Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, and was added to the Grammy Hall of Fame in 2021.
Julian "Cannonball" Adderley is the second album by jazz saxophonist Cannonball Adderley, and his first released on the EmArcy label, featuring an octet with Nat Adderley, Jerome Richardson, Cecil Payne, John Williams, Paul Chambers, Jimmy Cleveland or J. J. Johnson, and Kenny Clarke or Max Roach arranged by Quincy Jones.
The Cannonball Adderley Sextet in New York is a live album by jazz saxophonist Cannonball Adderley recorded at the Village Vanguard and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
Cannonball in Europe! is a live album by jazz saxophonist Cannonball Adderley recorded at the Comblain-la-Tour in Belgium and released on the Capitol label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
Jazz Workshop Revisited is a live album by the jazz saxophonist Cannonball Adderley released on the Riverside label. Alongside Adderley, it features performances by Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. It was recorded at the Jazz Workshop in San Francisco on September 22 & 23, 1962
Nippon Soul is a live album by jazz saxophonist Cannonball Adderley recorded at the Sankei Hall in Tokyo during his 1963 Japanese tour and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The CD release added a bonus track recorded the previous week and originally released on The Japanese Concerts (1975).
Cannonball Adderley Live! is a live album by jazz saxophonist Cannonball Adderley recorded at Shelly's Manne-Hole and released on the Capitol label featuring performances by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
Live Session! is a live album by jazz saxophonist Cannonball Adderley recorded at Memory Lane, Los Angeles in 1962 and the Lighthouse, Hermosa Beach in 1964 and released on the Capitol label featuring performances by Adderley with Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes and vocalist Ernie Andrews.
Cannonball Adderley's Fiddler on the Roof is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of material from the Broadway musical Fiddler on the Roof by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
Great Love Themes is an album recorded in April 1966 by jazz saxophonist Julian Edwin "Cannonball" Adderley. It was released on the Capitol label featuring performances of ballads ― mostly Broadway show tunes ― by Cannonball Adderley with Nat Adderley, Joe Zawinul, Herbie Lewis, Roy McCurdy, and with string arrangements by Ray Ellis. AllMusic awarded the album 1 star. The album was produced by Tom Morgan, rather than Adderley's usual producer, David Axelrod. According to Adderley's biographer, Cary Ginell, "Although Cannonball loved to play show tunes, the lush, watered-down arrangements did not excited listeners, who had long since wearied of the jazz-artist-with-strings formula. Axelrod recalled that Cannonball hated the album and convinced Capitol to let him go back to working with Axelrod from then on."
Money in the Pocket is a live album by jazz saxophonist Cannonball Adderley featuring performances by Adderley with Nat Adderley, Joe Zawinul, Herbie Lewis and Roy McCurdy. Recorded at The Club in Chicago in 1966, it was not released on the Capitol label until 2005. However, edited versions of four of the songs were released as singles in 1966: "Money in the Pocket"/"Hear Me Talking to You" on Capitol 5648, and "Sticks"/"Cannon's Theme" on Capitol 5736.
74 Miles Away is an album by jazz saxophonist Cannonball Adderley recorded "live" before an invited audience at Capitol Studios in Hollywood, California in 1967, and features performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy. Following these sessions, it would be almost a year before Cannonball Adderley recorded again, a significant sign that the slump in jazz fortunes of the later 1960s had begun.
Accent on Africa is an album by jazz saxophonist Cannonball Adderley recorded in 1968 for the Capitol label featuring performances by Adderley with Nat Adderley and unidentified percussion section, vocalists, and big band.
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to stretch the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley Jr. who wrote and performed the gospel-influenced protest title song.
The Cannonball Adderley Quintet & Orchestra is an album by jazz saxophonist Cannonball Adderley recorded in Los Angeles, California in 1970 featuring performances by Adderley's Quintet featuring Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy with an unidentified orchestra conducted by William Fisher or Lalo Schifrin.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
The Black Messiah is a live album by jazz saxophonist Cannonball Adderley recorded at The Troubadour in Los Angeles, California in 1971 featuring performances by Adderley's Quintet with Nat Adderley, George Duke, Walter Booker and Roy McCurdy with guest appearances by Airto Moreira, Mike Deasy, Ernie Watts, Alvin Batiste, and Buck Clarke. After many years of being out of print, The Black Messiah was reissued in 2014 by Real Gone Music; the new 2CD reissue included liner notes by music journalist/blogger Bill Kopp.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, keyboardist Michael Wolff, bassist Walter Booker and drummer Roy McCurdy with guest percussionist Airto Moreira and past Quintet members keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes guesting on select tracks. The program essentially consists of energetic new arrangements of the Quintet's best known pieces from the late 1950s to the early 1970s, including Nat Adderley's “Work Song”.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
You, Baby is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Grady Tate and an orchestra arranged and conducted by Bill Fischer.
