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Gregory Charles Royal, also known as Chuck Royal, is an American musician, trombonist, composer, writer, co-founder of The BeBop Channel Corporation , the former parent owner of JazzTimes. [1] [2] founder of the New York Jazz Film Festival, a former judge on America's Hot Musician . [3] [4] and the former artistic director of the American Youth Symphony (AYS) in Washington, D.C. [5]
As a student at Howard University, [6] he received the 1982 DownBeat Magazine Student Music Award for Jazz Vocal Group: Graduate College Outstanding Performance in the Jazz Instrumental Soloist Category. [7] He graduated from Howard University with a Master of Music in Jazz Studies. [5]
Royal played with the Duke Ellington Orchestra (1989–99), Art Blakey and The Jazz Messengers, [8] Slide Hampton and his World of Trombones [9] and Howard University Jazz Ensemble. [10] He has appeared onstage as a trombonist with the Broadway shows Five Guys Named Moe [11] and Jelly's Last Jam. [12]
Royal has also written and appeared in a play God Doesn't Mean You Get To Live Forever, presented in March 2012 at the Baruch Performing Arts Center, [13] and in 2022 at Theatre Row on 42nd Street in New York. [14] The December 2012 production was mounted as a series of performances in New York at the Baruch Performing Arts Center starring Gregory Charles Royal, Frenchie Davis (in the role of "Reese Noel") and The Reverend Dr. James A. Forbes Jr. as himself. "God Doesn't Mean You Get To Live Forever delves into the notion that belief in God may not translate into the eventuality of everlasting life and the conflict such a notion brings upon a gospel musician." [15]
Royal wrote and appeared in the short film World's Not for Me, in which he plays a jazz musician who awakens from a near 30 year coma to find a world he no longer recognizes musically, culturally or financially. The film won the Harlem Spotlight Best Narrative Short Award at the Harlem International Film Festival in September, 2016. [16]
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by German-Jewish emigrants Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernist art direction.
Wynton Learson Marsalis is an American trumpeter, composer, and music instructor, who is currently the artistic director of Jazz at Lincoln Center. He has been active in promoting classical and jazz music, often to young audiences. Marsalis has won nine Grammy Awards, and his oratorio Blood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. Marsalis is the only musician to have won a Grammy Award in both jazz and classical categories in the same year.
John Lenwood McLean was an American jazz alto saxophonist, composer, bandleader, and educator. He is one of the few musicians to be elected to the DownBeat Hall of Fame in the year of their death.
Hard bop is a subgenre of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
Arthur Blakey was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s.
Donaldson Toussaint L'Ouverture Byrd II was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock and many others.
Benny Golson was an American bebop and hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson was known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.
Gregory Oliver Hines was an American dancer, actor, choreographer, and singer. He is one of the most celebrated tap dancers of all time. As an actor, he is best known for Wolfen (1981), The Cotton Club (1984), White Nights (1985), Running Scared (1986), The Gregory Hines Show (1997–1998), playing Ben on Will & Grace (1999–2000), and for voicing Big Bill on the Nick Jr. animated children's television program Little Bill (1999–2004).
John Gilmore was an American jazz saxophonist, clarinetist, and percussionist. He was known for his tenure with the avant-garde keyboardist/bandleader Sun Ra from the 1950s to the 1990s, and led The Sun Ra Arkestra from Sun Ra's death in 1993 until his own death in 1995.
West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz styles. Although this style dominated, it was not the only form of jazz heard on the American West Coast.
Robert Michael Watson Jr., known professionally as Bobby Watson, is an American saxophonist, composer, and educator.
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Birdland is a jazz club started in New York City on December 15, 1949. The original Birdland, which was located at 1678 Broadway, just north of West 52nd Street in Manhattan, was closed in 1965 due to increased rents, but it re-opened for one night in 1979. A revival began in 1986 with the opening of the second nightclub by the same name that is now located in Manhattan's Theater District, not far from the original nightclub's location. The current location is in the same building as the previous headquarters of The New York Observer.
Melba Doretta Liston was an American jazz trombonist, arranger, and composer. Other than those playing in all-female bands, she was the first woman trombonist to play in big bands during the 1940s and 1960s, but as her career progressed she became better known as an arranger, particularly in partnership with pianist Randy Weston. Other major artists with whom she worked include Dizzy Gillespie, Billie Holiday, John Coltrane, and Count Basie.
Sahib Shihab was an American jazz and hard bop saxophonist and flautist. He variously worked with Luther Henderson, Thelonious Monk, Fletcher Henderson, Tadd Dameron, Dizzy Gillespie, Kenny Clarke, John Coltrane and Quincy Jones among others.
Javon Anthony Jackson is an American jazz tenor saxophonist, bandleader, and educator. He first became known as a member of Art Blakey's Jazz Messengers from 1987 until Blakey's death in 1990. and went on to release 22 recordings as a bandleader and tour and record on over 150 CDs with jazz greats including Elvin Jones, Freddie Hubbard, Charlie Haden, Betty Carter, Cedar Walton, Ron Carter, Dr. Lonnie Smith, Stanley Turrentine and Ben E. King.
Even Kruse Skatrud lecturer at the University of Oslo, a Norwegian Jazz musician, composer, Music arranger and Orchestra leader. He is the son of musician Harry Andersen and Marit Skatrud Andersen, married to singer-artist Anine Kruse Skatrud and son-in-law of the major Norwegian Contemporary composer Bjørn Kruse.
'S Make It is a recording by the hard bop Art Blakey jazz ensemble. It was recorded in Los Angeles in 1964 and issued on the Limelight label. Following the departure of stars from his 1961 to 1964 band, Freddie Hubbard, Wayne Shorter and Cedar Walton, it includes previous Blakey alumni and newer players. This was trombonist Curtis Fuller's last recording as a regular member of the group, though he would return to record sporadically with Blakey in the 1970s and 80s. The album was re-released on Verve in 2004.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
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