| Face to Face | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1961 | |||
| Recorded | January 30, 1961 | |||
| Studio | Van Gelder Studio, Englewood Cliffs | |||
| Genre | Jazz | |||
| Length | 54:46 | |||
| Label | Blue Note BST 84068 | |||
| Producer | Alfred Lion | |||
| Baby Face Willette chronology | ||||
| ||||
Face to Face is the debut album by jazz organist Baby Face Willette featuring performances recorded and released on the Blue Note label in 1961. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| DownBeat | [3] |
| The Penguin Guide to Jazz Recordings | [4] |
The contemporaneous DownBeat reviewer stated: "If it is warm and appealing visceral music, it is also wholly predictable. There's not a single surprise on either side". [3] The AllMusic review by Thom Jurek awarded the album 4 stars and stated "Face to Face boasts a mighty meat and potatoes soul-jazz lineup... Highly recommended". [2]
Somethin' Else is a jazz album by alto saxophonist Julian "Cannonball" Adderley, his only album on the Blue Note label, recorded and released in 1958. Also on the session is trumpeter Miles Davis in one of his handful of recording dates for Blue Note. Adderley was a member of Davis' group at the time, and the album was recorded shortly after Davis' own landmark album Milestones. The Penguin Guide to Jazz selected Somethin' Else as part of its suggested "Core Collection."
Milestones is a studio album by American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded with his "first great quintet" augmented as a sextet and released in 1958 by Columbia Records.
Undercurrent is a 1962 album by jazz pianist Bill Evans and jazz guitarist Jim Hall. The two men collaborated again in 1966 on the album Intermodulation.
At the "Golden Circle" Stockholm is an avant-garde jazz live album in two volumes by the Ornette Coleman Trio, documenting concerts on the nights of December 3 and 4, 1965, at the Gyllene Cirkeln jazz club in Stockholm. Both volumes were released in early 1966. This marked the beginning of Coleman's contract with Blue Note after he left Atlantic Records.
Grant's First Stand is the debut album by American jazz guitarist Grant Green featuring performances by Green recorded and released on the Blue Note label in 1961. He is featured in a trio with organist Baby Face Willette and drummer Ben Dixon. Earlier recordings made by Green for Blue Note were released as First Session in 2001.
Green Street is an album by American jazz guitarist Grant Green featuring performances recorded and released on the Blue Note label in 1961. Green is backed by bassist Ben Tucker and drummer Dave Bailey. The CD reissue features two alternate takes from the same session as bonus tracks.
Remembering is an album by American jazz guitarist Grant Green featuring performances recorded in 1961 but not released until 1980 on the Japanese Blue Note label. Green is supported by bassist Wilbur Ware and drummer Al Harewood. The US CD reissue was released in 1998 and included an alternate take and an additional track recorded at the same sessions.
Dance with Death is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1968 but not released on the Blue Note label until 1980. The album features Hill with saxophonist Joe Farrell, trumpeter Charles Tolliver, bassist Victor Sproles and drummer Billy Higgins performing six originals with an alternate take added to the 2004 CD reissue.
Change is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1966 for the Blue Note label. The album had a complicated release history- it was originally scheduled for issuance in 1967 as BST 84233, but was held back from release until 1975, when the tracks appeared under Sam Rivers' name, as part of a double LP set called Involution, which combined them with tracks recorded under Rivers' leadership. The first release of this material under Hill's name did not occur until 1995 as part of the Mosaic box set The Complete Blue Note Andrew Hill Sessions (1963-66). The album features Hill with saxophonist Sam Rivers, bassist Walter Booker and drummer J.C. Moses performing six of his originals. In 2007, two alternate takes were added to the CD release. The shorter take of "Violence" was initially chosen as the master track for that piece.
Bluesnik is an album by American saxophonist Jackie McLean recorded in 1961 and released on the Blue Note label. It features McLean in a quintet with trumpeter Freddie Hubbard, pianist Kenny Drew, bassist Doug Watkins and drummer Pete La Roca.
Stop and Listen is the second album by American jazz organist Baby Face Willette featuring performances recorded and released on the Blue Note label in 1961. It features a version of the 1941 Harry Warren song "At Last," which at the time of the Stop and Listen recording sessions was on the R&B and Billboard Hot 100 record charts through Etta James' hit recording of the song.
Doin' Allright is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label.
New York Is Now! is an album by the American jazz saxophonist and composer Ornette Coleman released on the Blue Note label in 1968.
Love Call is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1968 and released on the Blue Note label.
Bossa Nova Bacchanal is an album by American saxophonist Charlie Rouse recorded in 1962 and released in 1963 on the Blue Note label. It was the only album Rouse recorded as a leader for Blue Note. The CD reissue includes a bonus track recorded in 1965.
Fuchsia Swing Song is the debut album by American saxophonist Sam Rivers recorded in 1964 and released on the Blue Note label. The album was reissued on CD in 1995, and again in 2003 as part of the "Connoisseur Series" including four alternate takes as bonus tracks.
Home Cookin' is an album by the American jazz organist Jimmy Smith of performances recorded in 1958 and 1959 and released on the Blue Note label. The album was rereleased on CD with five bonus tracks.
Jutta Hipp with Zoot Sims is an album by German jazz pianist Jutta Hipp recorded in 1956 which was released on the Blue Note label as BLP 1530.
Pakistani Pomade is an album by German free jazz pianist Alexander von Schlippenbach's Trio, featuring saxophonist Evan Parker and percussionist Paul Lovens, recorded in Germany in 1972 for the FMP label.
In Good Company is an album by saxophonist Ted Brown with guitarist Jimmy Raney recorded in 1985 and released on the Dutch label, Criss Cross Jazz. The CD rerelease added five alternate takes in 1990 renaming the album Good Company and displaying Jimmy Raney's name more prominently.
