My Hour of Need | ||||
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Studio album by Dodo Greene accompanied by the Ike Quebec Quintet | ||||
Released | 1963 | |||
Recorded | April 2 & 17, 1962 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 58:31CD reissue with additional tracks | |||
Label | Blue Note BLP/BST 9001 | |||
Producer | Alfred Lion | |||
Dodo Greene chronology | ||||
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Ike Quebec chronology | ||||
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My Hour of Need is an album by jazz vocalist Dodo Greene featuring performances accompanied by the Ike Quebec Quintet recorded in 1962 and released on the Blue Note label. [1] [2] The 1996 Connoisseur Series limited edition CD reissue features another six previously unissued tracks recorded at later sessions for a proposed follow-up album. [3]
The Allmusic review by Scott Yanow stated: "This set was a very unusual release for Blue Note. Greene's mixture of R&B and soulful blues in a voice very reminiscent of late-period Dinah Washington is much more pop and blues-oriented than the music on any other Blue Note release from the period. ... In reality, the main reason to acquire the relaxed set is for the warm tenor of Ike Quebec (who is perfect in this setting) and the occasional guitar of Grant Green. A true obscurity". [4]
Bonus tracks on 1996 CD reissue:
Ike Abrams Quebec was an American jazz tenor saxophonist. He began his career in the big band era of the 1940s, then fell from prominence for a time until launching a comeback in the years before his death.
Workout is an album by jazz tenor saxophonist Hank Mobley released on the Blue Note label in 1962. It features performances by Mobley, pianist Wynton Kelly, bassist Paul Chambers, guitarist Grant Green, and drummer Philly Joe Jones. The album was identified by Scott Yanow in his Allmusic essay "Hard Bop" as one of 17 Essential Hard Bop Recordings. In October 2014, it was released in Japan on SHM-CD, featuring a previously unissued take of "Three Coins in the Fountain".
It's About Time is a 1985 album by pianist McCoy Tyner and alto saxophonist Jackie McLean, the first released on the re-established Blue Note label. It was recorded in April 1985 and features performances by Tyner and McLean with trumpeter Jon Faddis, bassist Ron Carter, drummer Al Foster, bass guitarist Marcus Miller, and percussionist Steve Thornton. The Allmusic review by Scott Yanow calls the album "reasonably enjoyable but less memorable than one might expect".
Of Course, Of Course is the second album by jazz saxophonist Charles Lloyd released on the Columbia label featuring performances by Lloyd with Gábor Szabó, Ron Carter, and Tony Williams. The Allmusic review by Scott Yanow and Thom Jurek awarded the album 4 stars and states "Whether on tenor or flute, Lloyd was quickly coming into his own as an original voice, and this underrated set is a minor classic".
The Latin Bit is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 and released on the Blue Note label. It is a loose concept album inspired by Latin American music. It features tenor saxophonist Ike Quebec, pianists Sonny Clark and John Adriano Acea, bassist Wendell Marshall and percussionists Willie Bobo, Garvin Masseaux and “Patato” Valdes.
Heavy Soul is the debut album by American saxophonist Ike Quebec, recorded in 1961 and released on the Blue Note label.
Blue & Sentimental is an album by American jazz saxophonist Ike Quebec recorded for Blue Note on December 16 & 23, 1961 and released the following year.
Bossa Nova Soul Samba is an album by American saxophonist Ike Quebec recorded in 1962 and released on the Blue Note label. It was Quebec's final recording before his death in January 1963.
Flight to Jordan is an album by American pianist Duke Jordan recorded in 1960 and released on the Blue Note label.
Easy Living is an album by American saxophonist Ike Quebec recorded in 1962, but not released on the Blue Note label until 1987. The album collects all the material recorded in January 1962, five tracks from which were released in 1981 as Congo Lament.
Doin' Allright is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label.
Plain Talk is a studio album by American jazz organist Jimmy Smith featuring performances recorded in 1960 but not released on the Blue Note label until 1968. The album was rereleased on CD combined with Open House (1960) in 1992 compiling all the recordings from the session.
The Complete Blue Note 45 Sessions is a compilation album by American saxophonist Ike Quebec. The album focuses on Quebec's 45 RPMs recorded between 1959 and 1962 and aimed at the juke box market. The songs were successful, marking the start of a comeback for the saxophonist who had fallen into obscurity since his early career in 1940s.
Milt Jackson Quintet Live at the Village Gate is a live album by vibraphonist Milt Jackson featuring Jimmy Heath recorded in 1963 at The Village Gate and released on the Riverside label.
Angel Eyes is an album by saxophonist Gene Ammons compiling sessions recorded in 1960 and 1962 and released on the Prestige label in 1965.
Blowin' Country is an album by saxophonists Bud Shank and Bob Cooper released on the World Pacific label. The majority of the album's tracks were recorded in 1958, with one track from 1956 on the original album, and the CD reissue added five bonus tracks from the two sessions.
Dizzy Atmosphere is an album featuring members of Dizzy Gillespie's Orchestra including trombonist Al Grey, saxophonist Billy Mitchell and trumpeter Lee Morgan recorded in 1957 and released on the Specialty label.
Earl Coleman Returns is an album by American jazz singer Earl Coleman recorded in 1956 and released on the Prestige label. The 1994 CD reissue added four additional tracks originally released on 78 RPM singles.
Soulful Saxophone is an album by saxophonist Gene Ammons, compiling tracks recorded between 1948 and 1951, some of which were originally released as singles, that was issued by the Chess label in 1959.
Another Monday Night at Birdland is a live album which was recorded at Birdland in 1958 by tenor saxophonists Hank Mobley and Billy Root, trombonist Curtis Fuller, and trumpeter Lee Morgan. It was released by the Roulette label.