"The Last Time I Saw Paris" is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. [1] It was sung in the 1941 film Lady Be Good by Ann Sothern. [1]
By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with "A Nightingale Sang in Berkeley Square" also proving popular. [2]
The song had not been written for the film, and Hammerstein said the song was "not written to order". It still won the Academy Award for Best Original Song in 1941. [3] This was Kern's second Academy Award for Best Original Song (following his success with "The Way You Look Tonight" in 1936), and Hammerstein's first. [1] Kern was so upset at winning with a song that had not been specifically written for a motion picture, and that had been published and recorded before the film was even released, that he petitioned the Motion Picture Academy to change the rules. Since then, a nominated song has to have been written specifically for the motion picture in which it is performed. [4]
Julie Andrews noted humming the song on the set of Cinderella (1957), only to be approached from behind by Hammerstein telling her that he had meant every word. She said that unlike Rodgers, he was rarely on the set. [5]
The song inspired the title of and figures prominently in the film The Last Time I Saw Paris (1954) when it was sung by Odette Myrtil.
Oscar Greeley Clendenning Hammerstein II was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Richard Charles Rodgers was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music.
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their musical theater writing partnership has been called the greatest of the 20th century.
Arthur Freed was an American lyricist and a Hollywood film producer. He won the Academy Award for Best Picture twice, in 1951 for An American in Paris and in 1958 for Gigi. Both films were musicals, and both were directed by Vincente Minnelli. In addition, he produced the film Singin' in the Rain, the soundtrack for which primarily consisted of songs he co-wrote earlier in his career.
Show Boat is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man".
Robert Russell Bennett was an American composer and arranger, best known for his orchestration of many well-known Broadway and Hollywood musicals by other composers such as Irving Berlin, George Gershwin, Jerome Kern, Cole Porter, and Richard Rodgers.
"Edelweiss" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps. The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp. In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II. It is a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss. It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria. In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children.
"Blues in the Night" is a popular blues song which has become a pop standard and is generally considered to be part of the Great American Songbook. The music was written by Harold Arlen, the lyrics by Johnny Mercer, for a 1941 film begun with the working title Hot Nocturne, but finally released as Blues in the Night. The song is sung in the film by William Gillespie.
"Some Enchanted Evening" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It has been described as "the single biggest popular hit to come out of any Rodgers and Hammerstein show." Andrew Lloyd Webber describes it as the "greatest song ever written for a musical".
Helen Merrill is an American jazz vocalist. Her first album, the eponymous 1954 recording Helen Merrill, was an immediate success and associated her with the first generation of bebop jazz musicians. After an active 1950s and 1960s, Merrill spent time recording and touring in Europe and Japan, falling into obscurity in the United States. In the 1980s and 1990s, she was recorded by EmArcy, JVC and Verve, and her performances in America revived her profile.
"I Whistle a Happy Tune" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. It is sung by the Governess Anna Leonowens to her son Louis after the curtain rises on Act One of the musical, to persuade him not to be afraid as they arrive in Siam to serve the King.
"We Kiss in a Shadow" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I.
"You Made Me Love You (I Didn't Want to Do It)" is a popular song from 1913 composed by James V. Monaco with lyrics by Joseph McCarthy. It was introduced by Al Jolson in the Broadway revue The Honeymoon Express (1913), and used in the 1973 revival of the musical Irene.
Lady Be Good is an American musical film directed by Norman Z. McLeod and starring Eleanor Powell, Ann Sothern, Robert Young, Lionel Barrymore, and Red Skelton. It was made by Metro-Goldwyn-Mayer and produced by Arthur Freed. This was the first of several films Powell made with Skelton. Powell received top billing, but Sothern and Young are the main stars. They play, respectively, Dixie Donegan, a would-be lyricist, and Eddie Crane, a struggling composer.
"Getting to Know You" is a show tune from the 1951 Rodgers and Hammerstein musical The King and I. It was first sung by Gertrude Lawrence in the original Broadway production and later by Marni Nixon who dubbed for Deborah Kerr in the 1956 film adaptation. In the show, Anna, a British schoolteacher who has been hired as a governess, sings the song as she strikes up a warm and affectionate relationship with the children and the wives of the King of Siam.
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.
"East of the Sun " is a popular song written by Brooks Bowman, an undergraduate member of Princeton University's Class of 1936, for the 1934 production of the Princeton Triangle Club's production of Stags at Bay. It was published in 1934 by Santly Bros. and soon became a hallmark of the Princeton Tigertones, Princeton University's signature all-male a cappella group. The Princeton Triangle Club performs the number every year at its annual Frosh Week show. The standard is also sung by the Princeton Nassoons.
Sarah Vaughan Sings Broadway: Great Songs from Hit Shows is a 1958 studio album by Sarah Vaughan.
The Academy Award for Best Original Song is one of the awards given annually to people working in the motion picture industry by the Academy of Motion Picture Arts and Sciences (AMPAS). It is presented to the songwriters who have composed the best original song written specifically for a film. The performers of a song are not credited with the Academy Award unless they contributed either to music, lyrics, or both in their own right. The songs that are nominated for this award are typically performed during the ceremony and before this award is presented.