It Might as Well Be Spring

Last updated
"It Might as Well Be Spring"
Song
Published1945 by Williamson Music
Songwriter(s) Oscar Hammerstein II
Composer(s) Richard Rodgers

"It Might as Well Be Spring" is a song from the 1945 film State Fair . [1] which features the only original film score by the songwriting team of Richard Rodgers and Oscar Hammerstein II. "It Might as Well Be Spring" won the Academy Award for Best Original Song for that year. [1]

Contents

Composition/ As a showtune

Ben Rimalower on It Might as Well Be Spring
A multitude of changes have been made to the various stage & screen incarnations of State Fair since its debut as an original Hollywood musical in 1945, but one element that won't ever be altered is the inclusion of the first-rate song "It Might As Well Be Spring." A true standard of the Great American Songbook, "It Might As Well be Spring" has been covered by countless singers drawn to its rich music & evocative lyrics, both of which manage to be simultaneously moody & soaring, coolly jazzy & unabashedly emotional. [2]

The song is sung early in the film by Margy the teenage daughter of the State Fair-bound Frake family, who is feeling the symptoms of spring fever. Oscar Hammerstein, the lyricist for the Rodgers & Hammerstein team, mentioned to Richard Rodgers that although state fairs were held in summer or autumn, for Margy – flushed by the stirrings of womanhood – "it might as well be spring". Rodgers immediately advised Hammerstein that the latter had just named the song. [3]

An early version of the composition exists with an alternate melody. Music historian Todd Purdum described the alternate version in 2018:

It is the only Rodgers and Hammerstein song for which a complete alternate melody, different from the final version, is known to exist. Rodgers’ initial take was a legato musical line, but as he pondered Hammerstein's words he thought better of his first idea, and instead substituted a syncopated melody that jumped from interval to interval, as if the notes themselves were puppets on strings." [4]

Rodgers envisioned "It Might as Well Be Spring" as a cheery uptempo number, it being the decision of the musical director of State Fair, Alfred Newman, to present the song as a moody ballad. Rodgers canvassed the film studio to protest Newman's decision, but did ultimately admit it was the right choice.

In the 1945 film Jeanne Crain played Margy Frake, [1] Margy's singing voice being dubbed by Louanne Hogan. In the 1962 remake of State Fair, in which Pamela Tiffin portrayed Margy, Anita Gordon provided the character's singing voice. Andrea McArdle as Margy performed "It Might as Well Be Spring" in the 1996 Broadway production of State Fair . Reviewing State Fair's pre-Broadway engagement at the Golden Gate Theater, Robert Hurwitt of the San Francisco Examiner deemed the "wondrous" song "It Might as Well be Spring" to be "as achingly wistful a romantic reverie as has ever been penned". [5]

Recorded versions

Dick Haymes, who played Margy's brother Wayne Frake in the 1945 film, made the first hit recording of the song, [6] released by Decca Records as catalog number 18706. Debuting on the Billboard magazine Best Seller chart dated 8 November 1945, the disc had a chart tenure of 12 weeks with a peak of #5. [7] It was the flip side of "That's for Me" (also from State Fair ), another top-10 best seller.

The recording by Paul Weston/Margaret Whiting [6] was released by Capitol Records as catalog number 214. It first reached the Billboard magazine Best Seller chart on November 22, 1945, and lasted six weeks on the chart, peaking at #6. [7]

The recording by Sammy Kaye was released by RCA Victor Records as catalog number 20-1738. It first reached the Billboard magazine Best Seller chart on December 20, 1945 and lasted four weeks on the chart, peaking at #8. [7]

The recording by Paul Fenoulhet with The Skyrockets Dance Orchestra (with refrain song) was made in London on February 2, 1946, and released by EMI on the HMV Records label as catalogue number BD 5928.

"It Might as Well Be Spring" became a signature song for Sarah Vaughan whose recording - "her finest recorded ballad" according to Francis Davis - [8] debuted on her 1949 Columbia release Sarah Vaughan in Hi-Fi .

In 1952, Harry James released a recording on the album Hollywood's Best (Columbia B-319 and CL-6224), with Rosemary Clooney on vocals.

Marian McPartland recorded a version in 1953. It was used in a 1972 episode of Lupin the Third called "Keep An Eye on the Beauty Pageant".

Johnny Mathis recorded the song for his self-titled, 1956 debut album: Johnny Mathis . Also in 1956, it was featured by Blossom Dearie (in French) on her album: Blossom Dearie .

The version by Ray Conniff and his Orchestra & Chorus can be found on his album, Hollywood In Rhythm (1958).

In 1959, singer and pianist Nina Simone sang it on her first album for Colpix Records, titled The Amazing Nina Simone . The same year, Shirley Jones and Jack Cassidy released their version on the album With Love From Hollywood.

In 1961, the song was a hit for Frank Sinatra on his album Sinatra and Strings , and Ella Fitzgerald also recorded it on her live Verve release: Ella in Hollywood .

In 1964 Stan Getz and Astrud Gilberto recorded a live Bossa Nova version of the song in the New York cafe au Go Go.

Andy Williams released a version on his 1962 album: Moon River and Other Great Movie Themes .

Bill Evans released a version on his 1962 album Moon Beams .

Peggy Lee sang a swinging version of the song on her 1967 album Somethin’ Groovy!

Starting a cappella with the instruments entering on the bridge, the song is sung by Cleo Laine on her 1973 RCA Victor "I am a Song". This album was released the year after her 1972 United States debut at Lincoln Center.

On April 15, 1982, Mel Tormé and George Shearing recorded a live version of the song at The Peacock Court, Hotel Mark Hopkins in San Francisico, CA for their live album "An Evening with George Shearing & Mel Tormé".

Karrin Allyson included it in her debut album I Didn't Know About You (1992)

John Pizzarelli with his trio and guest Harry Allen on tenor sax recorded a very mellow version on After Hours (1995).

Jazz pianist Brad Mehldau plays this with his trio in his 1995 studio album Introducing Brad Mehldau . His version runs at about 280 beats per minute in a 7-in-a-bar meter. On the 2000 live double CD Progression, The Art of the Trio Volume 5, Mehldau performs a shorter version at the same tempo and meter, without improvised solos but with an extended improvised coda on the turnaround.

Welsh baritone Bryn Terfel included the song on his 1996 album Something Wonderful: Bryn Terfel Sings Rodgers & Hammerstein.

Bernadette Peters performed the song in the album Bernadette Peters Loves Rodgers & Hammerstein (2002).

Jazz singer Jane Monheit performs the song as an up-tempo swing waltz on Live at the Rainbow Room (2003).

Jazz vocalist Stevie Holland performs a swinging rendition in the album Restless Willow (2004).

In 2013, a recording of the song by Shirley Bassey was released on the album Hold Me Tight. [9]

On the 2014 album Last Dance , Keith Jarrett and Charlie Haden played the song. Last Dance was the second and last album they recorded together.

Jazz vocalist Tatiana Eva-Marie performs a French-language version with Avalon Jazz Band.

Related Research Articles

<span class="mw-page-title-main">Richard Rodgers</span> American composer of songs and Broadway musicals (1902–1979)

Richard Charles Rodgers was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music.

<span class="mw-page-title-main">Blossom Dearie</span> American jazz singer and pianist (1924–2009)

Margrethe Blossom Dearie was an American jazz singer and pianist. She had a recognizably light and girlish voice. Dearie performed regular engagements in London and New York City over many years and collaborated with many musicians, including Johnny Mercer, Miles Davis, Jack Segal, Johnny Mandel, Duncan Lamont, Bob Dorough, Dave Frishberg, and Jay Berliner.

"Some Enchanted Evening" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It has been described as "the single biggest popular hit to come out of any Rodgers and Hammerstein show." Andrew Lloyd Webber describes it as the "greatest song ever written for a musical".

"My Funny Valentine" is a show tune from the 1937 Richard Rodgers and Lorenz Hart coming of age musical Babes in Arms in which it was introduced by teenaged star Mitzi Green. The song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. One of them was Chet Baker, for whom it became his signature song. In 2015, it was announced that the Gerry Mulligan quartet featuring Baker's version of the song was inducted into the Library of Congress's National Recording Registry for the song's "cultural, artistic and/or historical significance to American society and the nation’s audio legacy". Mulligan also recorded the song with his Concert Jazz Band in 1960.

"No Other Love" is a show tune from the 1953 Rodgers and Hammerstein musical Me and Juliet.

"Oh, What a Beautiful Mornin'" is the opening song from the musical Oklahoma!, which premiered on Broadway in 1943. It was written by composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The leading male character in Oklahoma!, Curly McLain, sings the song at the beginning of the first scene of the musical. The refrain runs: "Oh, what a beautiful mornin'! / Oh, what a beautiful day! / I've got a beautiful feelin' / Ev'rythin's goin' my way." Curly's "brimming optimism is perfectly captured by Rodgers' ebullient music and Hammerstein's buoyant pastoral lyrics."

"I Have Dreamed" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. In the original Broadway production it was sung by Doretta Morrow and Larry Douglas. It has since become a standard, with many artists recording the song.

<span class="mw-page-title-main">Happy Talk (song)</span> 1949 show tune from the Rodgers and Hammerstein musical South Pacific

"Happy Talk" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It is sung by Bloody Mary to the American lieutenant Joe Cable, about having a happy life, after he begins romancing her daughter Liat. Liat performs the song with hand gestures as Mary sings.

<i>State Fair</i> (musical)

State Fair is a musical with a book by Tom Briggs and Louis Mattioli, lyrics by Oscar Hammerstein II, and music by Richard Rodgers.

"I'm in Love with a Wonderful Guy" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It was first introduced by Mary Martin in the original Broadway production and sung by Mitzi Gaynor in the 1958 film adaptation.

"That's For Me" is a popular song, written by Richard Rodgers, with the lyrics by Oscar Hammerstein II. The song was published in 1945 and included in the 1945 version of the musical film State Fair.

"The Sweetest Sounds" is a popular song, with words and music written by Richard Rodgers for the 1962 musical No Strings. The song opens and closes the show for characters Barbara Woodruff and David Jordan, performed by Diahann Carroll and Richard Kiley in the original Broadway theatre production and subsequent cast recording.

<i>State Fair</i> (1945 film) 1945 original musical film

State Fair is a 1945 American Technicolor musical film directed by Walter Lang, with original music by Rodgers and Hammerstein. It is a musical adaptation of the 1933 film of the same name starring Janet Gaynor and Will Rogers. The 1933 film is an adaptation of the 1932 novel by Phil Stong. This 1945 musical film stars Jeanne Crain, Dana Andrews, Dick Haymes, Vivian Blaine, Fay Bainter, and Charles Winninger. State Fair was remade in 1962, starring Pat Boone and Ann-Margret.

<i>State Fair</i> (1962 film) 1962 film

State Fair is a 1962 American musical film directed by José Ferrer and starring Pat Boone, Bobby Darin, Ann-Margret, Tom Ewell, Pamela Tiffin and Alice Faye. A remake of the 1933 film State Fair and the 1945 film State Fair, it was considered to be a financially and critically unsuccessful film. Richard Rodgers, whose collaborator Oscar Hammerstein had died in 1960, wrote additional songs, both music and lyrics, for this film adaptation of the 1932 novel by Phil Stong.

"Soliloquy" is a 1945 song composed by Richard Rodgers, with lyrics by Oscar Hammerstein II, written for their 1945 musical Carousel, where it was introduced by John Raitt. Gordon MacRae performs the song in the 1956 film version.

"My Favorite Things" is a song from the 1959 Rodgers and Hammerstein musical The Sound of Music.

"Younger than Springtime" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It has been widely recorded as a jazz standard.

<i>State Fair</i> (novel) Book by Phil Stong

State Fair is a 1932 novel by Phil Stong about an Iowa farm family's visit to the Iowa State Fair, where the family's two teenage children each fall in love, but ultimately break up with their respective new loves and return to their familiar life back on the farm. Thomas Leslie, the author of Iowa State Fair: Country Comes to Town, wrote that the novel State Fair is "a surprisingly dark coming-of-age story that took as its major plot device the effects of the 'worldly temptations' of the Iowa State Fair on a local farming family", capturing tensions between urban Des Moines and rural Iowa.

<i>Introducing Brad Mehldau</i> 1995 studio album by Brad Mehldau

Introducing Brad Mehldau is an album by pianist and composer Brad Mehldau, released on the Warner Bros. label in 1995.

<i>Progression: The Art of the Trio, Vol. 5</i> 2001 live album by Brad Mehldau

Progression: The Art of the Trio, Vol. 5 is a live album by American pianist and composer Brad Mehldau released on the Warner Bros. label in 2001.

References

  1. 1 2 3 Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 134. ISBN   1-904994-10-5.
  2. "Something Wonderful: Top 10 Songs by Rodgers & Hammerstein".
  3. Brown, Mick (2004). The Great American Songbook: stories behind the standards. Bandon OR: Robert D. Reed. p. 82. ISBN   9-7819317-4142-2.
  4. Purdum, Todd S. (2018). Something Wonderful. New York: Henry Holt and Company. p. 104. ISBN   978-1-62779-834-1.
  5. San Francisco Examiner October 5, 1995, "Pretty Fair 'State Fair' by Robert Hurwitt p.39
  6. 1 2 Gilliland, John (c. 1975). "Pop Chronicles 1940s Program #13". UNT Digital Library.
  7. 1 2 3 Whitburn, Joel (1973). Top Pop Records 1940-1955. Menomonee Falls, Wisconsin: Record Research.
  8. 1 December 1988 Philadelphia Inquirer 'The Divine Sarah Vaughan: The Columbia Years 1949-1953' reviewed by Francis Davis p. 82
  9. "Hold Me Tight". amazon.co.uk. December 4, 2013. Retrieved 19 October 2016.