Julian Edwin "Cannonball" Adderley was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s.
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by jazz musician Julian "Cannonball" Adderley. It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, and was added to the Grammy Hall of Fame in 2021.
Radio Nights is an album released in 1991 featuring previously unreleased live radio broadcasts by the Cannonball Adderley Quartet, Quintet and Sextet from New York City's Half Note Club jazz club. They were recorded by Alan Grant and broadcast live on radio in the last week of 1967 and the first week of 1968. The montage of Adderley's monologues are taken from a recording made at the Keystone Korner jazz club, San Francisco. At the time of the recordings, Adderley was under contract to Capitol.
Cannonball in Japan is a live recording by the Cannonball Adderley Quintet at the Sankei Hall in Tokyo which was first released on the Japanese Capitol label in 1966 before being more widely released on CD in 1990.
Why Am I Treated So Bad! is an album by the Cannonball Adderley Quintet, recorded at the Capitol Studios in Hollywood in 1967.
Great Love Themes is an album recorded in April 1966 by jazz saxophonist Julian Edwin "Cannonball" Adderley. It was released on the Capitol label featuring performances of Broadway show tunes by Cannonball Adderley with Nat Adderley, Joe Zawinul, Herbie Lewis and Roy McCurdy. AllMusic awarded the album 1 star.
Money in the Pocket is a live album by jazz saxophonist Cannonball Adderley featuring performances by Adderley with Nat Adderley, Joe Zawinul, Herbie Lewis and Roy McCurdy. Recorded at The Club in Chicago in 1966, it was not released on the Capitol label until 2005. However, edited versions of four of the songs were released as singles in 1966: "Money in the Pocket"/"Hear Me Talking to You" on Capitol 5648, and "Sticks"/"Cannon's Theme" on Capitol 5736.
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to stretch the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley Jr. who wrote and performed the gospel-influenced protest title song.
The Cannonball Adderley Quintet & Orchestra is an album by jazz saxophonist Cannonball Adderley recorded in Los Angeles, California in 1970 featuring performances by Adderley's Quintet featuring Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy with an unidentified orchestra conducted by William Fisher or Lalo Schifrin.
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
The Happy People is a live album by the Cannonball Adderley Quintet, a band led by jazz saxophonist Julian "Cannonball" Adderley. It was recorded in 1970 in New York City and released in 1972 through Capitol Records. It features contributions from the quintet: Cannonball Adderley on saxophone, George Duke on piano, Walter Booker on string bass, Roy McCurdy on drums and Nat Adderley on cornet, with guest appearances from Airto Moreira, Olga James, Flora Purim, David T. Walker, Chuck Rainey, King Errisson and Mayuto Correa.
The Black Messiah is a live album by jazz saxophonist Cannonball Adderley recorded at The Troubadour in Los Angeles, California in 1971 featuring performances by Adderley's Quintet with Nat Adderley, George Duke, Walter Booker and Roy McCurdy with guest appearances by Airto Moreira, Mike Deasy, Ernie Watts, Alvin Batiste, and Buck Clarke. After many years of being out of print, The Black Messiah was reissued in 2014 by Real Gone Music; the new 2CD reissue included liner notes by music journalist/blogger Bill Kopp.
Music, You All is a live album by the Cannonball Adderley Quintet, a band led by jazz saxophonist Julian "Cannonball" Adderley. It was recorded at the Troubadour in West Hollywood, California in 1972, and released in 1976 through Capitol Records. It features contributions from the quintet: Cannonball Adderley on saxophone, George Duke on piano, Walter Booker on bass, Roy McCurdy on drums and Nat Adderley on cornet, with guest appearances from Airto Moreira, Mike Deasy and Ernie Watts.
Inside Straight is a live album by jazz saxophonist Cannonball Adderley recorded at the Fantasy Studios in Berkeley, California in 1973 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest percussionist King Errisson.
Pyramid is an album by jazz saxophonist Cannonball Adderley recorded at Fantasy Studios in Berkeley, California in 1974 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest appearances by Phil Upchurch, George Duke, and Jimmy Jones.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, keyboardist Michael Wolff, bassist Walter Booker and drummer Roy McCurdy with guest percussionist Airto Moreira and past Quintet members keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes guesting on select tracks. The program essentially consists of energetic new arrangements of the Quintet's best known pieces from the late 1950s to the early 1970s, including Nat Adderley's “Work Song”.
Soul Zodiac is the first collaborative studio album by the Nat Adderley Sextet and Rick Holmes, presented by Julian "Cannonball" Adderley. It was released in 1972 through Capitol Records. Recording sessions took place at Independent Recording Studios in Studio City, Los Angeles, California with production handled by David Axelrod and Cannonball Adderley. The album features narration from Rick Holmes on all tracks and contributions from the sextet: Nat Adderley on cornet, George Duke on Fender Rhodes electric piano, Walter Booker on string bass and guitar, Roy McCurdy on drums, Mike Deasy on guitar, and Ernie Watts on flute, tenor saxophone, and tambourine, with guest appearance by Cannonball Adderley on two songs.
Soul of the Bible is the second collaborative studio album by the Nat Adderley Sextet and Rick Holmes, presented by Julian "Cannonball" Adderley. It was released as a follow-up to Soul Zodiac through Capitol Records in 1972. Recording sessions took place at Capitol Records Studio in Hollywood, California with production handled by David Axelrod and Cannonball Adderley.
Double Exposure is an album by jazz cornetist Nat Adderley released on the Prestige label featuring performances by Adderley's Sextet with Bill Fender, George Duke, Walter Booker, King Errison, and Roy McCurdy with guest artists including Cannonball Adderley and Johnny "Guitar" Watson.
Joe Williams Live is a live album by Joe Williams featuring Cannonball Adderley's Septet recorded at Fantasy Studios' Studio "A" in front of a live audience and released on the Fantasy label.
