Lovers | ||||
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Studio album by | ||||
Released | 1976 | |||
Recorded | June 24 & 25 and October 31, 1975 | |||
Studio | Fantasy (Berkeley) | |||
Genre | Jazz | |||
Label | Fantasy | |||
Producer | Nat Adderley & Orrin Keepnews | |||
Cannonball Adderley chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Lovers is an album by jazz saxophonist Cannonball Adderley. It was recorded at Fantasy Studios in Berkeley, California in 1975 by Adderley with Nat Adderley, Alvin Batiste, George Duke, Alphonso Johnson, Jack DeJohnette, Airto Moreira. A posthumously released track included Flora Purim, Nat Adderley Jr., and Ron Carter. [2]
The Allmusic review by Scott Yanow awarded the album 1½ stars and states: "This particular LP was already more than half completed with Adderley taking his last solos on three of the selections... but unfortunately none of the music is all that memorable.... After Cannonball's death 'Lovers' (which had been planned for the album) was recorded as a memorial.... The intentions were honorable but the music is pretty forgettable." [3]
Flora Purim is a Brazilian jazz singer known primarily for her work in the jazz fusion style. She became prominent for her part in Return to Forever with Chick Corea and Stanley Clarke. She has recorded and performed with numerous artists, including Dizzy Gillespie, Gil Evans, Opa, Stan Getz, George Duke, Mickey Hart of the Grateful Dead, Santana, Jaco Pastorius, and her husband Airto Moreira.
Airto Guimorvan Moreira is a Brazilian jazz drummer and percussionist. He is married to jazz singer Flora Purim, and their daughter Diana Moreira is also a singer. Coming to prominence in the late 1960s as a member of the Brazilian ensemble Quarteto Novo, he moved to the United States and worked in jazz fusion with Miles Davis and Return to Forever.
Borboletta is the sixth studio album by the American Latin rock band Santana. It is one of their jazz-funk-fusion oriented albums, along with Caravanserai (1972), and Welcome (1973). Non-band albums by Carlos Santana in this style also include Love Devotion Surrender (1973) with John McLaughlin and Illuminations (1974) with Alice Coltrane, Jack DeJohnette and Jules Broussard. The guitarist leaves much room to percussion, saxophone and keyboards to set moods, as well as lengthy solos by himself and vocals. The record was released in a metallic blue sleeve displaying a butterfly, an allusion to the album Butterfly Dreams (1973) by Brazilian musician Flora Purim and her husband Airto Moreira, whose contributions deeply influenced the sound of Borboletta. In Portuguese, borboleta means "butterfly".
Sky Dive is the twentieth album by jazz trumpeter Freddie Hubbard, recorded in 1972. It was his fourth album released on Creed Taylor's CTI label and features performances by Hubbard, Keith Jarrett, George Benson, Ron Carter, Billy Cobham, Airto Moreira and Ray Barretto.
Freddie Hubbard/Stanley Turrentine In Concert Volume One is a live album recorded in 1973 by jazz trumpeter Freddie Hubbard and tenor saxophonist Stanley Turrentine. It was recorded in Chicago and Detroit for Creed Taylor's CTI label and features performances by Hubbard, Turrentine, guitarist Eric Gale, bassist Ron Carter, drummer Jack DeJohnette and pianist Herbie Hancock.
Polar AC is a compilation album by jazz trumpeter Freddie Hubbard. It was his final album released on Creed Taylor's CTI label and features performances by Hubbard, Hubert Laws, George Benson, Junior Cook, and Ron Carter. It was put together by CTI after Hubbard left the label to go to Columbia, and the tracks were recorded at different sessions, between 1971 and 1973. The album featured pieces: "People Make the World Go Round" and "Betcha, By Golly Wow", recorded both on April 12, 1972, and "Son of Sky Dive" recorded around 1973. "Polar AC" came from First Light sessions, whilst "Naturally" was recorded during Sky Dive sessions, and both can be found on CD reissues of their respective albums.
13th House is a 1981 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in October 1980 and features performances by Tyner with a big band that includes alto saxophonist Joe Ford, flautist Hubert Laws, tenor saxophonist Ricky Ford, trombonist Slide Hampton, bassist Ron Carter and trumpeters Oscar Brashear and Charles Sullivan.
The Happy People is a live album by the Cannonball Adderley Quintet, a band led by jazz saxophonist Julian "Cannonball" Adderley. It was recorded in 1970 in New York City and released in 1972 through Capitol Records. It features contributions from the quintet: Cannonball Adderley on saxophone, George Duke on piano, Walter Booker on string bass, Roy McCurdy on drums and Nat Adderley on cornet, with guest appearances from Airto Moreira, Olga James, Flora Purim, David T. Walker, Chuck Rainey, King Errisson and Mayuto Correa.
The Black Messiah is a live album by jazz saxophonist Cannonball Adderley recorded at The Troubadour in Los Angeles, California in 1971 featuring performances by Adderley's Quintet with Nat Adderley, George Duke, Walter Booker and Roy McCurdy with guest appearances by Airto Moreira, Mike Deasy, Ernie Watts, Alvin Batiste, and Buck Clarke. After many years of being out of print, The Black Messiah was reissued in 2014 by Real Gone Music; the new 2CD reissue included liner notes by music journalist/blogger Bill Kopp.
Music, You All is a live album by the Cannonball Adderley Quintet, a band led by jazz saxophonist Julian "Cannonball" Adderley. It was recorded at the Troubadour in West Hollywood, California in 1972, and released in 1976 through Capitol Records. It features contributions from the quintet: Cannonball Adderley on saxophone, George Duke on piano, Walter Booker on bass, Roy McCurdy on drums and Nat Adderley on cornet, with guest appearances from Airto Moreira, Mike Deasy and Ernie Watts.
Pyramid is an album by jazz saxophonist Cannonball Adderley recorded at Fantasy Studios in Berkeley, California in 1974 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest appearances by Phil Upchurch, George Duke, and Jimmy Jones.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, keyboardist Michael Wolff, bassist Walter Booker and drummer Roy McCurdy with guest percussionist Airto Moreira and past Quintet members keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes guesting on select tracks. The program essentially consists of energetic new arrangements of the Quintet's best known pieces from the late 1950s to the early 1970s, including Nat Adderley's “Work Song”.
In the Bag is an album by jazz cornetist Nat Adderley released on the Jazzland label featuring performances by Adderley with his brother Cannonball Adderley, Sam Jones, Nat Perrilliat, James Black, and Ellis Marsalis.
Soul of the Bible is the second collaborative studio album by the Nat Adderley Sextet and [[Rick Holmes] KBCA & KKGO Disc Jockey], presented by Julian "Cannonball" Adderley. It was released as a follow-up to Soul Zodiac through Capitol Records in 1972. Recording sessions took place at Capitol Records Studio in Hollywood, California with production handled by David Axelrod and Cannonball Adderley.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
Black Is the Color is an album by the American saxophonist Joe Henderson, released in 1972 on Milestone. The original idea for the album was "to approach it entirely from the standpoint of having no pre-conceived ideas for the musicians to relate to." However, after listening to a tape copy of one segment of the original session, the saxophonist "became aware of further possibilities. Making full use of 16-track tape, we could add to and improve upon what had already been recorded by multiple overdubbing of new parts, by myself and others, that would become permanent additions to the track." The players include keyboardist George Cables, bassists Dave Holland and Ron Carter, drummer Jack DeJohnette and percussionist Airto.
Free is an album by Brazilian jazz drummer and percussionist Airto Moreira with performances recorded in 1972. The album was released by CTI Records and reached No. 30 on the jazz album chart at Billboard magazine.
I Love the Blues, She Heard My Cry is the seventh studio album by American keyboardist George Duke. It was released in 1975 through MPS Records. Recording sessions for the album took place at Paramount Recording Studios in Hollywood, California. The album features contributions from frequent collaborators Leon "Ndugu" Chancler on drums, Airto Moreira and Flora Purim with guest appearances by trombonist Bruce Fowler, bassist Tom Fowler, percussionists Ruth Underwood and Emil Richards, guitarists Lee Ritenhour, Daryl Stuermer, Johnny "Guitar" Watson and others musicians. This album is dedicated to the memory of the late Julian "Cannonball" Adderley.
Open Your Eyes You Can Fly is the fifth solo studio album by Brazilian jazz singer Flora Purim. It was released in 1976 via Milestone Records. Recording sessions for the album took place at Paramount Recording Studios in Los Angeles, California. The album features contributions from Airto Moreira on percussion and vocals, David Amaro and Egberto Gismonti on guitars, George Duke on keyboards, Hermeto Pascoal on electric piano and flute, Alphonso Johnson and Ron Carter on bass, Robertinho Silva and Leon "Ndugu" Chancler on drums, and Laudir de Oliveira on congas. One of the songs featured here, Sometime Ago, was composed by Chick Corea with lyrics by Neville Potter and was featured on the eponimous album by Return to Forever produced in 1972, Flora Purim and her husband Airto Guimorvan Moreira also played on that album.
Encounter is a studio album by Brazilian jazz singer Flora Purim that was released in 1977 on Milestone Records.