A Night in Tunisia | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 1961 [1] | |||
Recorded | August 7 and 14, 1960 | |||
Studio | Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz | |||
Length | 51:39 | |||
Label | Blue Note BST 84049 | |||
Producer | Alfred Lion | |||
Art Blakey & The Jazz Messengers chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
DownBeat | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
Tom Hull | B+ [6] |
A Night in Tunisia is a jazz album by Art Blakey and the Jazz Messengers which was recorded in August 1960.
In the original liner notes by Barbara J. Gardner, she wrote: "This album is a prime example of Blakey's expressed desire to showcase his young talent. Not only is there extended solo room for the musicians; further, all but the title tune were written and arranged by the talented junior jazz citizens in his group".
The contemporaneous DownBeat reviewer praised the soloing, and highlighted Blakey's playing on "Kozo's Waltz": "His solo is truly a remarkable demonstration of modern drumming. This is searing passion and astounding energy, not to mention impeccable time". [3]
1989 remastered release:
2013 Japanese SHM-CD:
Edward Lee Morgan was an American jazz trumpeter and composer.
Arthur Blakey was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s.
"A Night in Tunisia" is a musical composition written by Dizzy Gillespie around 1940–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944.
Moanin' is a jazz album by Art Blakey and the Jazz Messengers recorded in 1958 for the Blue Note label and released in 1959.
The Freedom Rider is an album by jazz drummer Art Blakey and his group the Jazz Messengers, recorded in 1961 and released in 1964 by Blue Note Records. Continuing Blakey's distinct brand of hard bop, this album features contributions from Wayne Shorter, Lee Morgan, Blakey himself, and Kenny Dorham, a former Jazz Messenger. This was the final album by this particular edition of the Jazz Messengers, who had been together for 18 months, as Lee Morgan left after this album and was replaced by Freddie Hubbard. The compositions themselves are varied, with Blakey contributing an energetic drum solo on "The Freedom Rider"; at least three of the compositions on the album are blues pieces. "El Toro" features a solo by Shorter incorporating the sheets of sound technique pioneered by John Coltrane. The CD version contains three bonus tracks originally released on the album Pisces.
Roots & Herbs is a jazz album by Art Blakey & the Jazz Messengers, recorded in 1961 at the same sessions which produced The Freedom Rider, but not released on the Blue Note label until 1970. The CD reissue features three alternate takes, two of which originally released in 1979 on Pisces.
Mosaic is a 1961 jazz album released by Art Blakey & the Jazz Messengers on Blue Note Records. The album's performers included: Wayne Shorter, Freddie Hubbard (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), Jymie Merritt (bass) and Art Blakey (drums). They recorded and performed together from 1961 into 1964. Hubbard and Walton became permanent members of the group following the 1961 departures of trumpeter Lee Morgan and pianist Bobby Timmons. The Mosaic recording session featured no alternate takes and, therefore, has yielded no bonus material in reissue.
A Night in Tunisia is a 1957 jazz album by Art Blakey & the Jazz Messengers, released by the RCA Victor subsidiary label Vik. It features the only recorded instances of saxophonists Jackie McLean and Johnny Griffin playing together.
Jazz Messengers!!!!! is a 1961 jazz album released by Art Blakey & the Jazz Messengers for Impulse! Records. Expanding to a sextet for the first time, it was the group's final recording with Bobby Timmons, who would be replaced by Cedar Walton.
The Cooker is an album by jazz trumpeter Lee Morgan, released on the Blue Note label in January 1958. It was recorded on September 29, 1957, and features a quintet with Morgan, Pepper Adams, Bobby Timmons, Paul Chambers and Philly Joe Jones.
The Witch Doctor is an album by American jazz drummer and bandleader Art Blakey and his group The Jazz Messengers recorded on March 14, 1961 and released on the Blue Note label. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
Like Someone in Love is an album by Art Blakey and The Jazz Messengers. It was recorded in August 1960, at the same sessions which produced A Night in Tunisia, but was released on Blue Note only in August 1967. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
The Big Beat is an album by Art Blakey and his group The Jazz Messengers recorded on March 6, 1960 and released on the Blue Note label. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
Paris Jam Session is a live album by Art Blakey and the Jazz Messengers with guest appearances by Bud Powell and Barney Wilen, recorded at the Théâtre des Champs-Élysées in Paris on 18 December 1959. It was released by Fontana (France) originally, by EmArcy in 1961, and subsequently by Verve on CD as part of their Jazz in Paris series.
Meet You at the Jazz Corner of the World is a two-volume Blue Note live album featuring the Jazz Messengers with the leader/drummer Art Blakey, trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons and bassist Jymie Merritt. The album was recorded on September 14, 1960 at Birdland, a jazz club in New York City. Volume 1 was first released in July 1961, with Volume 2 following in May 1962. In 2002, the two LPs were reissued as a double-CD set.
Night in Tunisia: Digital Recording is an album by drummer Art Blakey and the Jazz Messengers recorded in Japan in 1979 and released on the Dutch Philips label. The album was one of the earliest digital recordings of a jazz artist and was also released as a direct to disc recording in Japan.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
The Jazz Messengers were a jazz band that existed with varying personnel for 35 years. Their discography consists of 47 studio albums, 21 live albums, 2 soundtracks, 6 compilations, and one boxed set.
Art Blakey et les Jazz-Messengers au club St. Germain are a set of live albums recorded on December 21, 1958, at the Club St. Germain in Paris, France by Art Blakey and the Jazz Messengers, released in three volumes by French RCA. All three albums have been collected on CD in the 2015 Sony box set, The Complete Columbia and RCA Albums Collection.
Art Blakey et les Jazz Messengers au Théâtre des Champs-Élysées is a live album by Art Blakey & the Jazz Messengers recorded at the Théâtre des Champs-Élysées in Paris on November 15, 1959, and originally released on the French RCA Records label. The first official release of this material on CD was in the 2015 Sony box set, The Complete Columbia and RCA Albums Collection, with three bonus tracks.