| The Sound of Sonny | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | November 1957 [1] | |||
| Recorded | June 11, 12 & 19, 1957 | |||
| Genre | Jazz | |||
| Length | 32:37 | |||
| Label | Riverside | |||
| Producer | Orrin Keepnews | |||
| Sonny Rollins chronology | ||||
| ||||
The Sound of Sonny is an album by jazz saxophonist Sonny Rollins, his first recorded for the Riverside label, featuring performances by Rollins with Sonny Clark, Roy Haynes and Percy Heath or Paul Chambers. [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
| The Rolling Stone Jazz Record Guide |  [4] |
| The Penguin Guide to Jazz Recordings | [5] |
The Allmusic review by Lindsay Planer states: "A new phase in Sonny Rollins' career began in 1957. He started what was at the time an almost blasphemous trend of recording for a number of different labels. His pioneering spirit yielded a few genre-defining albums, including this disc. His performances were also at a peak during 1957 as Down Beat magazine proclaimed him the Critics' Poll winner under the category of 'New Star' of the tenor saxophone. This newfound freedom can be heard throughout the innovations on The Sound of Sonny. Not only are Rollins' fluid solos reaching newly obtained zeniths of melodic brilliance, but he has also begun experimenting with alterations in the personnel from tune to tune." [3]
Bags' Groove is a jazz album by Miles Davis, released in 1957 by Prestige, compiling material from two 10" LPs recorded in 1954, plus two alternative takes.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by the trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.
Lush Life is a studio album by the jazz musician John Coltrane. It was released in early 1961 through Prestige Records. It was assembled from previously unissued tracks from three recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's profile increased during the 1960s, some years after the end of his Prestige contract, the label used unissued recordings to create new albums without Coltrane's input or approval.
Newk's Time is an album by jazz saxophonist Sonny Rollins recorded on September 22, 1957 and released on Blue Note in 1959—his third album for the label.
Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.
Collectors' Items is a 1956 studio album by Miles Davis. There are two sessions collected on the album with largely different musicians. The first 1953 session is "Compulsion", "The Serpent's Tooth" and "'Round About Midnight". The second 1956 session is "In Your Own Sweet Way", "Vierd Blues" and "No Line". The personnel for the first session were Davis, Sonny Rollins and Charlie Parker on tenor sax, Walter Bishop on piano, Percy Heath on bass and Philly Joe Jones on drums. For the second session, the tenor sax was Rollins alone, the piano was Tommy Flanagan, the bass Paul Chambers and Art Taylor on drums.
Sonny Meets Hawk! is a 1963 album by jazz saxophonist Sonny Rollins, with Coleman Hawkins appearing as guest artist. It was recorded at RCA Victor Studio B in New York City on July 15 and 18, 1963. The album features some of Rollins's most avant-garde playing.
Here's to the People is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1991, featuring performances by Rollins with Clifton Anderson, Mark Soskin, Jerome Harris, Bob Cranshaw, Roy Hargrove, Jack DeJohnette, Steve Jordan, and Al Foster.
Sunny Days, Starry Nights is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1984, featuring performances by Rollins with Clifton Anderson, Mark Soskin, Russell Blake and Tommy Campbell.
Next Album is an album by jazz saxophonist Sonny Rollins, his first to be released on the Milestone label, featuring performances by Rollins with George Cables, Jack DeJohnette, Bob Cranshaw and Arthur Jenkins. The cover photography was credited to Chuck Stewart.
Sonny Rollins and the Big Brass is an album by jazz saxophonist Sonny Rollins, recorded for the MetroJazz label, later reissued on Verve Records as Sonny Rollins/Brass - Sonny Rollins/Trio.
The Standard Sonny Rollins is an album by jazz saxophonist Sonny Rollins, his last release for RCA Victor, featuring performances by Rollins with Herbie Hancock, Jim Hall, David Izenzon, Teddy Smith, Stu Martin, Bob Cranshaw and Mickey Roker.
Sonny Rollins and the Contemporary Leaders is a 1959 album by jazz saxophonist Sonny Rollins, recorded for the Contemporary label, featuring performances by Rollins with Hampton Hawes, Barney Kessel, Leroy Vinnegar, and Shelly Manne with Victor Feldman added on one track. It was the last studio record Rollins made in the 1950s. Following the recording of "Sonny Rollins and the Contemporary Leaders", Rollins toured Europe in the spring of 1959, then took a hiatus from recording and performing in public that ended in 1962 with his LP The Bridge.
Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.
Moving Out is an album by jazz saxophonist Sonny Rollins. This was his second for Prestige Records, featuring Kenny Dorham, Elmo Hope, Percy Heath, and Art Blakey, and one track with Thelonious Monk, Tommy Potter, and Art Taylor. The first 4 tracks had originally appeared on as the 10-inch LP Sonny Rollins Quintet Featuring Kenny Dorham, and the final track had appeared on the 10-inch LP Sonny Rollins and Thelonious Monk.
Monk is a 1956 compilation album by jazz pianist and composer Thelonious Monk, featuring material recorded from 1953 to 1954 for the Prestige label and performed by Monk with two quintets, one featuring Julius Watkins, Sonny Rollins, Percy Heath, and Willie Jones and one featuring Ray Copeland, Frank Foster, Curly Russell, and Art Blakey. It was originally titled both Thelonious Monk [on its 1956 cover] and Thelonious Monk Quintets [on its labels]. Over the following decade, it was also re-released as Wee See and The Golden Monk The most common cover art, is 1958 revision, designed by Reid Miles.
Thelonious Monk and Sonny Rollins is a compilation album by jazz pianist and composer Thelonious Monk and saxophonist Sonny Rollins released in 1956 by Prestige Records. The tracks on it were recorded in three sessions between 1953 and 1954. While this is its original title, and its most consistent title in its digital re-releases, it was also released on Prestige as Work! and The Genius Of Thelonious Monk, with alternative covers.
Cannonball Takes Charge is an album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring performances by Adderley with Wynton Kelly, Paul Chambers, and Jimmy Cobb with Percy and Albert Heath replacing Chambers and Cobb on two selections.
The Bop Session is an album by jazz legends Dizzy Gillespie, Sonny Stitt, John Lewis, Hank Jones, Percy Heath and Max Roach recorded in 1975 and released on the Swedish Sonet label.
Last Chorus is a posthumous album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1956 and 1957 for the Riverside label.
