Stop and Listen | ||||
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Studio album by | ||||
Released | 1961 | |||
Recorded | May 22, 1961 Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz | |||
Length | 49:32 | |||
Label | Blue Note BST 84084 | |||
Producer | Alfred Lion | |||
Baby Face Willette chronology | ||||
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Stop and Listen is the second album by American jazz organist Baby Face Willette featuring performances recorded and released on the Blue Note label in 1961. [1] It features a version of the 1941 Harry Warren song "At Last," which at the time of the Stop and Listen recording sessions was on the R&B and Billboard Hot 100 record charts through Etta James' hit recording of the song.
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Allmusic review by Steve Huey awarded the album 4½ stars and stated "With Blue Note's extraordinary stable of talent, it's a shame that Willette never led another session for the label, which makes Stop and Listen that much more essential for soul-jazz fans". [2]
Roosevelt "Baby Face" Willette was an American hard bop and soul-jazz musician who played the Hammond organ.
Songs for Ellen is an album by jazz guitarist Joe Pass that was recorded in 1992 and released posthumously in 1994.
Manhattan Moods is an album by pianist McCoy Tyner and vibraphonist Bobby Hutcherson released on the Blue Note label in 1994. It was recorded in December 1993 and features nine duet performances by Hutcherson and Tyner.
My Favorite Instrument is a 1968 album by jazz pianist Oscar Peterson. It was his first solo piano release.
Horace-Scope is an album by jazz pianist Horace Silver released on the Blue Note label in 1960 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Here 'Tis is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1961 and performed by Donaldson with organist Baby Face Willette, guitarist Grant Green and drummer Dave Bailey.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
Never Let Me Go is the eighth album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Shirley Scott, Major Holley, Ray Barretto and Al Harewood, with Sam Jones and Clarence Johnston replacing Holley, Barretto and Harewood on two tracks.
The King Cole Trio is a series of albums by jazz pianist Nat King Cole's King Cole Trio released by the Capitol Records label. These were Cole's debut recordings.
Grant's First Stand is the debut album by American jazz guitarist Grant Green featuring performances by Green recorded and released on the Blue Note label in 1961. He is featured in a trio with organist Baby Face Willette and drummer Ben Dixon. Earlier recordings made by Green for Blue Note were released as First Session in 2001.
Face to Face is the debut album by American jazz organist Baby Face Willette featuring performances recorded and released on the Blue Note label in 1961.
The Sounds of Jimmy Smith is an album by American jazz organist Jimmy Smith featuring performances recorded in 1957 and released on the Blue Note label. The CD reissue added three tunes recorded at the same session as bonus tracks.
Open House is an album by American jazz organist Jimmy Smith featuring performances recorded in 1960, but not released on the Blue Note label until 1968. The album didn't appear on CD until being reissued in 1992, as a twofer which also included Plain Talk, compiling all the recordings from the session.
On Broadway Vol. 4 or The Paradox of Continuity is an album by Paul Motian and the Trio 2000 + One released on the German Winter & Winter label in 2006. The album follows on from the first three volumes of Motian's On Broadway Series featuring features performances of Broadway show tunes. It includes Motian’s trio with saxophonist Chris Potter and double bassist Larry Grenadier, along with vocalist Rebecca Martin and pianist Masabumi Kikuchi.
With These Hands... is a jazz album by American jazz pianist Randy Weston, featuring saxophonist Cecil Payne, which was recorded in 1956 and released on the Riverside label.
Mo' Rock is an album by organist Baby Face Willette recorded in 1964 and released on the Argo label.
Behind the 8 Ball is an album by organist Baby Face Willette recorded in 1964 and released on the Argo label.
Close Enough for Jazz is an album by vibraphonist Johnny Lytle recorded in 1969 and originally issued on the Solid State label.
This is the discography for American jazz musician Grant Green.