| Two Souls in One | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1963 | |||
| Recorded | September 4, 1963 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 41:11 | |||
| Label | Blue Note BST 84148 | |||
| Producer | Alfred Lion | |||
| George Braith chronology | ||||
| ||||
Two Souls in One is the debut album by American saxophonist George Braith recorded in 1963 and released on the Blue Note label. [1]
The Allmusic review by Stephen Thomas Erlewine awarded the album 3 stars and stated "In some ways, it's hard to view George Braith's playing a soprano and alto saxophone simultaneously as anything other than a gimmick, especially since it's nearly presented that way on his debut album... Nevertheless, Two Souls in One remains an enjoyable, occasionally rewarding, collection of soul-jazz and cautiously adventurous hard bop". [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Midnight Creeper is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Lonnie Smith, George Benson, and Leo Morris.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
Happy Frame of Mind is an album by American jazz pianist Horace Parlan featuring performances recorded for Blue Note in 1963, but not released under Parlan's name on the label until 1986. The session was originally released under Booker Ervin's name in 1976 as part of the Blue Note 2-LP set Back from the Gig and later released as originally intended. The album was first released on a CD in 1995.
'Bout Soul is an album by American saxophonist Jackie McLean recorded in 1967 and released on the Blue Note label. It features McLean in a quintet with trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scotty Holt and drummer Rashied Ali. Trombonist Grachan Moncur III guests on three tracks, and Barbara Simmons recites the words on “Soul”.
The Opener is an album by American jazz trombonist Curtis Fuller, recorded on June 16, 1957 and released on Blue Note later that year—his debut for the label.
It Might as Well Be Spring is an album by American saxophonist Ike Quebec recorded in 1961 and released on the Blue Note label.
Down to Earth is the debut album by American organist Freddie Roach recorded in 1962 and released on the Blue Note label.
All That's Good is the fifth album by American organist Freddie Roach recorded in 1964 and released on the Blue Note label. It was reissued on CD only in Japan, as a limited edition.
Blue John is an album by American organist John Patton recorded in 1963 but not released on the Blue Note label until 1986.
Memphis to New York Spirit is an album by American organist John Patton recorded in 1969 and 1970 but not released on the Blue Note label until 1996.
Hootin' 'n Tootin' is the debut album by American saxophonist Fred Jackson, and the sole recording under his leadership, recorded in 1962 and released on the Blue Note label. The CD reissue added seven previously unissued bonus tracks from a later session.
Soul Stream is the second album by American saxophonist George Braith recorded in 1963 and released on the Blue Note label.
Extension is the third album by American saxophonist George Braith recorded in 1964 and released on the Blue Note label.
Contours is the second album by American saxophonist Sam Rivers recorded in 1965 and released on the Blue Note label. The CD reissue contains an alternate take as a bonus track.
A New Conception is the third album by American saxophonist Sam Rivers, recorded in 1966 and released on the Blue Note label. The album features Rivers' interpretation of seven jazz standards.
Dimensions & Extensions is an album by American saxophonist Sam Rivers recorded in 1967 but not released on the Blue Note label until 1986 with the original catalogue number and the intended cover artwork. It was originally scheduled for issue in 1967, but held back from release until 1975, when the tracks appeared as part of the double LP set, Involution, which combined them with tracks recorded under Andrew Hill's leadership that would eventually see release as Change.
Easterly Winds is a 1968 album by American jazz pianist Jack Wilson featuring performances recorded in 1967 and released on the Blue Note label.
The In Between is an album by American jazz saxophonist Booker Ervin recorded in 1968 and released on the Blue Note label.
