Gentleman's Agreement is a 1947 American drama film based on Laura Z. Hobson's best-selling 1947 novel of the same title. The film is about a journalist who pretends to be Jewish to research an exposé on the widespread antisemitism in New York City and the affluent communities of New Canaan and Darien, Connecticut. It was nominated for eight Academy Awards and won three: Best Picture, Best Supporting Actress, and Best Director.
Elias Kazantzoglou, known as Elia Kazan, was an American film and theatre director, producer, screenwriter and actor, described by The New York Times as "one of the most honored and influential directors in Broadway and Hollywood history".
America America is a 1963 American drama film directed, produced and written by Elia Kazan. It was inspired by the struggle of his uncle, Avraam Elia Kazantzoglou, to work his way to America, a land of dreams and opportunity. Kazan adapted the screenplay from his own 1962 book.
Viva Zapata! is a 1952 American Western film directed by Elia Kazan and starring Marlon Brando. The screenplay was written by John Steinbeck, using Edgcomb Pinchon's 1941 book Zapata the Unconquerable as a guide. The cast includes Jean Peters, and in an Academy Award-winning performance, Anthony Quinn.
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States.
Baby Doll is a 1956 American black comedy film directed by Elia Kazan and starring Carroll Baker, Karl Malden and Eli Wallach. It was produced by Kazan and Tennessee Williams, and adapted by Williams from his own one-act play 27 Wagons Full of Cotton (1955). The plot focuses on a feud between two rival cotton gin owners in rural Mississippi.
Darryl Francis Zanuck was an American film producer and studio executive; he earlier contributed stories for films starting in the silent era. He played a major part in the Hollywood studio system as one of its longest survivors. He produced three films that won the Academy Award for Best Picture during his tenure at 20th Century Fox.
William Harrison Hays Sr. was an American politician, and member of the Republican Party. As chairman of the Republican National Committee from 1918 to 1921, Hays managed the successful 1920 presidential campaign of Warren G. Harding. Harding then appointed Hays to his cabinet as his first Postmaster General. He resigned from the cabinet in 1922 to become the first chairman of the Motion Picture Producers and Distributors of America. As chairman, Hays oversaw the promulgation of the Motion Picture Production Code, which spelled out a set of moral guidelines for the self-censorship of content in American cinema.
Odd Man Out is a 1947 British film noir directed by Carol Reed, and starring James Mason, Robert Newton, Cyril Cusack, and Kathleen Ryan. Set in Belfast, Northern Ireland, it follows a wounded Nationalist leader who attempts to evade police in the aftermath of a robbery. It is based on the 1945 novel of the same name by F. L. Green.
No Way Out is a 1950 American crime drama film noir directed by Joseph L. Mankiewicz and starring Sidney Poitier in his film debut, alongside Richard Widmark, Linda Darnell and Stephen McNally. The film centers on an African American doctor who confronts the racism of a poor slum after he treats a racist white criminal.
John Gilling was an English film director and screenwriter, born in London. He was known for his horror movies, especially those he made for Hammer Films, for whom he directed The Shadow of the Cat (1961), The Plague of the Zombies (1966), The Reptile (1966) and The Mummy's Shroud (1967), Cross of the Devil (1975), among others.
The Killer That Stalked New York is a 1950 American film noir directed by Earl McEvoy and starring Evelyn Keyes, Charles Korvin and William Bishop. The film, shot on location and in a semi-documentary style, is about diamond smugglers who unknowingly start a smallpox outbreak in the New York City of 1947. It is based on the real threat of a smallpox epidemic in the city, as described in a story taken from a 1948 Cosmopolitan magazine article.
Pre-Code Hollywood was an era in the American film industry that occurred between the widespread adoption of sound in film in the late 1920s and the enforcement of the Motion Picture Production Code censorship guidelines in 1934. Although the Hays Code was adopted in 1930, oversight was poor, and it did not become rigorously enforced until July 1, 1934, with the establishment of the Production Code Administration. Before that date, film content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than by strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.
A Streetcar Named Desire is a 1951 American Southern Gothic drama film adapted from Tennessee Williams's Pulitzer Prize-winning play of the same name. It is directed by Elia Kazan, and stars Vivien Leigh, Marlon Brando, Kim Hunter, and Karl Malden. The film tells the story of a Mississippi Southern belle, Blanche DuBois, who, after encountering a series of personal losses, seeks refuge with her sister and brother-in-law in a dilapidated New Orleans apartment building. The original Broadway production and cast was converted to film, albeit with several changes and sanitizations related to censorship.
Emile Meyer was an American actor, usually known for tough, aggressive, authoritative characters in Hollywood films from the 1950s era, mostly in Westerns or thrillers.
Gene Callahan was an American art director as well as set and production designer who contributed to over fifty films and more than a thousand TV episodes. He received nominations for the British Academy Film Award and four Oscars, including two wins.
The Beautiful Blonde from Bashful Bend is a 1949 romantic comedy Western film starring Betty Grable and featuring Cesar Romero and Rudy Vallee. It was directed by Preston Sturges and written by him based on a story by Earl Felton.
The Yellow Canary is a 1963 American thriller film directed by Buzz Kulik and starring Pat Boone and Barbara Eden. It was adapted by Rod Serling from a novel by Whit Masterson, who also wrote the novel that was the basis for Orson Welles' Touch of Evil. The film was photographed by veteran Floyd Crosby and scored by jazz composer Kenyon Hopkins.
The era of American film production from the early sound era to the enforcement of the Hays Code in 1934 is denoted as Pre-Code Hollywood. The era contained violence and crime in pictures which would not be seen again until decades later. Although the Hays office had specifically recommended removing profanity, the drug trade, and prostitution from pictures, it had never officially recommended against depictions of violence in any form in the 1920s. State censor boards, however, created their own guidelines, and New York in particular developed a list of violent material which had to be removed for a picture to be shown in the state. Two main types of crime films were released during the period: the gangster picture and the prison film.
Film censorship in the United States was a frequent feature of the industry almost from the beginning of the U.S. motion picture industry until the end of strong self-regulation in 1966. Court rulings in the 1950s and 1960s severely constrained government censorship, though statewide regulation lasted until at least the 1980s.
