 | This article needs additional citations for verification .(December 2017) |
This is the discography for American jazz musician Grant Green.
| | This article needs additional citations for verification .(December 2017) |
This is the discography for American jazz musician Grant Green.
| Recording date | Title | Label | Year released | Notes |
|---|---|---|---|---|
| 1961-01 | Grant's First Stand | Blue Note | 1961 | |
| 1961-03 | Reaching Out | Black Lion [1] | 1989 | Originally released in 1961 as Reaching Out by Dave Bailey Quintet (Jazztime JT 003); reissued in 1973 as Green Blues by Grant Green (Muse MR 5014); reissued on CD in 1989 as Reaching Out by Grant Green (Black Lion BLCD 760129). |
| 1961-04 | Green Street | Blue Note | 1961 | |
| 1961-06 | Sunday Mornin' | Blue Note | 1962 | |
| 1961-08 | Grantstand | Blue Note | 1962 | |
| 1961-08 | Remembering | Blue Note | 1980 | Japan only. Reissued on CD as Standards (1998). |
| 1960-11, 1961-10 | First Session | Blue Note | 2001 | Connoisseur series |
| 1961-12 | Gooden's Corner | Blue Note | 1980 | Japan only. Included in compilation album The Complete Quartets with Sonny Clark (1997). |
| 1962-01 | Nigeria | Blue Note | 1980 | LT series |
| 1962-01 | Oleo | Blue Note | 1980 | Japan only. Included in compilation album The Complete Quartets with Sonny Clark (1997). |
| 1962-03 | Born to Be Blue | Blue Note | 1985 | |
| 1962-04, 1962-09 | The Latin Bit | Blue Note | 1963 | |
| 1962-11 | Goin' West | Blue Note | 1969 | |
| 1962-12 | Feelin' the Spirit | Blue Note | 1963 | |
| 1963-05 | Am I Blue | Blue Note | 1964 | |
| 1963-02, 1963-06 | Blues for Lou | Blue Note | 1999 | Connoisseur series |
| 1963-11 | Idle Moments | Blue Note | 1965 | |
| 1964-05 | Matador | Blue Note | 1979 | Japan only |
| 1964-06 | Solid | Blue Note | 1979 | LT series |
| 1964-09 | Talkin' About! | Blue Note | 1965 | |
| 1964-11 | Street of Dreams | Blue Note | 1967 | |
| 1965-03 | I Want to Hold Your Hand | Blue Note | 1966 | |
| 1965-05 | His Majesty King Funk | Verve | 1965 | Reissued on CD in 1995 (Verve/Polygram 527474). |
| 1967 | Iron City! | Cobblestone | 1972 | Re-released in 1977 (Muse MR 5120); reissued on CD in 1998 (32 Jazz 32048), and again in 2003 (Savoy 17227). |
| 1969-10 | Carryin' On | Blue Note | 1970 | |
| 1970-01 | Green Is Beautiful | Blue Note | 1970 | |
| 1970-08 | Alive! | Blue Note | 1970 | Live |
| 1971-01 | Live at Club Mozambique | Blue Note | 2006 | Live |
| 1971-05 | Visions | Blue Note | 1971 | |
| 1971-11 | Shades of Green | Blue Note | 1971 | |
| 1971-12 | The Final Comedown | Blue Note | 1972 | |
| 1972-04 | Live at The Lighthouse | Blue Note | 1972 | Live. LA series. |
| 1976-03 | The Main Attraction | Kudu | 1976 | Reissued on CD in 2002 (Epic/Legacy 86145). |
| 1978-04 | Easy | Versatile | 1978 | Reissued on CD in 2001 (Unidisc UBK 4111), and again in 2007 (Essential Media Group 11025). |
1959
1960
1961
1962
1963
1964
1965
1966
1969
1970
1973
Thomas Walter Turrentine, Jr. was a swing and hard bop trumpeter and composer who was active between the 1940s and the 1960s. He rarely worked as a bandleader, and was known for his work as a sideman with drummer Max Roach and his younger brother, the saxophonist Stanley Turrentine.
Albert "Tootie" Heath is an American jazz hard bop drummer, the brother of tenor saxophonist Jimmy Heath and the double-bassist Percy Heath.
Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.
Idris Muhammad was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu.
David "Fathead" Newman was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles.
James Robert Forrest Jr. was an American jazz musician, who played tenor saxophone throughout his career.
Eugene McDuff, known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break.
Samuel Jones was an American jazz double bassist, cellist, and composer.
Harold Vick was an American jazz saxophonist and flautist.
Seldon Powell was an American soul jazz, swing, and R&B tenor saxophonist and flautist born in Lawrenceville, Virginia.
Melvin Sparks was an American soul jazz, hard bop and jazz blues guitarist. He recorded a number of albums for Prestige Records, later recording for Savant Records. He appeared on several recordings with musicians including Lou Donaldson, Sonny Stitt, Leon Spencer and Johnny Hammond Smith.
James Wesley "Red" Holloway was an American jazz saxophonist.
Granville William "Mickey" Roker was an American jazz drummer.
George Andrew Tucker was an American jazz double-bassist.
Don Patterson was an American jazz organist.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Ben Dixon was an American jazz drummer.
Jimmy Lewis was an American double bassist who worked with the Count Basie Orchestra and sextet in the 1950s and with Duke Ellington, Cootie Williams, Billie Holiday and Ivory Joe Hunter before moving to bass guitar during his time with King Curtis. He provided the basslines for the musical Hair. Lewis freelanced extensively and performed on many albums by soul and jazz musicians, including Horace Silver and the Modern Jazz Quartet up until the late 1980s. He died in 2000.