Green Street | ||||
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Studio album by | ||||
Released | October 1961 [1] | |||
Recorded | April 1, 1961 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz, post-bop | |||
Length | 39:19 | |||
Label | Blue Note BST 84071 | |||
Producer | Alfred Lion | |||
Grant Green chronology | ||||
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Green Street is an album by American jazz guitarist Grant Green featuring performances recorded and released on the Blue Note label in 1961. [2] Green is backed by bassist Ben Tucker and drummer Dave Bailey. The CD reissue in 1995 features two alternate takes from the same session as bonus tracks.
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
The Allmusic review by Michael G. Nastos awarded the album 4 stars and stated "Green Street stands as one of Grant Green's best recordings of many he produced in the ten prolific years he was with the Blue Note label". [3]
All compositions by Grant Green except as indicated
Bonus tracks on CD reissue:
Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.
Gravy Train is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1961 and performed by Donaldson with pianist Herman Foster, bassist Ben Tucker, drummer Dave Bailey and percussionist Alec Dorsey.
My Conception is an album by jazz pianist Sonny Clark, recorded for the Blue Note label and performed by Clark with Donald Byrd, Hank Mobley, Paul Chambers, and Art Blakey. It was originally released in 1979 in Japan, as GXF 3056, featuring six tracks recorded in 1959 including an alternate take of "Royal Flush", a track that had appeared on the album Cool Struttin'. The 2000 limited CD reissue also comprised the three additional tracks originally recorded for Sonny Clark Quintets, an album which never saw the light of the day until being released later only in Japan.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Grantstand is an album by American jazz guitarist Grant Green featuring performances recorded in 1961 and released on the Blue Note label in 1962. Green is heard in a quartet with saxophonist Yusef Lateef, organist Jack McDuff, and drummer Al Harewood. The CD reissue released in 1987 features one bonus track from the same session.
The Latin Bit is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 and released on the Blue Note label. It is a loose concept album inspired by Latin American music. It features tenor saxophonist Ike Quebec, pianists Sonny Clark and John Adriano Acea, bassist Wendell Marshall and percussionists Willie Bobo, Garvin Masseaux and “Patato” Valdes.
Up & Down is an album by American jazz pianist Horace Parlan featuring performances recorded in 1961 and released on the Blue Note label.
Quiet Kenny is an album by the American jazz trumpeter Kenny Dorham of performances recorded in 1959 and released on the New Jazz label. The album features Dorham's own composition "Lotus Blossom", which was earlier recorded by Sonny Rollins under the title "Asiatic Raes". The tune has been recorded under both titles subsequently.
Bluesnik is an album by American saxophonist Jackie McLean recorded in 1961 and released on the Blue Note label. It features McLean in a quintet with trumpeter Freddie Hubbard, pianist Kenny Drew, bassist Doug Watkins and drummer Pete La Roca.
Shades of Redd is an album by American pianist Freddie Redd recorded in 1960 and released on the Blue Note label.
Face to Face is the debut album by jazz organist Baby Face Willette featuring performances recorded and released on the Blue Note label in 1961.
Doin' Allright is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label.
Dexter Calling... is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label in 1962. "Soul Sister", "I Want More" and "Ernie's Tune" were written for the Los Angeles production of the play The Connection by Jack Gelber in 1960. Dexter Calling was Gordon's second album for Blue Note, and was recorded three days after Doin' Allright, his first album for the label.
Booker 'n' Brass is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1967 for the Pacific Jazz label.
Structurally Sound is an album by American jazz saxophonist Booker Ervin recorded in 1966 and released on the Pacific Jazz label. The album was rereleased on CD in 2001 on the Blue Note label with four bonus tracks.
Booker Little and Friend is the final album led by American jazz trumpeter Booker Little featuring performances recorded in 1961 for the Bethlehem label. It was reissued under the title Victory and Sorrow in the vinyl era. The CD reissue added two previously released alternate takes.
Reaching Out is an album by jazz drummer Dave Bailey which was originally released on the Jazztime label in 1961. The album was reissued under guitarist Grant Green as Green Blues in 1973 on the Muse label and reissued on CD under the original title on the Black Lion label with 3 alternate takes in 1989.
Bash! is an album by jazz drummer Dave Bailey which was originally released on the Jazzline label in 1961. Different releases of the same material have appeared under the names of sidemen on the date. The album features pianist Tommy Flanagan and was re-released as Tommy Flanagan Trio And Sextet on the Onyx label and on the Xanadu label in 1973. It was also re-released under trumpeter Kenny Dorham's name as Osmosis on CD in 1990 on the Black Lion label with 4 alternate takes.
Uptown Conversation is the second album led by the jazz double bass player Ron Carter, recorded in 1969 and first released on the Embryo label.