More Blues and the Abstract Truth | ||||
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Studio album by | ||||
Released | February 1965 [1] | |||
Recorded | November 10–11, 1964 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 43:10original LP 49:54 CD reissue | |||
Label | Impulse! A-75 | |||
Producer | Bob Thiele | |||
Oliver Nelson chronology | ||||
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More Blues and the Abstract Truth is an album by American jazz composer, conductor and arranger Oliver Nelson featuring performances recorded in 1964 for the Impulse! label. [2]
The Allmusic review by Scott Yanow awarded the album 4 stars, stating: "Unlike the original classic Blues and the Abstract Truth set from three years earlier, Oliver Nelson does not play on this album. He did contribute three of the eight originals and all of the arrangements but his decision not to play is disappointing... The emphasis is on blues-based pieces and there are some strong moments even if the date falls short of its predecessor". [3]
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
All compositions by Oliver Nelson except as noted
Recorded on November 10, 1964 (tracks 4 & 6–9), and November 11, 1964 (tracks 1–3, 5 & 10).
The Blues and the Abstract Truth is an album by American composer and jazz saxophonist Oliver Nelson recorded in February 1961 for the Impulse! label. It remains Nelson's most acclaimed album and features a lineup of notable musicians: Freddie Hubbard, Eric Dolphy, Bill Evans, Paul Chambers and Roy Haynes. Baritone saxophonist George Barrow does not take solos but remains a key feature in the subtle voicings of Nelson's arrangements. The album is often noted for its unique ensemble arrangements and is frequently identified as a progenitor of Nelson's move towards arranging later in his career.
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