The Latin Bit | ||||
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Studio album by | ||||
Released | May 1963 [1] | |||
Recorded | April 26 & September 7, 1962 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Latin jazz | |||
Length | 38:56original LP 59:53 CD reissue | |||
Label | Blue Note BST 84111 | |||
Producer | Alfred Lion | |||
Grant Green chronology | ||||
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The Latin Bit is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 and released on the Blue Note label. [2] It is a loose concept album inspired by Latin American music. It features tenor saxophonist Ike Quebec, pianists Sonny Clark and John Adriano Acea, bassist Wendell Marshall and percussionists Willie Bobo, Garvin Masseaux and “Patato” Valdes.
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review by Michael G. Nastos awarded the album 3½ stars and stated "This CD always yielded mixed results for staunch fans of Green, but a revisit shows it to be a credible effort, even if slightly flawed in part". [3]
All compositions by Grant Green except where noted
Bonus track on CD reissue:
Recorded on April 26 (tracks 1-7) and September 7 (tracks 8-9), 1962.
Chart (2022) | Peak position |
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Belgian Albums (Ultratop Wallonia) [5] | 186 |
German Albums (Offizielle Top 100) [6] | 54 |
Ike Abrams Quebec was an American jazz tenor saxophonist. He began his career in the big band era of the 1940s, then fell from prominence for a time until launching a comeback in the years before his death.
William Correa, better known by his stage name Willie Bobo, was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music.
Carlos Valdés Galán, better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him "the greatest conguero alive today".
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