The Happy People | ||||
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Live album by The Cannonball Adderley Quintet | ||||
Released | 1972 | |||
Recorded | 1970 | |||
Genre | ||||
Length | 40:36 | |||
Label | Capitol | |||
Producer | ||||
Cannonball Adderley chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic |
The Happy People is a live album by the Cannonball Adderley Quintet, a band led by jazz saxophonist Julian "Cannonball" Adderley. It was recorded in 1970 in New York City [2] and released in 1972 through Capitol Records. It features contributions from the quintet: Cannonball Adderley on saxophone, George Duke on piano, Walter Booker on string bass, Roy McCurdy on drums and Nat Adderley on cornet, with guest appearances from Airto Moreira, Olga James, Flora Purim, David T. Walker, Chuck Rainey, King Errisson and Mayuto Correa.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Happy People" (featuring Airto Moreira) | Airto Moreira | 11:22 |
2. | "Maria Tres Filhos" | Milton Nascimento | 10:40 |
3. | "Savior" (featuring Olga James) |
| 14:31 |
4. | "ELA" (featuring Airto Moreira) | Benito di Paula | 4:11 |
Total length: | 40:36 |
The Cannonball Adderley Quintet
Additional musicians
Technical
Borboletta is the sixth studio album by the American Latin rock band Santana. It is one of their jazz-funk-fusion oriented albums, along with Caravanserai (1972), and Welcome (1973). Non-band albums by Carlos Santana in this style also include Love Devotion Surrender (1973) with John McLaughlin and Illuminations (1974) with Alice Coltrane, Jack DeJohnette and Jules Broussard. The guitarist leaves much room to percussion, saxophone and keyboards to set moods, as well as lengthy solos by himself and vocals. The record was released in a metallic blue sleeve displaying a butterfly, an allusion to the album Butterfly Dreams (1973) by Brazilian musician Flora Purim and her husband Airto Moreira, whose contributions deeply influenced the sound of Borboletta. In Portuguese, borboleta means "butterfly".
Radio Nights is an album released in 1991 featuring previously unreleased live radio broadcasts by the Cannonball Adderley Quartet, Quintet and Sextet from New York City's Half Note Club jazz club. They were recorded by Alan Grant and broadcast live on radio in the last week of 1967 and the first week of 1968. The montage of Adderley's monologues are taken from a recording made at the Keystone Korner jazz club, San Francisco. At the time of the recordings, Adderley was under contract to Capitol.
Night Dancing is a jazz album by Joe Farrell on the Warner Bros. label. It was released in 1978.
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to stretch the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley, Jr. who wrote and performed the gospel-influenced protest title song.
The Cannonball Adderley Quintet & Orchestra is an album by jazz saxophonist Cannonball Adderley recorded in Los Angeles, California in 1970 featuring performances by Adderley's Quintet featuring Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy with an unidentified orchestra conducted by William Fisher or Lalo Schifrin.
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
The Black Messiah is a live album by jazz saxophonist Cannonball Adderley recorded at The Troubadour in Los Angeles, California in 1971 featuring performances by Adderley's Quintet with Nat Adderley, George Duke, Walter Booker and Roy McCurdy with guest appearances by Airto Moreira, Mike Deasy, Ernie Watts, Alvin Batiste, and Buck Clarke. After many years of being out of print, The Black Messiah was reissued in 2014 by Real Gone Music; the new 2CD reissue included liner notes by music journalist/blogger Bill Kopp.
Music, You All is a live album by the Cannonball Adderley Quintet, a band led by jazz saxophonist Julian "Cannonball" Adderley. It was recorded at the Troubadour in West Hollywood, California in 1972, and released in 1976 through Capitol Records. It features contributions from the quintet: Cannonball Adderley on saxophone, George Duke on piano, Walter Booker on bass, Roy McCurdy on drums and Nat Adderley on cornet, with guest appearances from Airto Moreira, Mike Deasy and Ernie Watts.
Inside Straight is a live album by jazz saxophonist Cannonball Adderley recorded at the Fantasy Studios in Berkeley, California in 1973 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest percussionist King Errisson.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, Michael Wolff, Walter Booker and Roy McCurdy with guest percussionist Airto Moreira and sessions featuring past Quintet members George Duke, Sam Jones, and Louis Hayes.
Lovers is an album by jazz saxophonist Cannonball Adderley. It was recorded at Fantasy Studios in Berkeley, California in 1975 by Adderley with Nat Adderley, Alvin Batiste, George Duke, Alphonso Johnson, Jack DeJohnette, Airto Moreira. A posthumously released track included Flora Purim, Nat Adderley Jr., and Ron Carter.
Soul Zodiac is the first collaborative studio album by the Nat Adderley Sextet and Rick Holmes, presented by Julian "Cannonball" Adderley. It was released in 1972 through Capitol Records. Recording sessions took place at Independent Recording Studios in Studio City, Los Angeles, California with production handled by David Axelrod and Cannonball Adderley. The album features narration from Rick Holmes on all tracks and contributions from the sextet: Nat Adderley on cornet, George Duke on Fender Rhodes electric piano, Walter Booker on string bass and guitar, Roy McCurdy on drums, Mike Deasy on guitar, and Ernie Watts on flute and tambourine, with guest appearance by Cannonball Adderley on two songs.
Soul of the Bible is the second collaborative studio album by the Nat Adderley Sextet and Rick Holmes, presented by Julian "Cannonball" Adderley. It was released as a follow-up to Soul Zodiac through Capitol Records in 1972. Recording sessions took place at Capitol Records Studio in Hollywood, California with production handled by David Axelrod and Cannonball Adderley.
Double Exposure is an album by jazz cornetist Nat Adderley released on the Prestige label featuring performances by Adderley's Sextet with Bill Fender, George Duke, Walter Booker, King Errison, and Roy McCurdy with guest artists including Cannonball Adderley and Johnny "Guitar" Watson.
Butterfly Dreams is the second studio album by Brazilian jazz singer Flora Purim. It was released in 1973 via Milestone Records. Recording sessions took place at Fantasy Studios in Berkeley, California in December 1973.
Places and Spaces is an album by American trumpeter Donald Byrd, that was released on Blue Note in 1975.
I'm Fine, How Are You? is an album by Brazilian jazz drummer and percussionist Airto Moreira released in 1977 produced by Flora Purim/Airto Moreira for Zara Productions, Co-Produced by Kerry McNabb.
Joe Williams Live is a live album by Joe Williams featuring Cannonball Adderley's Septet recorded at Fantasy Studios' Studio "A" in front of a live audience and released on the Fantasy label.
I Love the Blues, She Heard My Cry is the seventh studio album by American keyboardist George Duke. It was released in 1975 through MPS Records. Recording sessions for the album took place at Paramount Recording Studios in Hollywood, California. The album features contributions from frequent collaborators Leon "Ndugu" Chancler on drums, Airto Moreira and Flora Purim with guest appearances by trombonist Bruce Fowler, bassist Tom Fowler, percussionists Ruth Underwood and Emil Richards, guitarists Lee Ritenhour, Daryl Stuermer, Johnny "Guitar" Watson and others musicians. This album is dedicated to the memory of the late Julian "Cannonball" Adderley.
Encounter is a studio album by Brazilian jazz singer Flora Purim that was released in 1977 on Milestone Records.