Love Bug | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1969 | |||
Recorded | March 21, 1969 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Soul jazz | |||
Length | 42:17original LP 50:14 CD reissue | |||
Label | Blue Note BST 84317 | |||
Producer | Francis Wolff | |||
Reuben Wilson chronology | ||||
|
Love Bug is the second album by American organist Reuben Wilson recorded in 1969 and released on the Blue Note label. [1] The CD reissue added one bonus track.
The Allmusic review by Stephen Thomas Erlewine awarded the album 4 stars and stated "Love Bug was an attempt to establish Reuben Wilson as an organist with either the vision of Larry Young or the fiery style of John Patton, and while it comes up short on both accounts, it nevertheless remains quite enjoyable". [2]
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
All compositions by Reuben Wilson except as noted
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
Mustang! is an album by American trumpeter Donald Byrd featuring performances by Byrd with Sonny Red, Hank Mobley, McCoy Tyner, Walter Booker, and Freddie Waits recorded in 1966 and released on the Blue Note label in 1967 as BLP 4238. The CD reissue included two bonus tracks recorded in 1964.
Speakin' My Piece is an album by American jazz pianist Horace Parlan and his quintet, recorded and released on the Blue Note label in 1960.
On the Spur of the Moment is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1961.
Grass Roots is a studio album by American pianist Andrew Hill featuring performances recorded in 1968 and released on the Blue Note label. The original album features Hill with trumpeter Lee Morgan, tenor saxophonist Booker Ervin, bassist Ron Carter and drummer Freddie Waits performing five of his originals. The 2000 CD reissue added alternate versions of three of the pieces recorded by a sextet with trumpeter Woody Shaw, tenor saxophonist Frank Mitchell, guitarist Jimmy Ponder, bassist Reggie Workman and drummer Idris Muhammad at an earlier session as bonus tracks.
Out of This World is an album by jazz group The Three Sounds featuring performances recorded in 1962 and released on the Blue Note label.
It Just Got to Be is an album by the jazz group The Three Sounds with performances recorded in 1960. It was released on the Blue Note label in 1963. It was reissued on CD only in Japan, with two bonus tracks.
Accent on the Blues is an album by American organist John Patton recorded in 1969 and released on the Blue Note label.
Contours is the second album by American saxophonist Sam Rivers recorded in 1965 and released on the Blue Note label. The CD reissue contains an alternate take as a bonus track.
Bucket! is an album by American jazz organist Jimmy Smith featuring performances recorded in 1963 but not released on the Blue Note label until 1966. The CD reissue added two tracks recorded at the same session as bonus tracks.
Softly as a Summer Breeze is an album by American jazz organist Jimmy Smith featuring performances recorded in 1958 but not released on the Blue Note label until 1965. The album was rereleased on CD with four bonus tracks recorded at a later session.
Cool Blues is a live album by American jazz organist Jimmy Smith featuring performances recorded at Small's Paradise in New York City in 1958 but not released on the Blue Note label until 1980. The album was rereleased on CD with three bonus tracks recorded at the same performance.
Live at the Lighthouse is a live album by jazz group The Three Sounds featuring performances recorded in 1967 at the Lighthouse Club in California and released on the Blue Note label.
On Broadway is the debut album by American organist Reuben Wilson, recorded in 1968 and released on the Blue Note label.
Blue Mode is the third album by American organist Reuben Wilson recorded in 1969 and released by the Blue Note label the following year. The album was also released by Vee-Jay Records as Organ Talk in 1974.
A Groovy Situation is the fourth album by American organist Reuben Wilson recorded in 1970 and released on the Blue Note label. The CD reissue added one bonus track.
Queen of the Organ is a live album by American jazz organist Shirley Scott, recorded in 1964 for the Impulse! label. The expanded CD reissue added four additional performances from the same gig as bonus tracks.