Cannonball Takes Charge | ||||
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Studio album by | ||||
Released | August 1959 [1] | |||
Recorded | April 23, 27 & May 12, 1959 | |||
Studio | Reeves Sound (New York City) | |||
Genre | Jazz, hard bop | |||
Label | Riverside | |||
Producer | Orrin Keepnews | |||
Cannonball Adderley chronology | ||||
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Cannonball Takes Charge is an album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring performances by Adderley with Wynton Kelly, Paul Chambers, and Jimmy Cobb with Percy and Albert Heath replacing Chambers and Cobb on two selections. [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz | [4] |
The Penguin Guide to Jazz said that "Cannonball Takes Charge is perhaps only ordinary." [4] The AllMusic review by Ken Dryden awarded the album 4 stars and states: "Cannonball Adderley is in top form on this 1959 release." [3]
Wilbur James "Jimmy" Cobb was an American jazz drummer. He was part of Miles Davis's First Great Sextet. At the time of his death, he had been the band's last surviving member for nearly thirty years. He was awarded an NEA Jazz Masters Fellowship in 2009.
Wynton Charles Kelly was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln.
Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, New York City, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.
Full House is an album by the jazz guitarist Wes Montgomery, released in 1962.
"Freddie Freeloader" is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B♭, but the chord over the final two bars of each chorus is an A♭7, not the traditional B♭7 followed by either F7 for a turnaround or some variation of B♭7 for an ending.
Introducing Wayne Shorter is the debut album by jazz saxophonist Wayne Shorter. It was recorded on November 9th and 10th, 1959, at Bell Sound Studios in New York City. It features five Shorter compositions, plus Kurt Weill's "Mack the Knife”, performed by a quintet featuring trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Shorter played with Morgan in the front line of Art Blakey's Jazz Messengers at this time while Kelly, Chambers and Cobb were the widely celebrated rhythm section with Miles Davis.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Kelly Blue is an album by American jazz pianist Wynton Kelly, released in 1959.
Things Are Getting Better is the 11th album by jazz saxophonist Cannonball Adderley, and his second release on the Riverside label, featuring performances with Milt Jackson, Wynton Kelly, Percy Heath and Art Blakey. Recorded in October 1958, the album was released in early 1959.
Blue Spring is a 1959 album by jazz trumpeter Kenny Dorham and saxophonist Cannonball Adderley released on the Riverside label, featuring performances by Dorham and Adderley with Dave Amram, Cecil Payne, Cedar Walton, Paul Chambers, and Philly Joe Jones or Jimmy Cobb.
Cannonball Adderley Quintet in Chicago is an album by jazz saxophonist Cannonball Adderley, his final release on the Mercury label, featuring performances by Adderley with John Coltrane, Wynton Kelly, Paul Chambers and Jimmy Cobb.
Plus is an album by Cannonball Adderley Quintet released on the Riverside label featuring performances by Adderley with Nat Adderley, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
The Complete Riverside Recordings is a box set of American jazz guitarist Wes Montgomery's early recordings on the Riverside label. It is a twelve-CD box set and was released in 1992. It contains 157 songs and includes 15 previously unissued performances, six re-edited versions of previously issued numbers and 29 alternate takes. The extensive liner notes by producer Orrin Keepnews and Jim Ferguson, session notes, and photographs. Keepnews and Ferguson received a Grammy Award nomination for Best Album Notes.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
Someday My Prince Will Come is an album by jazz pianist Wynton Kelly featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961 and one track with Lee Morgan and Wayne Shorter from 1959 released by the Vee-Jay label in 1961. Additional performances from these sessions were released as Wynton Kelly!.
Out of the Blue is an album by American saxophonist Sonny Red recorded in late 1959 and early 1960 and released on the Blue Note label. In 1996, it was released on CD, as a limited edition, with five bonus tracks from the same sessions.
Fantastic Frank Strozier is the debut album by American saxophonist Frank Strozier, recorded in 1959 and 1960 for Vee-Jay Records. The personnel includes the rhythm section from part of Miles Davis's Kind of Blue, recorded earlier in 1959.
Go is an album by jazz bassist Paul Chambers recorded in Chicago in 1959 and released by the Vee-Jay label. Featured musicians include trumpeter Freddie Hubbard, alto saxophonist Cannonball Adderley, pianist Wynton Kelly and drummer Philly Joe Jones. The album was re-released in 1997 as a double CD featuring additional recordings and alternate takes from the sessions and included as part of the Mosaic Box Set The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61 in 2000.