| It Might as Well Be Spring | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | Mid July 1964 [1] | |||
| Recorded | December 9, 1961 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 35:49 | |||
| Label | Blue Note BST 84105 | |||
| Producer | Alfred Lion | |||
| Ike Quebec chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [2] |
| The Penguin Guide to Jazz Recordings | [3] |
It Might as Well Be Spring is an album by American saxophonist Ike Quebec recorded in 1961 and released on the Blue Note label. [4]
The Allmusic review by Stephen Thomas Erlewine awarded the album 3½ stars and stated "Ike Quebec recorded another winning hard bop album with It Might As Well Be Spring. In many ways, the record is a companion piece to Heavy Soul . Since the two albums were recorded so close together, it's not surprising that there a number of stylistic similarities, but there are subtle differences to savor. The main distinction between the two dates is that It Might As Well Be Spring is a relaxed, romantic date composed of standards. It provides Quebec with ample opportunity to showcase his rich, lyrical ballad style, and he shines throughout the album". [2]
All compositions by Ike Quebec except where noted
An Evening with George Shearing & Mel Tormé is a live album by Mel Tormé, accompanied by George Shearing.
Frederick Roach was an American soul jazz Hammond B3 organist born in The Bronx, New York, United States. Roach's first commercial recordings were with saxophonist Ike Quebec for Blue Note Records in the fall of 1961. These sessions produced Quebec's albums Heavy Soul and It Might as Well Be Spring. In March of 1962, Roach recorded as a backing musician for the Thunderbird album by Willis Jackson. From 1962-64, Roach recorded 5 albums as a leader for Blue Note, and also recorded with Donald Byrd on the album I'm Tryin' to Get Home. Roach's original writing, steady basslines, and highly musical fleet-fingered right hand set him apart. From 1966-67 he recorded three more albums as a leader for Prestige Records, which are in a more commercial vein than his Blue Note dates. Roach's Prestige albums were his last commercial recordings.
Blue Spring is a 1959 album by jazz trumpeter Kenny Dorham and saxophonist Cannonball Adderley released on the Riverside label, featuring performances by Dorham and Adderley with Dave Amram, Cecil Payne, Cedar Walton, Paul Chambers, and Philly Joe Jones or Jimmy Cobb.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Lush Life is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.
Born to Be Blue is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 but not released until 1985 on the Blue Note label. Green is accompanied by tenor saxophonist Ike Quebec, pianist Sonny Clark, bassist Sam Jones and drummer Louis Hayes.
The Incredible Jimmy Smith is the third album by American jazz organist Jimmy Smith featuring performances recorded in 1956 and released on the Blue Note label. The album was rereleased on CD combined with Smith's previous two LP's A New Sound... A New Star... and A New Sound A New Star: Jimmy Smith at the Organ Volume 2.
Davis Cup is the debut album by American pianist Walter Davis Jr. featuring performances recorded in 1959 and released on the Blue Note label in 1960. It would be his only album for the label and one of the few recordings where he figured as the leader.
Introducing the 3 Sounds is the debut album by jazz group The Three Sounds featuring performances recorded in 1958 and released on the Blue Note label. The CD reissue includes five bonus tracks and one alternate take originally issued in Japan as Introducing the 3 Sounds Volume 2. It was a continuation of the Blue Note 1500 series being numbered 1600. A few other albums were made intended for release as 1601, 1602 etc. but were not released at the time. Blue Note albums resumed with BLP (8)4001, (8)4002 etc. The 8 designating stereo.
Down with It! is an album by American trumpeter Blue Mitchell, recorded in 1965 and released on the Blue Note label.
Heavy Soul is the debut album by American saxophonist Ike Quebec, recorded in 1961 and released on the Blue Note label.
Blue & Sentimental is an album by American saxophonist Ike Quebec recorded in 1961 and released on the Blue Note label.
Soul Samba is an album by American saxophonist Ike Quebec recorded in 1962 and released on the Blue Note label. It was Quebec's final recording before his death in January 1963.
Open House is an album by American jazz organist Jimmy Smith featuring performances recorded in 1960, but not released on the Blue Note label until 1968. The album didn't appear on CD until being reissued in 1992, as a twofer which also included Plain Talk, compiling all the recordings from the session.
Plain Talk is a studio album by American jazz organist Jimmy Smith featuring performances recorded in 1960 but not released on the Blue Note label until 1968. The album was rereleased on CD combined with Open House (1960) in 1992 compiling all the recordings from the session.
Midnight Special is an album by the American jazz organist Jimmy Smith, recorded in 1960 and released on the Blue Note label. The album was recorded at the same session that produced Back at the Chicken Shack (1960).
The In Between is an album by American jazz saxophonist Booker Ervin recorded in 1968 and released on the Blue Note label.
The Complete Quartets With Sonny Clark is a 1997 compilation album by jazz guitarist Grant Green, collecting together all the tracks from a series of albums he recorded with pianist Sonny Clark in 1961 and '62.
The Complete Roost Recordings is a 1997 compilation 3-CD set of sessions led by saxophonist and bandleader Stan Getz recorded for the Roost Records label between 1950 and 1954. The compilation includes material previously released on Getz's Roost LPs The Sound, The Getz Age, the two volumes of Stan Getz at Storyville and the album with guitarist Johnny Smith - Moonlight in Vermont along with alternate takes and previously unreleased performances.
Soft Lights is an album by the saxophonist Houston Person, recorded in 1999 and released on the HighNote label.