The Manitou | |
---|---|
Directed by | William Girdler [1] |
Screenplay by |
|
Based on | The Manitou by Graham Masterton |
Produced by | William Girdler |
Starring | |
Cinematography | Michel Hugo |
Edited by | Bub Asman |
Music by | Lalo Schifrin |
Production companies |
|
Distributed by | AVCO Embassy Pictures [2] |
Release date |
|
Running time | 104 minutes [2] |
Country | United States [2] |
Language | English |
Box office | $1.5 million [3] |
The Manitou is a 1978 American supernatural body horror film produced and directed by William Girdler, and starring Tony Curtis, Michael Ansara, and Susan Strasberg. It follows a woman in San Francisco who begins developing a fast-growing tumor on the back of her neck which is discovered to be supernatural in origin. It is based on the 1976 novel of the same name by Graham Masterton, which was inspired by the concept of manitou in Native American theology, believed to be a spiritual and fundamental life force by members of the Algonquian peoples. The film was Girdler's final feature, as he died in a helicopter accident prior to its release. [4]
Karen Tandy suffers from a growing tumor on her neck and seeks treatment at a hospital in San Francisco. After a series of x-rays, Dr. Jack Hughes finds evidence that the tumor is a growing fetus. Karen agrees to undergo surgery to remove the tumor. She seeks the comfort of an old friend and ex-employer named Harry Erskine, a fortune teller who preys on the gullible to make a living. While spending the night at Harry's place, Karen utters a phrase that sounds like "pana witchy salatoo" in her sleep. When Harry mentions the phrase the next day, Karen claims she never heard it before.
Karen's operation goes awry when the surgeon's hands shake, causing him to slice his own hand with a scalpel. Meanwhile, one of Harry's clients suffers a seizure and utters the same phrase spoken by Karen; she levitates out of the room and falls down the staircase. Convinced that Karen is being afflicted by black magic, Harry consults a former psychic named Amelia Caruso and her partner, MacArthur. They and Amelia's aunt, Mrs. Karmann, visit Karen's home, where they hold a seance to draw out the spirit attacking Karen. A violent thunderstorm hinders their efforts. Mrs. Karmann declares that the figure she saw resembled a wooden statue of an Indian.
Harry, Amelia and MacArthur visit aging anthropologist Dr. Snow, who recounts tales of 400-year-old Indian medicine men wielding great powers. Upon hearing the strange phrase, Dr. Snow deduces it partially to be as "my death foretells my return." Unable to help them directly, he advises them that they should seek the council of the vestigial Indian medicine men now surviving in the remote parts. Harry visits John Singing Rock, (Michael Ansara) a medicine man who tells him about manitou , spirits who exist in everything surrounding them. He refuses Harry's plea for help but later changes his mind, requesting $100,000 and tobacco in exchange for his services.
Harry and John reach the hospital and draw a circle of sand around Karen's bed in order to limit the spirit using her body. Through Karen, the spirit reveals himself to be an old Native American shaman, Misquamacus, who is reincarnating himself through the young woman to exact his revenge on the white men who invaded North America and exterminated its native peoples. He further warns John against helping white men such as Harry and Karen. John prepares to stop Misquamacus' growing power and calls upon the strength of other manitou, to no avail.
Misquamacus kills a male nurse and claws its way out from Karen's neck, appearing as a dwarf-sized man. It also reanimates the dead nurse to harm others, but John manages to stop it. In another encounter, Misquamacus summons an ancient Indian demon by the name of the Lizard of the Tree while managing to erase the sand circle to harm Dr. Hughes. After Harry takes Hughes to the lower levels to treat his wounds, he returns to find the entire floor covered in ice; the receptionist is frozen solid.
Harry finds John sitting alone in the room. John explains that Misquamacus inflicted wounds on his face with surgical instruments. As they are about to leave, they are faced with Misquamacus caught amidst a snowstorm caused by summoning of another demon called the Star Beast. In the altercation, Harry throws a typewriter towards Misquamacus, which temporarily weakens it, allowing he and John to escape. Harry comes up with the idea of using the manitou of electrical equipment surrounding them. John reluctantly agrees and proposes he will act as a medium for these manitou to manifest themselves. As they are discussing the plan, the entire room shakes with a violent earthquake, which John reveals as the coming of the Great Old One, a powerful demon, through a portal opened by Misquamacus.
Harry instructs Dr. Hughes to switch on all the machines in the hospital while he and John travel towards Misquamacus. They find Karen inside a room filled with space illusion. John tries to channel the machine manitou but is unsuccessful. He accepts defeat, but Harry refuses to give in. He tries to distract the spirit while calling on Karen. Karen gains consciousness and channels the machine manitou to finally defeat Misquamacus and the Great Old One behind the portal. As the ordeal is over, Harry and Karen are reunited. Harry accompanies John to a cab for the airport, thanking him for his help. John thanks him back and warns that they might meet Misquamacus once again for though its body may be destroyed, its ethereal form lives.
The film was released theatrically by AVCO Embassy Pictures on April 28, 1978, in New York, and May 17, 1978, in Los Angeles. [2]
The film was released on DVD by Momentum Pictures on October 24, 2005.
It was re-released on DVD by Anchor Bay Entertainment in 2007. [5] On April 16, 2019, Scream Factory released the film for the first time on Blu-ray. [6] According to the Scream Factory Blu-ray release, the original negative is lost, and the film had to be restored from alternate elements. [6]
On review aggregator website Rotten Tomatoes, The Manitou has a 40% approval rating based on 10 reviews, with an average rating of 5.1/10. [7] The staff of Variety wrote, "This bout between good and Satan includes some scares, camp and better than average credits". [8] Time Out 's Derek Adams praised the film's special effects and called the film "a successful excursion, spoiled only by the director's habit of plopping in postcard views of the Golden Gate Bridge instead of exteriors". [9] Donald Guarisco of AllMovie criticized the film's script and direction but complimented the acting, special effects and ending. [10] Author John Kenneth Muir wrote the film has "an infectious feeling of fun" despite being "patently absurd". [4]
Masterton, who wrote the source novel, said he "liked it a lot". [4]
Susan Elizabeth Strasberg was an American stage, film, and television actress. Thought to be the next Hepburn-type ingenue, she was nominated for a Tony Award at age 18, playing the title role in The Diary of Anne Frank. She appeared on the covers of LIFE and Newsweek in 1955. A close friend of Marilyn Monroe and Richard Burton, she wrote two best-selling tell-all books. Her later career primarily consisted of slasher and horror films, followed by TV roles, by the 1980s.
Michael George Ansara was an American actor. A Syrian-American, he was often cast in Arabic and American Indian roles. His work in both film and television spanned several genres including historical epics, Westerns, and science fiction.
Graham Masterton is a British author known primarily for horror fiction. Originally editor of Mayfair and the British edition of Penthouse, his debut novel, The Manitou, was published in 1976. This novel was adapted in 1978 for the film The Manitou. His 1978 novel Charnel House and 1983 novel Tengu garnered positive critical reception, the former receiving a Special Edgar Award by the Mystery Writers of America and the latter being awarded with a silver medal by the West Coast Review of Books. Masterton was also the editor of Scare Care, a horror anthology published for the benefit of abused children in Europe and the United States.
Night of the Demons is a 1988 American supernatural horror film directed by Kevin S. Tenney, written and produced by Joe Augustyn, and starring Amelia Kinkade, Cathy Podewell, Linnea Quigley, Hal Havins, and Alvin Alexis. The plot follows a group of high school students who throw a party inside an isolated funeral parlor on Halloween night. While attempting a séance, they accidentally release a demon locked in the crematorium that begins to possess them one by one.
Grizzly is a 1976 American horror thriller film directed by William Girdler, about a park ranger's attempts to halt the wild rampage of an 18 ft (5.5 m) tall, 2,000 lb (910 kg) man-eating grizzly bear that terrorizes a National Forest, having developed a taste for human flesh. However, a drunken hunting party complicates matters. It stars Christopher George, Andrew Prine and Richard Jaeckel. Widely considered a Jaws rip-off, Grizzly used many of the same plot devices as its shark predecessor, which had been a huge box office success during the previous year. The giant grizzly bear in the film was portrayed by a Kodiak bear named Teddy, who was 11 ft (3.4 m) tall.
My Name Is Julia Ross is a 1945 American film noir thriller directed by Joseph H. Lewis, and starring Nina Foch, Dame May Whitty, and George Macready. Its plot follows a young woman in England who is hired as a live-in secretary for an ailing widow, where she awakens one day and is gaslit by those around her, claiming she is someone else. The screenplay is based on the 1941 novel The Woman in Red by Anthony Gilbert. The film received a loose remake called Dead of Winter (1987), starring Mary Steenburgen.
The Locket is a 1946 American psychological thriller film noir directed by John Brahm, starring Laraine Day, Brian Aherne, Robert Mitchum, and Gene Raymond, and released by RKO Pictures. The film is based on a screenplay by Sheridan Gibney, adapted from "What Nancy Wanted" by Norma Barzman, wife of later-blacklisted writer Ben Barzman. It is noted for its complex and confusing use of layered flashbacks within flashbacks to give psychological depth to the narrative.
Trilogy of Terror is a 1975 American made-for-television anthology horror film directed by Dan Curtis and starring Karen Black. It features three segments, each based on unrelated short stories by Richard Matheson. The first follows a college professor who seeks excitement with her students; the second is about twin sisters who have a bizarre relationship. These two segments were adapted by William F. Nolan. The third, adapted by Matheson himself, focuses on a woman terrorized by a Zuni fetish doll in her apartment. Black stars in all three segments, and plays dual roles in the second.
Burnt Offerings is a 1976 American supernatural horror film co-written and directed by Dan Curtis and starring Karen Black, Oliver Reed, Bette Davis, and Lee H. Montgomery, with Eileen Heckart, Burgess Meredith and Anthony James in supporting roles. It is based on the 1973 novel of the same name by Robert Marasco. The plot follows a family which begins to interpersonally dissolve under supernatural forces in a large estate they have rented for the summer.
Captain Clegg is a 1962 British adventure horror film directed by Peter Graham Scott and starring Peter Cushing, Yvonne Romain, Patrick Allen, and Oliver Reed. It produced by John Temple-Smith for Hammer Film Productions. It is loosely based on the Doctor Syn character created by Russell Thorndike.
The Children's Hour is a 1961 American drama film produced and directed by William Wyler from a screenplay by John Michael Hayes, based on the 1934 play of the same title by Lillian Hellman. The film stars Audrey Hepburn, Shirley MacLaine, and James Garner, with Miriam Hopkins, Fay Bainter, and Karen Balkin.
The Lurker at the Threshold is a horror novel by American writer August Derleth, based on short fragments written by H. P. Lovecraft, who died in 1937, and published as a collaboration between the two authors. According to S. T. Joshi, of the novel's 50,000 words, 1,200 were written by Lovecraft.
Hospital Massacre is a 1982 American slasher film directed by Boaz Davidson and starring Barbi Benton. Its plot follows a woman who becomes trapped on an empty floor of a hospital, where a murderer posing as a surgeon attempts to kill her.
Dr. Strange is a 1978 American superhero television film based on the Marvel Comics fictional character of the same name, co-created by Steve Ditko and Stan Lee. Philip DeGuere directed the film and wrote it specifically for television, and produced the film along with Alex Beaton and Gregory Hoblit. Stan Lee served as a consultant on the film, which was created as a pilot for a proposed television series. Dr. Strange stars Peter Hooten in the title role, along with Jessica Walter, Eddie Benton, Clyde Kusatsu, Philip Sterling, and John Mills. The film aired on September 6, 1978, in a two-hour block from 8pm to 10pm on CBS, the same network that, at that time, aired The Amazing Spider-Man and The Incredible Hulk; CBS did not pick up Dr. Strange as a series.
The Cobweb is a 1955 American Eastmancolor MGM drama film. It was directed by Vincente Minnelli, and based on a novel by William Gibson. The film stars Richard Widmark, Lauren Bacall, Charles Boyer, and Gloria Grahame
Day of the Animals is a 1977 American natural horror film directed by William Girdler, based on a story by producer Edward L. Montoro. The film reunited Girdler and Montoro with stars Christopher George and Richard Jaeckel from the previous year's Grizzly. It co-stars Lynda Day George and Leslie Nielsen.
Abby is a 1974 American blaxploitation supernatural horror film about a woman who is possessed by a Yoruba sex spirit. The film stars Carol Speed as the title character, William H. Marshall and Terry Carter. It was directed by William Girdler, who co-wrote the film's story with screenwriter Gordon Cornell Layne.
The Unseen is a 1980 American slasher film directed and written by Danny Steinmann, and starring Stephen Furst, Barbara Bach, Sydney Lassick, and Lelia Goldoni. Its plot follows three female news reporters who arrive in Solvang, California, to cover the town's annual Danish festival, and end up staying in the Victorian home of a middle-aged couple harboring a dark secret in their basement.
A Woman's Vengeance is a 1948 American film noir drama mystery film directed by Zoltán Korda and starring Charles Boyer, Ann Blyth, Jessica Tandy, Cedric Hardwicke, Rachel Kempson, and Mildred Natwick. The screenplay by Aldous Huxley was based on his 1922 novelette The Gioconda Smile. The film was produced and released by Universal Pictures.
Oliver Twist is a 1962 BBC TV adaptation of Charles Dickens' 1838 novel Oliver Twist, serialised in 13 episodes. Due in part to its transmission at Sunday teatimes, the production proved to be controversial, with questions asked in Parliament and many viewer complaints over the brutal murder of Nancy by Bill Sikes in its eleventh episode. The serial has survived intact, and was released to DVD in 2017 by Simply Media.