Sextant is the eleventh studio album by Herbie Hancock, released in 1973 by Columbia. It is the last album with the Mwandishi-era sextet featuring saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart. Synthesizer player Patrick Gleeson and percussionist Buck Clarke also appear.
Man-Child is the fifteenth studio album by jazz pianist Herbie Hancock. The record was released on August 22, 1975 by Columbia Records. It was the final studio album to feature The Headhunters, and a number of guest musicians including saxophonist Wayne Shorter, a full brass section, three different guitarists, and Stevie Wonder on harmonica.
Crossings is the tenth album by jazz pianist Herbie Hancock, released in 1972. It is the second album in his Mwandishi period, which saw him experimenting in electronics and funk with a sextet featuring saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart. The album is the band's first to feature synthesizer player Patrick Gleeson. He was scheduled to "set up his Moog for Hancock to play." However, Hancock was so impressed with Gleeson that he "asked Gleeson not only to do the overdubs on the album but join the group."
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters. The concert was advertised as a "Herbie Hancock Retrospective," and Miles Davis, who was several months into his temporary retirement, was advertised as playing with the V.S.O.P. group. According to concert attendees, on the night of the show a handwritten sign was posted on the lobby door announcing that Davis would not be playing, but that Hubbard would be appearing instead.
A Caddy for Daddy is an album by jazz saxophonist Hank Mobley recorded on December 18, 1965, and released on the Blue Note label in 1967. It features performances by Mobley with trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw and drummer Billy Higgins.
A Slice of the Top is an album by jazz saxophonist Hank Mobley recorded on March 18, 1966. The album was not released on the Blue Note label until 1979. It features performances by Mobley with a larger than usual ensemble of trumpeter Lee Morgan, euphonium player Kiane Zawadi, tuba player Howard Johnson, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Bob Cranshaw, and drummer Billy Higgins. The arrangements were written by Duke Pearson. On the original LP, Reggie Workman was mistakenly identified on the sleeve as the bassist.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
High Blues Pressure is an album by trumpeter Freddie Hubbard. It was his second release on the Atlantic label and features performances by Hubbard, James Spaulding, Bennie Maupin, Herbie Lewis, Roman "Dog" Broadus, Weldon Irvine, Kenny Barron, Freddie Waits, Louis Hayes, Howard Johnson, and Kiane Zawadi.
Today and Tomorrow is the fourth album by jazz pianist McCoy Tyner. It was recorded for the Impulse! label in 1963 and 1964. The two sessions featured performances by Tyner with bassist Jimmy Garrison, drummer Albert Heath, tenor saxophonist John Gilmore, trumpeter Thad Jones, alto saxophonist Frank Strozier, bassist Butch Warren and drummer Elvin Jones.
Expansions is the tenth album by jazz pianist McCoy Tyner and his fourth released on the Blue Note label. It was recorded in August 1968 and features performances by Tyner with trumpeter Woody Shaw, alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, bassist Herbie Lewis and drummer Freddie Waits.
Song of the New World is a 1973 album by jazz pianist McCoy Tyner, his fourth to be released on the Milestone label. It was recorded in April 1973 and features performances by Tyner with a big band including saxophonist Sonny Fortune, flautist Hubert Laws, bassist Joony Booth and drummer Alphonse Mouzon along with a brass section, and a full string section on two tracks conducted by William Fischer.
Focal Point is a 1976 album by jazz pianist McCoy Tyner, his tenth to be released on the Milestone label. It was recorded during four days in August 1976 and features a septet fronted by three reed players who were in part multiplied through overdubs. On one track Tyner is heard picking a dulcimer backed by tablas, evoking the sound of an Indian sitar. "Parody" is a duo with Eric Gravatt on drums. The album was digitally remastered at Fantasy Studios in 1999 and re-released on Original Jazz Classics.
Together is a 1979 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in August and September 1978 and features performances by Tyner with trumpeter Freddie Hubbard, flautist Hubert Laws, tenor saxophonist/bass clarinetist Bennie Maupin, vibraphonist Bobby Hutcherson, bassist Stanley Clarke, drummer Jack DeJohnette and percussionist Bill Summers.
13th House is a 1981 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in October 1980 and features performances by Tyner with a big band that includes alto saxophonist Joe Ford, flautist Hubert Laws, tenor saxophonist Ricky Ford, trombonist Slide Hampton, bassist Ron Carter and trumpeters Oscar Brashear and Charles Sullivan.
La Leyenda de La Hora (The Legend of the Hour) is a 1981 album by jazz pianist McCoy Tyner released on the Columbia label. It features performances by Tyner with alto saxophonist Paquito D'Rivera, tenor saxophonist Chico Freeman, trumpeter Marcus Belgrave, flautist Hubert Laws, vibraphonist Bobby Hutcherson, bassist Avery Sharpe, drummer Ignacio Berroa and percussionist Daniel Ponce, plus a string section conducted by William Fischer.
Uptown/Downtown is a 1988 live album by McCoy Tyner released on the Milestone label, his first for the label since 13th House (1980). It was recorded in November 1988 and features performances by Tyner's Big Band, which included tenor saxophonists Junior Cook and Ricky Ford, trumpeter Kamau Adilifu and trombonist Steve Turre, recorded at the Blue Note jazz club in New York City. The Allmusic review by Scott Yanow states that "the results are quite memorable and frequently exciting. Recommended".
The Turning Point is an album by McCoy Tyner's Big Band released on the Birdology label in 1992. It was recorded in November 1991 and features performances by Tyner's Big Band.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
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