Inception | ||||
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Studio album by | ||||
Released | June 1962 [1] | |||
Recorded | January 10–11, 1962 | |||
Studio | Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz | |||
Length | 32:54 | |||
Label | Impulse! A-18 | |||
Producer | Bob Thiele | |||
McCoy Tyner chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Down Beat | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
Inception is the debut album by jazz pianist McCoy Tyner which was released on the Impulse! label in 1962. It features performances by Tyner with bassist Art Davis and drummer Elvin Jones.
The AllMusic review by Alexander Gelfand states that "this album gives listeners the chance to hear what a very young Tyner sounded like outside the confines of the classic John Coltrane quartet of the early '60s; it reveals a lyrical approach to jazz piano that seems a far cry from Tyner's mature style". [2]
"Blues for Gwen" was named after Tyner's sister, whilst "Sunset" was suggested by Tyner's wife, Aisha, because the piece "brought to her mind an impression of nature, and because it's a reflective ballad, "Sunset" seemed the logical title." [6]
All compositions by McCoy Tyner except as indicated
Alfred McCoy Tyner was an American jazz pianist and composer known for his work with the John Coltrane Quartet and his long solo career afterwards. He was an NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated electric keyboards or synthesizers into his work. Tyner was widely imitated, and is one of the most recognizable and influential pianists in jazz history.
Arthur David Davis was a double-bassist, known for his work with Thelonious Monk, John Coltrane, Dizzy Gillespie, McCoy Tyner and Max Roach.
Impressions is an album of live and studio recordings by jazz musician John Coltrane, released by Impulse! Records in July 1963.
Crescent is a 1964 studio album by jazz musician John Coltrane, released by Impulse! as A-66. Alongside Coltrane on tenor saxophone, the album features McCoy Tyner (piano), Jimmy Garrison and Elvin Jones (drums) playing original Coltrane compositions.
Coltrane Plays the Blues is an album of music by jazz musician John Coltrane, released in July 1962 on Atlantic Records. It was recorded at Atlantic Studios during the sessions for My Favorite Things, assembled after Coltrane had stopped recording for the label and was under contract to Impulse Records. Like Prestige Records before them, as Coltrane's fame grew during the 1960s, Atlantic used unissued recordings and released them without either Coltrane's input or approval.
The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".
Meditations is a 1966 album by John Coltrane. The album was considered the "spiritual follow-up to A Love Supreme." It features Coltrane and Pharoah Sanders as soloists, both playing tenor saxophones. Much of the recording is avant-garde, featuring extensive passages in free rhythm and extended saxophone techniques such as honked and overblown notes, as well as multiphonics. This would be the last Coltrane recording with long-time partners drummer Elvin Jones and pianist McCoy Tyner.
Coltrane Jazz is the sixth studio album by jazz musician John Coltrane, released in early 1961 on Atlantic Records, catalogue SD 1354. The song "Village Blues" is noted as a landmark recording, as it marks the first session date of the early John Coltrane Quartet on record. Featured alongside Coltrane are pianist McCoy Tyner, drummer Elvin Jones, and bassist Steve Davis.
Inner Urge is an album by jazz saxophonist Joe Henderson released in 1966, the fourth recorded as a leader for Blue Note Records. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on November 30, 1964. It features Henderson playing tenor sax, along with pianist McCoy Tyner and drummer Elvin Jones. The album's bass player, Bob Cranshaw, was a regular member of Sonny Rollins' band at the time of the recording, and was also a frequent session musician for record labels including Blue Note, Prestige and Atlantic.
Ready for Freddie is an album by trumpeter Freddie Hubbard, released on the Blue Note label in 1962 as BLP 4085 and BST 84085. In 2003, it was remastered and issued on CD with the addition of two alternate takes. It contains performances by Hubbard, Bernard McKinney, Wayne Shorter, McCoy Tyner, Art Davis and Elvin Jones.
Nights of Ballads & Blues is the third album by the jazz pianist McCoy Tyner, released on the Impulse! label in 1963. It features performances by Tyner with Steve Davis on bass and Lex Humphries on drums.
Today and Tomorrow is the fourth album by jazz pianist McCoy Tyner. It was recorded for the Impulse! label in 1963 and 1964. The two sessions featured performances by Tyner with bassist Jimmy Garrison, drummer Albert Heath, tenor saxophonist John Gilmore, trumpeter Thad Jones, alto saxophonist Frank Strozier, bassist Butch Warren and drummer Elvin Jones.
In 'n Out is the third album by jazz saxophonist Joe Henderson released on the Blue Note label. It was recorded on April 10, 1964 and features performances by Henderson with Kenny Dorham, McCoy Tyner, Richard Davis and Elvin Jones.
McCoy Tyner Plays Ellington is the sixth album by jazz pianist McCoy Tyner. It was recorded in December 1964 and released on the Impulse! label in 1965. It features performances by Tyner with his John Coltrane bandmates: bassist Jimmy Garrison and drummer Elvin Jones. Percussionists Willie Rodriguez and Johnny Pacheco appear on four of the tracks. It would be Tyner's last effort for the label, before signing with Blue Note.
Extensions is an album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded on February 9, 1970 but not released until January of 1973. It has performances by Tyner with alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, drummer Elvin Jones, and features Alice Coltrane playing harp on three of the four tracks.
A Jazz Message is a jazz album recorded by Art Blakey's Quartet in 1964. The album was Blakey's second and last album for the Impulse! label.
Trident is a 1975 album by jazz pianist McCoy Tyner (1938-2020), his eighth to be released on the Milestone label. It was recorded in February 1975 and features performances by Tyner with bassist Ron Carter and his former John Coltrane bandmate, drummer Elvin Jones (1927–2004). It is available on CD. Unusually, Tyner plays harpsichord and celesta along with piano.
Love & Peace is a 1982 album by the Elvin Jones-McCoy Tyner Quintet released on the Japanese Trio label. It was recorded in April 1982 and features performances by Jones and Tyner with Pharoah Sanders, Jean-Paul Bourelly and Richard Davis.
Illumination! is a 1964 album by the Elvin Jones/Jimmy Garrison Sextet.
The Africa/Brass Sessions, Vol. 2 is a posthumous compilation album by American jazz saxophonist and composer John Coltrane, released in 1974 by Impulse Records. It compiles outtakes from the same 1961 sessions that produced his Africa/Brass album. "Song of the Underground Railroad" and "Greensleeves" were recorded on May 23, while "Africa" was recorded on June 4. On October 10, 1995, Impulse incorporated the tracks issued here into a two-disc set entitled The Complete Africa/Brass Sessions.