Gentleman's Agreement is a 1947 American drama film based on Laura Z. Hobson's best-selling 1947 novel of the same title. The film is about a journalist who pretends to be Jewish to research an exposé on the widespread antisemitism in New York City and the affluent communities of New Canaan and Darien, Connecticut. It was nominated for eight Academy Awards and won three: Best Picture, Best Supporting Actress, and Best Director.
America America is a 1963 American drama film directed, produced and written by Elia Kazan. It was inspired by the struggle of his uncle, Avraam Elia Kazantzoglou, to work his way to America, a land of dreams and opportunity. Kazan adapted the screenplay from his own 1962 book.
The Third Man is a 1949 film noir directed by Carol Reed, written by Graham Greene, and starring Joseph Cotten, Alida Valli, Orson Welles and Trevor Howard. Set in post-World War II Allied-occupied Vienna, the film centres on American writer Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that he has died. Martins stays in Vienna to investigate Lime's death, becoming infatuated with Lime's girlfriend Anna Schmidt (Valli).
Viva Zapata! is a 1952 American Western film directed by Elia Kazan and starring Marlon Brando. The screenplay was written by John Steinbeck, using Edgcomb Pinchon's 1941 book Zapata the Unconquerable as a guide. The cast includes Jean Peters, and in an Academy Award-winning performance, Anthony Quinn.
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States.
Baby Doll is a 1956 American black comedy film directed by Elia Kazan and starring Carroll Baker, Karl Malden and Eli Wallach. It was produced by Kazan and Tennessee Williams, and adapted by Williams from two of his own one-act plays: 27 Wagons Full of Cotton and The Unsatisfactory Supper. The plot focuses on a feud between two rival cotton gin owners in rural Mississippi.
Darryl Francis Zanuck was an American film producer and studio executive; he earlier contributed stories for films starting in the silent era. He played a major part in the Hollywood studio system as one of its longest survivors. He produced three films that won the Academy Award for Best Picture during his tenure at 20th Century Fox.
Pinky is a 1949 American drama film directed by Elia Kazan and produced by Darryl F. Zanuck. The screenplay was adapted by Philip Dunne and Dudley Nichols based on Cid Ricketts Sumner's 1946 novel Quality. It stars Jeanne Crain as the title character, a young light-skinned black woman who passes for white. It also stars Ethel Barrymore, Ethel Waters and William Lundigan.
William Harrison Hays Sr. was an American politician, and member of the Republican Party. As chairman of the Republican National Committee from 1918 to 1921, Hays managed the successful 1920 presidential campaign of Warren G. Harding. Harding then appointed Hays to his cabinet as his first Postmaster General. He resigned from the cabinet in 1922 to become the first chairman of the Motion Picture Producers and Distributors of America. As chairman, Hays oversaw the promulgation of the Motion Picture Production Code, which spelled out a set of moral guidelines for the self-censorship of content in American cinema.
Richard Darryl Zanuck was an American film producer. His 1989 film Driving Miss Daisy won the Academy Award for Best Picture. He was also instrumental in launching the career of director Steven Spielberg, who described Zanuck as a "director's producer" and "one of the most honorable and loyal men of our profession."
No Way Out is a 1950 American crime drama film noir directed by Joseph L. Mankiewicz and starring Sidney Poitier in his film debut, alongside Richard Widmark, Linda Darnell and Stephen McNally. The film centers on an African American doctor who confronts the racism of a poor slum after he treats a racist white criminal.
John Gilling was an English film director and screenwriter, born in London. He was known for his horror movies, especially those he made for Hammer Films, for whom he directed The Shadow of the Cat (1961), The Plague of the Zombies (1966), The Reptile (1966) and The Mummy's Shroud (1967). Elsewhere he directed Cross of the Devil (1975), among others.
The Killer That Stalked New York is a 1950 American film noir directed by Earl McEvoy and starring Evelyn Keyes, Charles Korvin and William Bishop. The film, shot on location and in a semi-documentary style, is about diamond smugglers who unknowingly start a smallpox outbreak in the New York City of 1947. It is based on the real threat of a smallpox epidemic in the city, as described in a story taken from a 1948 Cosmopolitan magazine article.
Pre-Code Hollywood was an era in the American film industry that occurred between the widespread adoption of sound in film in the late 1920s and the enforcement of the Motion Picture Production Code censorship guidelines in 1934. Although the Hays Code was adopted in 1930, oversight was poor, and it did not become rigorously enforced until July 1, 1934, with the establishment of the Production Code Administration. Before that date, film content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than by strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.
A Streetcar Named Desire is a 1951 American Southern Gothic drama film adapted from Tennessee Williams's Pulitzer Prize-winning play of the same name. It is directed by Elia Kazan, and stars Vivien Leigh, Marlon Brando, Kim Hunter, and Karl Malden. The film tells the story of a Mississippi Southern belle, Blanche DuBois (Leigh), who, after encountering a series of personal losses, seeks refuge with her sister (Hunter) and brother-in-law (Brando) in a dilapidated New Orleans apartment building. The original Broadway production and cast was converted to film, albeit with several changes and sanitizations related to censorship.
The Mob is a 1951 American film noir crime-thriller produced by Columbia Pictures, directed by Robert Parrish, and starring Broderick Crawford. The screenplay, which was written by William Bowers, is based on the novel Waterfront by Ferguson Findley.
The Beautiful Blonde from Bashful Bend is a 1949 romantic comedy Western film starring Betty Grable and featuring Cesar Romero and Rudy Vallee. It was directed by Preston Sturges and written by him based on a story by Earl Felton.
In the Meantime, Darling is a 1944 American drama film produced and directed by Otto Preminger. The screenplay by Arthur Kober and Michael Uris focuses on a wealthy war bride who is forced to adjust to living in spartan conditions in military housing during World War II.
The Yellow Canary is a 1963 American thriller film directed by Buzz Kulik and starring Pat Boone and Barbara Eden. It was adapted by Rod Serling from a novel by Whit Masterson, who also wrote the novel that was the basis for Orson Welles' Touch of Evil. The film was photographed by veteran Floyd Crosby and scored by jazz composer Kenyon Hopkins.
Film censorship in the United States was a frequent feature of the industry almost from the beginning of the U.S. motion picture industry until the end of strong self-regulation in 1966. Court rulings in the 1950s and 1960s severely constrained government censorship, though statewide regulation lasted until at least the 1980s.
