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George Braith (born George Braithwaite on June 26, 1939) is a soul-jazz saxophonist from New York. [1]
Braith is known for playing multiple horns at once, a technique pioneered by Roland Kirk. He is credited with the invention of the Braithophone, a welded-together alto and soprano saxophone. [2]
Braith is featured in a mosaic in the 72nd street station of the Second Avenue Subway in the New York City Subway system. [3]
George Braith has played on: [4]
With John Patton
Frank Wellington Wess was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music.
Milton Jackson, nicknamed "Bags", was an American jazz vibraphonist. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.
Oscar Pettiford was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom.
Eli "Lucky" Thompson was an American jazz tenor and soprano saxophonist whose playing combined elements of swing and bebop. Although John Coltrane usually receives the most credit for bringing the soprano saxophone out of obsolescence in the early 1960s, Thompson embraced the instrument earlier than Coltrane.
Billy Higgins was an American jazz drummer. He played mainly free jazz and hard bop.
Melbourne Robert Cranshaw was an American jazz bassist. His career spanned the heyday of Blue Note Records to his later involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.
John Patton was an American jazz, blues and R&B pianist and organist often known by his nickname, Big John Patton.
Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to the craft. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.
John Arnold Griffin III was an American jazz tenor saxophonist. Nicknamed "the Little Giant" for his short stature and forceful playing, Griffin's career began in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with pianist Thelonious Monk, drummer Art Blakey, in partnership with fellow tenor Eddie "Lockjaw" Davis and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music.
Grady Tate was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated Schoolhouse Rock! series. He received two Grammy nominations.
Reginald "Reggie" Workman is an American avant-garde jazz and hard bop double bassist, recognized for his work with both John Coltrane and Art Blakey.
George Edward Coleman is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.
Eugene McDuffy, known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader. He was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break.
George Duvivier was an American jazz double-bassist.
Ronald Edward Cuber was an American jazz saxophonist. He also played in Latin, pop, rock, and blues sessions. In addition to his primary instrument, baritone sax, he played tenor sax, soprano sax, clarinet, and flute, the latter on an album by Eddie Palmieri as well as on his own recordings. As a leader, Cuber was known for hard bop and Latin jazz. As a side man, he had played with B. B. King, Paul Simon, and Eric Clapton. Cuber can be heard on Freeze Frame by the J. Geils Band, and one of his most spirited performances is on Dr. Lonnie Smith's 1970 Blue Note album Drives. He was also a member of the Saturday Night Live Band.
Melvin Sparks was an American soul jazz, hard bop and jazz blues guitarist. He recorded a number of albums for Prestige Records, later recording for Savant Records. He appeared on several recordings with musicians including Lou Donaldson, Sonny Stitt, Leon Spencer and Johnny Hammond Smith.
James Wesley "Red" Holloway was an American jazz saxophonist.
Samuel David Bailey was an American jazz drummer.
Ben Dixon was an American jazz drummer.
This is the discography for American jazz musician Grant Green.
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