Nippon Soul | ||||
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Live album by | ||||
Released | March 1964 [1] | |||
Recorded | July 9, 1963 (#7) Koseinenkin Kaikan, Tokyo July 14, 1963 (#2-3) July 15, 1963 (#1, 4-6) Sankei Hall, Tokyo | |||
Genre | Jazz | |||
Length | 46:42 | |||
Label | Riverside RLP 477 | |||
Producer | Orrin Keepnews | |||
Cannonball Adderley chronology | ||||
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Nippon Soul is a live album by jazz saxophonist Cannonball Adderley recorded at the Sankei Hall in Tokyo during his 1963 Japanese tour and released on the Riverside label (RLP 477) featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. [2] The CD release added a bonus track recorded the previous week and originally released on The Japanese Concerts (1975).
The Allmusic review by Stewart Mason awarded the album 4 stars, and states: "a solid live set that showcases one of Cannonball Adderley's finest groups... Often overlooked, this is one of Adderley's finest albums". [3] The Penguin Guide to Jazz awarded the album 3 stars, stating: "Zawinul is still no more than a good bandsman, and Lateef's touches of exotica - such as the oboe solo on 'Brother John' or his furry Roland Kirk-like flute improvisations - are an awkward match for the sunnier disposition of the customary material." [4]
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Penguin Guide to Jazz | [4] |
Julian Edwin "Cannonball" Adderley was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s.
Radio Nights is an album released in 1991 featuring previously unreleased live radio broadcasts by the Cannonball Adderley Quartet, Quintet and Sextet from New York City's Half Note Club jazz club. They were recorded by Alan Grant and broadcast live on radio in the last week of 1967 and the first week of 1968. The montage of Adderley's monologues are taken from a recording made at the Keystone Korner jazz club, San Francisco. At the time of the recordings, Adderley was under contract to Capitol.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.
The Cannonball Adderley Sextet in New York is a live album by jazz saxophonist Cannonball Adderley recorded at the Village Vanguard and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
Cannonball in Europe! is a live album by jazz saxophonist Cannonball Adderley recorded at the Comblain-la-Tour in Belgium and released on the Capitol label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
Jazz Workshop Revisited is a live album by the jazz saxophonist Cannonball Adderley released on the Riverside label. Alongside Adderley, it features performances by Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. It was recorded at the Jazz Workshop in San Francisco on September 22 & 23, 1962
The Japanese Concerts is a live album by jazz saxophonist Cannonball Adderley recorded at the Kōsei Nenkin Kaikan and Sankei Hall in Tokyo during his 1963 Japanese tour and featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The album was released on the Milestone label in 1975 and combines material previously released on Adderley's Nippon Soul (1963) with an additional disc of unreleased performances from a concert recorded a week earlier.
Autumn Leaves is a live album by jazz saxophonist Cannonball Adderley recorded at the Kosei-nenkin Kaikan and Sankei Hall in Tokyo during his 1963 Japanese tour and featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The album was released on the Japanese Riverside label and features additional material from the Sankai Hall concert that produced Adderley's Nippon Soul (1963) and additional performances from a concert recorded a week earlier. Both albums were released on the US compilation The Japanese Concerts in 1975.
Cannonball Adderley Live! is a live album by jazz saxophonist Cannonball Adderley recorded at Shelly's Manne-Hole and released on the Capitol label featuring performances by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
Live Session! is a live album by jazz saxophonist Cannonball Adderley recorded at Memory Lane, Los Angeles in 1962 and the Lighthouse, Hermosa Beach in 1964 and released on the Capitol label featuring performances by Adderley with Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes and vocalist Ernie Andrews.
Cannonball Adderley's Fiddler on the Roof is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of material from the Broadway musical Fiddler on the Roof by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, keyboardist Michael Wolff, bassist Walter Booker and drummer Roy McCurdy with guest percussionist Airto Moreira and past Quintet members keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes guesting on select tracks. The program essentially consists of energetic new arrangements of the Quintet's best known pieces from the late 1950s to the early 1970s, including Nat Adderley's “Work Song”.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
In the Bag is an album by jazz cornetist Nat Adderley released on the Jazzland label featuring performances by Adderley with his brother Cannonball Adderley, Sam Jones, Nat Perrilliat, James Black, and Ellis Marsalis.
The Centaur and the Phoenix is an album by multi-instrumentalist Yusef Lateef recorded in 1960 and released on the Riverside label.
Louis Hayes is the eponymous debut album by American jazz drummer Louis Hayes recorded in 1960 for Vee-Jay Records. The personnel includes the Cannonball Adderley's 1960 Quintet with Yusef Lateef in place of the leader. The album was also re-released in 1974 under Lateef's name as Contemplation.
The Sextet is a live album by the jazz saxophonist Cannonball Adderley recorded in 1962-63 but not released by the Milestone label until 1982 and featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes recorded in San Francisco and Japan. The album features previously unreleased performances from the Jazz Workshop residency that produced Jazz Workshop Revisited and from the Japanese concerts that produced Nippon Soul.