The Cool Sound of Pepper Adams | ||||
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Studio album by | ||||
Released | 1958 | |||
Recorded | November 19, 1957 | |||
Studio | Van Gelder Studio, Hackensack, NJ | |||
Genre | Jazz | |||
Length | 33:11 | |||
Label | Regent MG 6066 | |||
Producer | Ozzie Cadena | |||
Pepper Adams chronology | ||||
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Pure Pepper cover | ||||
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The Cool Sound of Pepper Adams is an album led by baritone saxophonist Pepper Adams which was recorded in late 1957 and originally released on the Regent label. [1] [2] [3] The album was rereleased on Savoy as Pure Pepper in 1984 with an additional previously unreleased track. [4]
Review scores | |
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Source | Rating |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz Record Guide | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz states "The Cool Sound of Pepper Adams is hardly an appropriate title for a session by this leader, although the plodding tempos of three of the four pieces here don't generate much heat". [5]
The Allmusic review by Jason Ankeny states "A wonderfully soulful session featuring striking contributions from pianist Hank Jones and drummer Elvin Jones, its four lengthy cuts pulsate with energy and invention. Despite complementing Adams' baritone leads with Bernard McKinney's euphonium, the music never sounds bloated. Instead, it's supple and slinky, with a dexterity that's utterly winning". [6]
Elvin Ray Jones was an American jazz drummer of the post-bop era. He showed an interest in drums at a young age, watching the circus bands march by his family's home in Pontiac, Michigan. He served in the United States Army from 1946 to 1949 and subsequently played in a Detroit house band led by Billy Mitchell. He moved to New York City in 1955 and worked as a sideman for Charles Mingus, Teddy Charles, Bud Powell and Miles Davis.
Park Frederick "Pepper" Adams III was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band.
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
Miles & Quincy: Live at Montreux is a collaborative live album by American jazz trumpeter Miles Davis and conductor Quincy Jones. It was recorded at the 1991 Montreux Jazz Festival and released by Warner Bros. Records in 1993.
Bernard Atwell McKinney, later Kiane Zawadi is an American jazz trombonist and euphonium player, one of the few jazz soloists on the latter instrument.
The Trip is a 1976 jazz album by saxophonist Art Pepper playing with George Cables, David Williams and Elvin Jones.
Ready for Freddie is an album by trumpeter Freddie Hubbard and was released on the Blue Note label in 1962 as BLP 4085 and BST 84085. In 2003, it was remastered and published on CD support. The two alternate takes didn't appear on the original LP. It features performances by Hubbard, Bernard McKinney, Wayne Shorter, McCoy Tyner, Art Davis and Elvin Jones.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
The Africa/Brass Sessions, Vol. 2 is a posthumous compilation album by American jazz saxophonist and composer John Coltrane, released in 1974 by Impulse Records. It compiles outtakes from the same 1961 sessions that produced his Africa/Brass album. "Song of the Underground Railroad" and "Greensleeves" were recorded on May 23, while "Africa" was recorded on June 4. On October 10, 1995, Impulse incorporated the tracks issued here into a two-disc set entitled The Complete Africa/Brass Sessions.
10 to 4 at the 5 Spot is a live album by saxophonist Pepper Adams' Quintet which was recorded at the Five Spot Café in 1958 for the Riverside label.
Encounter! is an album led by saxophonist Pepper Adams which was recorded in 1968 and released on the Prestige label.
Pepper Adams Quintet, is the debut album by baritone saxophonist Pepper Adams recorded in 1957 and originally released on the Mode label.
Critics' Choice is an album led by baritone saxophonist Pepper Adams which was recorded in 1957 and originally released on the World Pacific label.
The Pepper-Knepper Quintet is an album led by baritone saxophonist Pepper Adams and trombonist Jimmy Knepper which was recorded in 1958 and originally released on the MetroJazz label.
Pepper Adams Plays the Compositions of Charlie Mingus, is an album by baritone saxophonist Pepper Adams featuring Quintet and Octet performances of Charles Mingus' compositions which was recorded in 1963 and originally released on the Motown subsidiary label, Workshop Jazz.
Ephemera, is an album by baritone saxophonist Pepper Adams which was recorded in London in 1973 and originally released on the Spotlite label.
Julian, is a live album by baritone saxophonist Pepper Adams which was recorded in Munich in 1975 and originally released on the Enja label.
Reflectory, is an album by baritone saxophonist Pepper Adams which was recorded in 1978 and originally released on the Muse label.
Urban Dreams, is an album by baritone saxophonist Pepper Adams which was recorded in 1981 and originally released on the Palo Alto label.
Conjuration: Fat Tuesday's Session is a live album by baritone saxophonist Pepper Adams featuring trumpeter Kenny Wheeler which was recorded in August 1983 and originally released on the Uptown label in 1984 as Live at Fat Tuesdays then released on CD with additional tracks on Reservoir Records in 1990.