Sondra Locke, and starring Theresa Russell, Jeff Fahey, and George Dzundza. It follows a female police officer who works as an undercover prostitute in Los Angeles, who unwittingly finds herself at the center of a murder investigation.
The Great Moment is a 1944 biographical film written and directed by Preston Sturges. Based on the book Triumph Over Pain (1940) by René Fülöp-Miller, it tells the story of Dr. William Thomas Green Morton, a 19th-century Boston dentist who discovered the use of ether for general anesthesia. The film stars Joel McCrea and Betty Field, and features Harry Carey, William Demarest, Franklin Pangborn and Porter Hall.
Key Witness is a black-and-white 1960 American neo-noir crime film directed by Phil Karlson and starring Jeffrey Hunter, Pat Crowley, and Dennis Hopper.
Michael Luciano was an American film and television editor with about forty feature film credits and many additional credits for television programs. From 1954 to 1977, Luciano edited 20 of the films directed, and often produced, by Robert Aldrich. Aldrich was a prolific and independent maker of popular films "who depicted corruption and evil unflinchingly, and pushed limits on violence throughout his career." Their early collaboration, the film noir Kiss Me Deadly (1955), was entered into the US National Film Registry in 1999; the unusual editing of the film has been noted by several critics. Luciano's work with Aldrich was recognized by four Academy Award nominations, for Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).
References
- 1 2 Ursini, James (1973). The Famous Life & Times of Preston Sturges: An American Dreamer (mass market paperback ed.). New York: Curtis Books.
- ↑ Ursini, James. "James Ursini – IMDb". IMDb. Retrieved January 15, 2013.
- ↑ "From the Moment They Met It Was Murder".
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