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From Hackensack to Englewood Cliffs | |
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Compilation album by | |
Released | January 1, 2000 |
Recorded | July 1, 1959 (1-8) Van Gelder Studio, Hackensack July 20, 1959 (9-10) Van Gelder Studio, Englewood Cliffs |
Genre | Jazz |
Length | 53:13 |
Label | Blue Note Blue Note 66083 |
Producer | Alfred Lion |
Review scores | |
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Source | Rating |
AllMusic | [1] |
From Hackensack to Englewood Cliffs is a compilation album by American saxophonist Ike Quebec, released in 2000 on Blue Note. The album compiles eight jukebox-oriented pieces recorded by Quebec For the label, which, coincidentally, was the last Blue Note session recorded at Rudy Van Gelder's original facility in Hackensack, New Jersey. The final two tracks were recorded at Van Gelder's new studio in nearby Englewood Cliffs.
The first eight tracks are also included in the later The Complete Blue Note 45 Sessions .
All compositions by Ike Quebec, except where noted.
Ike Abrams Quebec was an American jazz tenor saxophonist. He began his career in the big band era of the 1940s, then fell from prominence for a time until launching a comeback in the years before his death.
Lush Life is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records, catalogue 7188. It is assembled from unissued results of three separate recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval.
The Van Gelder Studio is a recording studio at 445 Sylvan Avenue, Englewood Cliffs, New Jersey. Following the use of his parents' home at 25 Prospect Avenue, Hackensack, New Jersey, for the original studio, Rudy Van Gelder (1924–2016) established the new location for his recording studio in 1959. It has been used to record many albums released by jazz labels such as Blue Note, Prestige, Impulse!, Verve and CTI.
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The Complete Blue Note 45 Sessions is a compilation album by American saxophonist Ike Quebec. The album focuses on Quebec's 45 RPMs recorded between 1959 and 1962 and aimed at the juke box market. The songs were successful, marking the start of a comeback for the saxophonist who had fallen into obscurity since his early career in 1940s.
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