Point of Departure is a studio album by American jazz pianist and composer Andrew Hill, recorded in 1964 and released in 1965 on the Blue Note label. It features Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams.
Feelin' the Spirit is an album by jazz guitarist Grant Green originally issued on Blue Note Records as BLP 4132 and BST 84132. Consisting of jazz arrangements of traditional African American spirituals, it is one of a series of themed records recorded by the guitarist in 1962. Green is supported by pianist Herbie Hancock, bassist Butch Warren and drummer Billy Higgins.
Art Blakey and the Jazz Messengers, also called Moanin', is a studio album by Art Blakey and the Jazz Messengers recorded on October 30, 1958 and released on Blue Note later that year.
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled Free Fall.
Inner Urge is an album by the jazz saxophonist Joe Henderson, released in 1966 via Blue Note Records, his fourth recorded as a leader. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, on November 30, 1964. Featuring Henderson along with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw.
Search for the New Land is an album by jazz trumpeter Lee Morgan. A set with a group of regular Blue Note sidemen, Search for the New Land was recorded before The Sidewinder was released. Although it was recorded in 1964, the album was shelved for two years, then issued with the original catalogue number 84169.
Night Dreamer is the fourth album by American jazz saxophonist Wayne Shorter. It was released in November 1964 by Blue Note Records. With a quintet of trumpeter Lee Morgan, pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones performing six Shorter originals.
East Broadway Run Down is an album by jazz saxophonist Sonny Rollins recorded in 1966 and released in 1967 by Impulse Records, his last album before industry pressures led him to take a six-year hiatus. The album represents one of his more notable experiments with free jazz, according to The New Grove Dictionary of Jazz illustrating "the furthest extent to which he incorporated noise elements into his playing". It has been critically described as among his 60s "jewels".
Mosaic is a studio album by Art Blakey & the Jazz Messengers recorded for Blue Note on October 2, 1961 and released the following year. The sextet features horn section Wayne Shorter, Freddie Hubbard and Curtis Fuller and rhythm section Cedar Walton, Jymie Merritt and Art Blakey.
Buhaina's Delight is a jazz album released by Art Blakey and the Jazz Messengers in 1963. Produced by Alfred Lion, the album was recorded in two sessions on November 28, 1961 and December 18, 1961 at Van Gelder Studio in Englewood Cliffs, New Jersey. The album was released by Blue Note Records in July 1963 after Blakey had moved to Riverside Records in late 1962.
Compulsion!!!!! is a studio album by American jazz pianist Andrew Hill. It was originally released in 1967 under the Blue Note Label as BST 84217. In its album review, Billboard wrote of Compulsion!!!!!, "The wild, yet disciplined piano of Andre [sic] Hill is the driving force behind this strange and moving record." It was remastered by Rudy Van Gelder in 2006. Featured musicians include trumpeter Freddie Hubbard, tenor saxophonist John Gilmore, bassist Cecil McBee and drummer Joe Chambers.
The Big Beat is an album by Art Blakey & the Jazz Messengers recorded on March 6, 1960 and released on Blue Note later that year. The quintet features horn section Lee Morgan and Wayne Shorter and rhythm section Bobby Timmons, Jymie Merritt and Blakey.
Holiday for Skins, Volumes 1 & 2 are a pair of separate but related albums by American jazz drummer Art Blakey, recorded on November 9, 1958 and released on Blue Note the following year.
Una Mas, titled Una Mas (One More Time) on the front cover, is a jazz album by trumpeter Kenny Dorham and his quintet, released in 1963 on Blue Note as BLP 4127 and BST 84127. The album would be the next-to-last studio session led by the trumpeter. Una Mas features three compositions by Dorham himself. An outtake from the session, the ballad "If Ever I Would Leave You", comes from the Broadway musical Camelot.
The Latin Bit is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 and released on the Blue Note label. It is a loose concept album inspired by Latin American music. It features tenor saxophonist Ike Quebec, pianists Sonny Clark and John Adriano Acea, bassist Wendell Marshall and percussionists Willie Bobo, Garvin Masseaux and “Patato” Valdes.
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham, recorded for Blue Note on March 29, 1955 and released later that year on the Blue Note Modern Jazz Series, shortly before the label discontinued the format. It was soon reissued on the new 1500 series, recompiled with a session by an early incarnation of the ensemble, with new cover art.
Solomon Gbadegesin Ilori is a Nigerian drummer and percussionist who moved to New York City in 1958 and collaborated with jazz artists such as Art Blakey and Harry Belafonte before recording his debut album for Blue Note Records in 1963.
African High Life is the debut album by Nigerian drummer and percussionist Solomon Ilori recorded in 1963 and released on the Blue Note label. The album was reissued on CD in 2006 with three bonus tracks recorded at a later session.
Herbie Mann at the Village Gate is a 1961 live album by jazz flutist Herbie Mann which was his third album for Atlantic Records, the main label for much of his career. The album was recorded at legendary club The Village Gate.
Horace Silver Trio & Art Blakey–Sabu is an album by the Horace Silver Trio featuring drummer Art Blakey and conga player Sabu, recorded on October 9 & 20, 1952 and November 23, 1953 respectively and released on Blue Note in 1956.
