Sonny Rollins with the Modern Jazz Quartet | ||||
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Compilation album by | ||||
Released | 1956 | |||
Recorded | January 17, 1951 (13) December 17, 1951 (5–12) October 7, 1953 (1–4) | |||
Studio | Apex Studios, New York City | |||
Genre | Jazz | |||
Length | 37:19 | |||
Label | Prestige | |||
Producer | Bob Weinstock | |||
Sonny Rollins chronology | ||||
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Sonny Rollins Quartet 10"LP | ||||
Sonny Rollins with the Modern Jazz Quartet (also released as Sonny & the Stars) is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet (John Lewis, Milt Jackson, Percy Heath, and Kenny Clarke), eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano. [1]
The first four tracks, featuring the members of the Modern Jazz Quartet, had been previously released as the 7" 45rpm EP Sonny Rollins With Modern Jazz Quartet (PREP 1337). [2] Tracks 5–11 and 13 were featured on the Prestige 10 inch LP Sonny Rollins Quartet (1952)(PRLP 137), which is reissued in its entirety here. Track 12 was released on the 10" compilation Mambo Jazz (PRLP 135). [3]
"I Know", featuring Miles Davis on piano, was recorded at the same session as four other tracks under Davis's name, using the same musicians, including the young Rollins. [4] This was Davis's first recording session for Prestige Records and his first with Rollins. Producer Bob Weinstock tried to dissuade Davis from using Rollins, feeling he was not ready, but Davis persuaded Weinstock to let Rollins record a cut under his own name. [5] The Davis tracks recorded that date were issued on the 10" LP Modern Jazz Trumpets and appeared on the album Miles Davis and Horns .
Review scores | |
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Source | Rating |
AllMusic | [6] |
The Penguin Guide to Jazz Recordings | [7] |
The Rolling Stone Jazz Record Guide | [8] |
The AllMusic review by Lindsay Planer describes the album as a "fresh and vibrant baker's dozen of selections... a vital component in any jazz enthusiast's collection." [6] Author and musician Peter Niklas Wilson called it "patchwork, but an interesting one." [9]
Tracks 1-4
Tracks 5-12
Track 13
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, and Thelonious Monk.
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records.
Miles Davis and the Modern Jazz Giants is an album by Miles Davis, released on Prestige Records in 1959. Most of the material comes from a session on December 24, 1954, featuring Thelonious Monk and Milt Jackson, and had been previously released in the discontinued ten inch LP format. "Swing Spring" was originally released on the 10"LP Miles Davis All Stars, Volume 1, and "Bemsha Swing" and "The Man I Love" had been previously released on Volume 2. "'Round Midnight" is newly released, and comes from the same sessions by Davis's new quintet in 1956 which resulted in Steamin' with the Miles Davis Quintet and three other albums to fulfill Davis's contract with Prestige.
Bags' Groove is a jazz album by Miles Davis, released in 1957 by Prestige Records, compiling material from two 10" LPs recorded in 1954, plus two alternative takes.
"Airegin" is a jazz standard composed by American jazz saxophonist Sonny Rollins in 1954. Rollins chose the name "Airegin", as it is an anadrome of "Nigeria".
Conception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP Lee Konitz: The New Sounds makes up all of side 1.
Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.
Dig is an album by Miles Davis on Prestige Records, catalogue number 7012. It features tracks from a 1951 session at Apex Studios. First released in the 12-inch LP format in 1956, The original album was later released as Diggin' with the catalogue number PR 7281 and a different cover. Dig was reissued as a compact disc with additional tracks.
Miles Davis and Horns is a compilation album by jazz trumpeter Miles Davis, released by Prestige Records in 1956.
Collectors' Items is a 1956 studio album by Miles Davis. There are two sessions collected on the album with largely different musicians. The first 1953 session is "Compulsion", "The Serpent's Tooth" and "'Round About Midnight". The second 1956 session is "In Your Own Sweet Way", "Vierd Blues" and "No Line". The personnel for the first session were Davis, Sonny Rollins and Charlie Parker on tenor sax, Walter Bishop on piano, Percy Heath on bass and Philly Joe Jones on drums. For the second session, the tenor sax was Rollins alone, the piano was Tommy Flanagan, the bass Paul Chambers and Art Taylor on drums.
Moving Out is an album by jazz saxophonist Sonny Rollins. This was his second for Prestige Records, featuring Kenny Dorham, Elmo Hope, Percy Heath, and Art Blakey, and one track with Thelonious Monk, Tommy Potter, and Art Taylor. The first 4 tracks had originally appeared on as the 10-inch LP Sonny Rollins Quintet Featuring Kenny Dorham, and the final track had appeared on the 10-inch LP Sonny Rollins and Thelonious Monk.
Monk is a 1956 compilation album by jazz pianist and composer Thelonious Monk, featuring material recorded from 1953 to 1954 for the Prestige label and performed by Monk with two quintets, one featuring Julius Watkins, Sonny Rollins, Percy Heath, and Willie Jones and one featuring Ray Copeland, Frank Foster, Curly Russell, and Art Blakey. It was originally titled both Thelonious Monk [on its 1956 cover] and Thelonious Monk Quintets [on its labels]. Over the following decade, it was also re-released as Wee See and The Golden Monk The most common cover art, is 1958 revision, designed by Reid Miles.
Thelonious Monk and Sonny Rollins is a compilation album by jazz pianist and composer Thelonious Monk and saxophonist Sonny Rollins released in 1956 by Prestige Records. The tracks on it was recorded in three sessions between 1953 and 1954. While this is its original title, and its most consistent title in its digital re-releases, it was also released on Prestige as Work! and The Genius Of Thelonious Monk, with alternative covers.
The New Sounds is the debut solo studio album by Miles Davis, released in late 1951 as a 10-inch LP. It is his first album as a leader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Prestige compilation LP Modern Jazz Trumpets and appeared as a sideman on the 10-inch LP Lee Konitz: The New Sounds.
Miles Davis All Star Sextet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The two side-long tracks were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, April 29, 1954.
Miles Davis with Sonny Rollins is a 1954 10 inch LP album by Miles Davis, released by Prestige Records. The four tracks on this LP, along with a second take of "But Not For Me", were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on June 29, 1954.
Miles Davis All Stars, Volume 1 is a 10 inch LP album by Miles Davis, released by Prestige Records. The two side-long tracks on this LP, and two others, were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on December 24, 1954. This was the first of two 10" LPs sourced from the same session, which featured vibraphonist Milt Jackson, pianist Thelonious Monk, bassist Percy Heath and drummer Kenny Clarke. Jackson, Heath and Clarke were three quarters of the Modern Jazz Quartet at this time.
Miles Davis All Stars, Volume 2 is a 10-inch LP album by Miles Davis, recorded in 1954 for Prestige Records. The two side-long tracks on this LP, and two others, were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on December 24, 1954. This was the second of two 10" LPs sourced from the same session, which featured two of Davis’s major be-bop contemporaries: pianist/composer Thelonious Monk and vibraphonist Milt Jackson, along with the same rhythm section that had been used on Davis's other recent albums - bassist Percy Heath and drummer Kenny Clarke. Jackson, Heath and Clarke were three-quarters of the Modern Jazz Quartet at this time.
Modern Jazz Trumpets is an album released by Prestige Records in 1951 with music by four jazz trumpeters: Fats Navarro, Dizzy Gillespie, Miles Davis and Kenny Dorham. The album was released on the 10" LP format and includes the first recordings by Davis for Prestige.
The Brothers is a studio compilation album by American saxophonists Stan Getz and Zoot Sims released in 1956 via Prestige label.