1st Bassman | ||||
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Studio album by | ||||
Released | 1961 | |||
Recorded | May 12, 1960 | |||
Studio | Bell Sound (New York City) | |||
Genre | Jazz | |||
Length | 30:05 | |||
Label | Vee-Jay VJLP 3012 | |||
Producer | Sid McCoy | |||
Paul Chambers chronology | ||||
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1st Bassman is an album by jazz bassist Paul Chambers, recorded at Bell Sound Studios on May 12, 1960 and released by the Vee-Jay label. [1] [2] [3] This album is notable for its featured use of the acoustic bass as the lead instrument. Chambers is supported by trumpeter Tommy Turrentine, trombonist Curtis Fuller, tenor saxophonist Yusef Lateef, pianist Wynton Kelly and drummer Lex Humphries.
Review scores | |
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Source | Rating |
AllMusic | [4] |
The Penguin Guide to Jazz Recordings | [5] |
AllMusic reviewer Michael G. Nastos stated "Chambers was allowed to put his bass on top, become a leader in his own right, and play lead melodies with a clear, ringing, well enunciated tone. 1st Bassman is anchored by rising stars from Detroit such as Yusef Lateef, Curtis Fuller ... The emphasis on the compositions of Lateef all display a spare construct, rearing the horns to a marginal level except for solos, allowing Chambers to take care of business and control the shaping of the melodies, with little unison play involved. ... This CD and its companion piece Go complement the preceding Blue Note sessions, comprising a small but potent body of work that few bassists have produced in modern jazz". [4] Reviewing The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61 for All About Jazz C. Michael Hovan said "there seems to be some very perceptible growth in Chamber’s ability to move the date beyond your average blowing session. All the tunes are by Yusef Lateef and he manages to develop interesting structures that stimulate the creative juices of a fantastic sextet". [6] In JazzTimes Harvey Pekar wrote "The soloists here do a fine job of making their work consistent with the character of the compositions. Chambers’ work is prominently featured, and he plays thoughtfully as well as exhibiting his vaunted chops". [7]
All compositions by Yusef Lateef except where noted
Paul Laurence Dunbar Chambers Jr. was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's "first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68).
Eastern Sounds is an album by jazz saxophonist and multi-instrumentalist Yusef Lateef, recorded in 1961. The album features Lateef's continued exploration of Middle Eastern music, which were incorporated into his version of hard bop with a quartet featuring Barry Harris on piano. The opening track features Lateef on Chinese globular flute, generally called xun. The fusing of musical genres was not a new thing in jazz or for Lateef as his 1957 album Prayer to the East incorporated the shehnai and Middle Eastern influences in playing jazz standards. Aside from Lateef's original compositions, there are covers of themes from the films Spartacus and The Robe, the last one being used as samples by Blockhead and Nujabes.
Sylvester Kyner Jr., known as Sonny Red, was an American jazz alto saxophonist and composer associated with the hard bop idiom among other styles.
Images of Curtis Fuller is an album by jazz trombonist Curtis Fuller, released in 1960 on the Savoy label.
Kelly Great is an album by pianist Wynton Kelly released in 1959 by the Vee-Jay label.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
Kelly at Midnight is an album by jazz pianist Wynton Kelly released on the Vee-Jay label featuring performances by Kelly with Paul Chambers and Philly Joe Jones recorded in 1960.
Blue Soul is an album led by American trumpeter Blue Mitchell recorded and released in 1959 on the Riverside label.
Jazz 'Round the World is an album by American jazz multi-instrumentalist Yusef Lateef featuring performances recorded in 1963 for the Impulse! label.
The Centaur and the Phoenix is an album by multi-instrumentalist Yusef Lateef recorded in 1960 and released on the Riverside label.
Jazz for the Thinker is the debut album by multi-instrumentalist Yusef Lateef recorded in 1957 and released on the Savoy label. The album was produced from Lateef's earliest recording session and was the second album released under his leadership.
Jazz Mood is the first released album by multi-instrumentalist Yusef Lateef recorded in 1957 and released on the Savoy label. The album was produced from Lateef's second recording session.
Jazz and the Sound of Nature is an album by multi-instrumentalist Yusef Lateef recorded in 1957 and released on the Savoy label.
The Curtis Fuller Jazztet is an album by American trombonist Curtis Fuller with saxophonist Benny Golson, recorded in 1959 and released on the Savoy label.
Boss of the Soul-Stream Trombone is an album by American trombonist Curtis Fuller recorded in 1960 and released on the Warwick label. The album was re-released under Freddie Hubbard's name as Gettin' It Together.
Soulnik is the second of two albums led by American jazz bassist Doug Watkins featuring tracks recorded in 1960 and released on the New Jazz label.
Louis Hayes is the eponymous debut album by American jazz drummer Louis Hayes recorded in 1960 for Vee-Jay Records. The personnel includes the Cannonball Adderley's 1960 Quintet with Yusef Lateef in place of the leader. The album was also re-released in 1974 under Lateef's name as Contemplation.
The Paul Chambers discography describes the works of American jazz bassist Paul Chambers, which he recorded from 1955-1969..
Go is an album by jazz bassist Paul Chambers recorded in Chicago in 1959 and released by the Vee-Jay label. Featured musicians include trumpeter Freddie Hubbard, alto saxophonist Cannonball Adderley, pianist Wynton Kelly and drummer Philly Joe Jones. The album was re-released in 1997 as a double CD featuring additional recordings and alternate takes from the sessions and included as part of the Mosaic Box Set The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61 in 2000.