The Bridge | ||||
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Studio album by | ||||
Released | April 1962 [1] | |||
Recorded | January 30 and February 13–14, 1962 | |||
Studio | RCA Victor, New York City | |||
Genre | Jazz, hard bop | |||
Length | 40:36 | |||
Label | RCA Victor LPM-2527 | |||
Producer | Bob Prince | |||
Sonny Rollins chronology | ||||
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Review scores | |
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Source | Rating |
Down Beat | [2] |
Allmusic | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
The Bridge is a studio album by jazz saxophonist Sonny Rollins, recorded in 1962. [6] It was Rollins' first release following a three-year sabbatical and was his first album for RCA Victor. [7] The saxophonist was joined by the musicians with whom he recorded for the next segment of his career: Jim Hall on guitar, Bob Cranshaw on double bass and Ben Riley on drums. [8]
In 1959, feeling pressured by the unexpected swiftness of his rise to fame, Rollins took a three-year hiatus to focus on perfecting his craft. [9] A resident of the Lower East Side of Manhattan with no private space to practice, he took his saxophone up to the Williamsburg Bridge to practice alone: "I would be up there 15 or 16 hours at a time spring, summer, fall and winter." [10] His first recording after his return to performance took its name from those solo sessions. [9] Critical reception to the album, which was not the revolutionary new jazz approach many expected, was mixed. [11] Rollins, who had been considered groundbreaking in his thematic improvisations, was supplanted in critical buzz by the growing popularity of Ornette Coleman's free jazz. [12]
If not a tremendous departure from Rollins' earlier style, the album was nevertheless quite successful. [13] Tagged by AllMusic as "a near-classic", [13] the recording was declared by Inkblot Magazine to be "one of the greatest albums from one of jazz's greatest musicians". [11] It is one of the albums for which the long-active and prolific Rollins receives his greatest praise. [14]
The album was inducted into the Grammy Hall of Fame in 2015. [15]
The album was re-released in 1976 in Japan and 1977 in the U.S. It was relaunched in 1992 on CD by Bluebird/RCA/BMG and remastered from the original master tapes for CD in 2003 for the Bluebird First Editions series. It has also been issued many times in other formats, for example as an audiophile LP with 45 rpm (Classic Records, 2000). [16] It is also part of The Complete RCA Victor Recordings (1997). [17]
"God Bless the Child" recorded on January 30, 1962
"Where Are You?", "John S." and "You Do Something to Me" recorded on February 13, 1962
"Without a Song" and "The Bridge" on February 14, 1962
Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
Walter Theodore "Sonny" Rollins is an American former jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser".
Melbourne Robert Cranshaw was an American jazz bassist. His career spanned the heyday of Blue Note Records to his later involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.
George Mesrop Avakian was an American record producer, artist manager, writer, educator and executive. Best known for his work from 1939 to the early 1960s at Decca Records, Columbia Records, World Pacific Records, Warner Bros. Records, and RCA Records, he was a major force in the expansion and development of the U.S. recording industry. Avakian functioned as an independent producer and manager from the 1960s to the early 2000s and worked with artists such as Louis Armstrong, Miles Davis, Duke Ellington, Benny Goodman, Dave Brubeck, Eddie Condon, Keith Jarrett, Erroll Garner, Buck Clayton, Sonny Rollins, Paul Desmond, Edith Piaf, Bob Newhart, Johnny Mathis, John Cage, Alan Hovhaness, Ravi Shankar, and many other notable jazz musicians and composers.
Sonny Meets Hawk! is a 1963 album by jazz saxophonist Sonny Rollins, with Coleman Hawkins appearing as guest artist. It was recorded at RCA Victor Studio B in New York City on July 15 and 18, 1963. The album features some of Rollins's most avant-garde playing.
This Is What I Do is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 2000, featuring performances by Rollins with Clifton Anderson, Stephen Scott, Bob Cranshaw, Jack DeJohnette and Perry Wilson.
Global Warming is an album by the jazz saxophonist Sonny Rollins, released on the Milestone label in 1998. It contains performances by Rollins with Stephen Scott, Bob Cranshaw, Idris Muhammad, Clifton Anderson, Victor See Yuen and Perry Wilson.
Sonny Rollins + 3 is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1995, featuring performances by Rollins with Bob Cranshaw, Stephen Scott, Jack DeJohnette, Tommy Flanagan and Al Foster.
Falling in Love with Jazz is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1989, featuring performances by Rollins with Clifton Anderson, Bob Cranshaw, Mark Soskin, Jerome Harris and Jack DeJohnette with Branford Marsalis, Tommy Flanagan and Jeff Watts standing in on two tracks. The cover artwork was by Henri Matisse.
No Problem is an album by jazz saxophonist Sonny Rollins, recorded for the Milestone label in 1981, featuring performances by Rollins with Bobby Broom, Bobby Hutcherson, Bob Cranshaw and Tony Williams.
The Cutting Edge is a live album by jazz saxophonist Sonny Rollins, recorded at the Montreux Jazz Festival and released on the Milestone label in 1974, featuring performances by Rollins with Stanley Cowell, Yoshiaki Masuo, Bob Cranshaw, David Lee and Mtume with Rufus Harley joining on one track.
Horn Culture is an album by jazz saxophonist Sonny Rollins, his second to be released on the Milestone label, featuring performances by Rollins with Walter Davis Jr., Yoshiaki Masuo, Bob Cranshaw, David Lee and Mtume.
Next Album is an album by jazz saxophonist Sonny Rollins, his first to be released on the Milestone label, featuring performances by Rollins with George Cables, Jack DeJohnette, Bob Cranshaw and Arthur Jenkins. The cover photography was credited to Chuck Stewart.
There Will Never Be Another You is a live album by jazz saxophonist Sonny Rollins, recorded at the Museum of Modern Art in New York City on June 17, 1965, and released on the Impulse! label in 1978, featuring a performance by Rollins with Tommy Flanagan, Bob Cranshaw, Billy Higgins and Mickey Roker.
The Standard Sonny Rollins is an album by jazz saxophonist Sonny Rollins, his last release for RCA Victor, featuring performances by Rollins with Herbie Hancock, Jim Hall, David Izenzon, Teddy Smith, Stu Martin, Bob Cranshaw and Mickey Roker.
Now's the Time is a 1964 album by jazz saxophonist Sonny Rollins, released by RCA Victor featuring performances by Rollins with Herbie Hancock, Thad Jones, Ron Carter, Bob Cranshaw and Roy McCurdy on several bebop tunes.
Our Man in Jazz is an album by jazz saxophonist Sonny Rollins, released by RCA Victor featuring July 1962 performances by Rollins with Don Cherry, Bob Cranshaw, and Billy Higgins. These performances have been described as contrasting from Rollins' previous style by moving to "very long free-form fancies, swaggering and impetuous".
What's New? is an album by jazz saxophonist Sonny Rollins, his second for RCA Victor featuring performances by Rollins with Jim Hall, Bob Cranshaw, Ben Riley, Dennis Charles, Frank Charles, Willie Rodriguez and Candido. The cover illustration was by Mike Ludlow.
Sonny Rollins and the Contemporary Leaders is a 1959 album by jazz saxophonist Sonny Rollins, recorded for the Contemporary label, featuring performances by Rollins with Hampton Hawes, Barney Kessel, Leroy Vinnegar, and Shelly Manne with Victor Feldman added on one track. It was the last studio record Rollins made in the 1950s. Following the recording of "Sonny Rollins and the Contemporary Leaders", Rollins toured Europe in the spring of 1959, then took a hiatus from recording and performing in public that ended in 1962 with his LP The Bridge.
Desmond Blue is an album recorded by American jazz saxophonist Paul Desmond released in 1962 and was his first LP for RCA Victor. The album was produced by George Avakian, who had worked with Desmond at Columbia Records. Avakian left Columbia in 1958 to join the brand new Warner Bros. Records, where he produced Desmond's previous album, First Place Again. Joining RCA Victor in 1960, Avakian once again recruited Desmond to his label, and he produced all six of the albums Desmond recorded for RCA Victor as a leader. Desmond Blue was also the first Desmond solo album to feature the saxophonist in an orchestral setting. RCA reissued the album in 1978 as Paul Desmond - Pure Gold Jazz (ANL1-2807). Desmond returned to the orchestral format later in the decade, when he signed with CTI Records and recorded Summertime.