This article needs additional citations for verification .(December 2011) |
From Hackensack to Englewood Cliffs | |
---|---|
Compilation album by | |
Released | January 1, 2000 |
Recorded | July 1, 1959 (1–8) Van Gelder Studio, Hackensack July 20, 1959 (9–10) Van Gelder Studio, Englewood Cliffs |
Genre | Jazz |
Length | 53:13 |
Label | Blue Note Blue Note 66083 |
Producer | Alfred Lion |
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
From Hackensack to Englewood Cliffs is a compilation album by American saxophonist Ike Quebec, released in 2000 on Blue Note. The album compiles eight jukebox-oriented pieces recorded by Quebec for the label, which, coincidentally, was the last Blue Note session recorded at Rudy Van Gelder's original facility in Hackensack, New Jersey. The final two tracks were recorded at Van Gelder's new studio in nearby Englewood Cliffs.
The first eight tracks are also included in the later The Complete Blue Note 45 Sessions .
All compositions by Ike Quebec, except where noted.
Rudolph Van Gelder was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including Booker Ervin, John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock, Grant Green and George Benson. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967.
Ike Abrams Quebec was an American jazz tenor saxophonist. He began his career in the big band era of the 1940s, then fell from prominence for a time until launching a comeback in the years before his death.
The Van Gelder Studio is a recording studio at 445 Sylvan Avenue, Englewood Cliffs, New Jersey, United States. Following the use of his parents' home at 25 Prospect Avenue, Hackensack, New Jersey, for the original studio, Rudy Van Gelder (1924–2016) moved to the new location for his recording studio in July 1959. It has been used to record many albums released by jazz labels such as Blue Note, Prestige, Impulse!, Verve and CTI. It was added to the National Register of Historic Places on April 25, 2022, for its significance in performing arts and engineering.
Open Sesame is the debut album by then 22 years old trumpeter Freddie Hubbard, recorded on June 19, 1960 by Rudy Van Gelder at his studio in Englewood Cliffs, NJ and released on the Blue Note label in 1960 in mono as BLP 4040 and in stereo as BST 84040. It features performances by Hubbard, Tina Brooks, McCoy Tyner, Sam Jones and Clifford Jarvis. In 1988, Capitol Records issued it on compact disc with Michael Cuscuna as reissue producer and in 2001, they released a version remastered by Rudy Van Gelder.
Born to Be Blue is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 but not released until 1985 on the Blue Note label. Green is accompanied by tenor saxophonist Ike Quebec, pianist Sonny Clark, bassist Sam Jones and drummer Louis Hayes.
Blue & Sentimental is an album by American jazz saxophonist Ike Quebec recorded for Blue Note on December 16 & 23, 1961 and released the following year.
Heaven on Earth is an album by American organist Larry Young recorded in 1968 and released on the Blue Note label.
Open House is an album by American jazz organist Jimmy Smith featuring performances recorded in 1960, but not released on the Blue Note label until 1968. The album didn't appear on CD until being reissued in 1992, as a twofer which also included Plain Talk, compiling all the recordings from the session.
Rockin' the Boat is an album by the American jazz organist Jimmy Smith, recorded in 1963 and released on the Blue Note label.
Flute-In is the debut album by American jazz flautist Bobbi Humphrey, recorded in 1971 and released on the Blue Note label.
African High Life is the debut album by Nigerian drummer and percussionist Solomon Ilori recorded in 1963 and released on the Blue Note label. The album was reissued on CD in 2006 with three bonus tracks recorded at a later session.
The Complete Blue Note 45 Sessions is a compilation album by American saxophonist Ike Quebec. The album focuses on Quebec's 45 RPMs recorded between 1959 and 1962 and aimed at the juke box market. The songs were successful, marking the start of a comeback for the saxophonist who had fallen into obscurity since his early career in 1940s.
Now's the Time is an album by organist Shirley Scott compiling several tracks recorded between 1958 and 1964 and released on the Prestige label in 1967.
Cry! – Tender is an album by American multi-instrumentalist Yusef Lateef recorded in 1959 and released on the New Jazz label.
Sock! is an album by saxophonist Gene Ammons compiling sessions recorded between 1954 and 1962 and released on the Prestige label in 1965.
Blue Gator is the third album led by saxophonist Willis Jackson featuring organist Jack McDuff and guitarist Bill Jennings which was recorded in 1959 and 1960 and released on the Prestige label.
Together Again, Again is an album by saxophonist Willis Jackson with organist Brother Jack McDuff which was recorded in 1959, 1960 and 1961 and released on the Prestige label in 1966.
Thelonious Monk: The Complete Riverside Recordings is a comprehensive compilation of the recordings made by Thelonious Monk for Riverside Records between 21 July 1955 and 21 April 1961. It was released by Riverside in 1986 on 22 LPs or on 15 CDs. It contains all the tracks previously released both on the original and on the later expanded CD versions of all his Riverside albums, together with some tracks never previously released.
My Hour of Need is an album by jazz vocalist Dodo Greene featuring performances accompanied by the Ike Quebec Quintet recorded in 1962 and released on the Blue Note label. The 1996 Connoisseur Series limited edition CD reissue features another six previously unissued tracks recorded at later sessions for a proposed follow-up album.