Cameron Brown | |
|---|---|
 Brown at the jazz club Unterfahrt, Munich, January 20, 2010 | |
| Background information | |
| Birth name | Cameron Langdon Brown |
| Born | December 21, 1945 Detroit, Michigan, United States |
| Genres | Jazz |
| Occupation | Musician |
| Instrument | Double bass |
Cameron Langdon Brown (born December 21, 1945) is an American jazz double bassist known for his association with the Don Pullen/George Adams Quartet. [1]
Cameron started studying music at age 10, first on piano, later on clarinet. But, drawn to the bass, he found himself playing a tin bass in a student dance band. As an exchange student in Europe, he worked with George Russell's Sextet [2] and Big Band for one year and played with Don Cherry, Aldo Romano, Booker Ervin, and Donald Byrd. In 1966 he returned to graduate at Columbia College, Columbia University (1969, B.A. in Sociology). [3]
In 1974, Brown met Sheila Jordan, gigged with free jazz pioneers Roswell Rudd and Beaver Harris, joined Archie Shepp's quintet in 1975, and recorded with Harris' and The 360 Degree Music Experience around that time.
The famous Don Pullen/George Adams Quartet, with him and drummer Dannie Richmond, [4] developed into an intense and rewarding partnership which lasted during the 1980s. In addition to this quartet, Brown played with Art Blakey's Jazz Messengers , and various groups led by Shepp, Cherry, Rudd, and Richmond. He has also performed and recorded with Ted Curson, Lee Konitz, Chet Baker, Joe Lovano, Mal Waldron, Ricky Ford, Steve Grossman, Betty Carter and the John Hicks Trio, Etta Jones and Jane Ira Bloom.
Brown has appeared on more than 200 recordings. His first recording as a leader, after nearly 40 years of performing, was published in 2003 with his group The Hear and Now featuring Dewey Redman. [5]
In addition to playing gigs and touring nationally and internationally, Brown is currently teaching jazz double bass at Green Meadow Waldorf School in Chestnut Ridge, New York, as well as offering private lessons. The musician also substitute teaches music theory classes at The New School for Jazz and Contemporary Music in New York City.
With Archie Shepp
With Dannie Richmond
With Connie Crothers
With George Russell
With George Adams & Don Pullen
With Houston Person
With Dewey Redman
With Mal Waldron
With Jack Walrath
With Joe Lovano
With Jon Lucien
With Sheila Jordan
With Salvatore Bonafede
With Steve Slagle
Herman Davis "Dave" Burrell is an American jazz pianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray.
William Godvin "Beaver" Harris was an American jazz drummer who worked extensively with Archie Shepp.
George Rufus Adams was an American jazz musician who played tenor saxophone, flute and bass clarinet. He is best known for his work with Charles Mingus, Gil Evans, Roy Haynes and in the quartet he co-led with pianist Don Pullen, featuring bassist Cameron Brown and drummer Dannie Richmond. He was also known for his idiosyncratic singing.
Don Gabriel Pullen was an American jazz pianist and organist. Pullen developed a strikingly individual style throughout his career. He composed pieces ranging from blues to bebop and modern jazz. The great variety of his body of work makes it difficult to pigeonhole his musical style.
Charles Daniel Richmond was an American jazz drummer who is best known for his work with Charles Mingus. He also worked with Joe Cocker, Elton John and Mark-Almond.
Fred Hopkins was an American double bassist who played a major role in the development of the avant-garde jazz movement. He was best known for his association with the trio Air with Henry Threadgill and Steve McCall, and for his numerous performances and extensive recordings with major jazz musicians such as Muhal Richard Abrams, Arthur Blythe, Oliver Lake, and David Murray. He was a member of the AACM, and a frequent participant in the loft jazz scene of the 1970s. He also co-led a number of albums with the composer and cellist Diedre Murray. Gary Giddins wrote that Hopkins' playing "fused audacious power with mercuric reflexes." Howard Reich, writing in the Chicago Tribune, stated that "many connoisseurs considered [Hopkins] the most accomplished jazz bassist of his generation" and praised him for "the extraordinarily fluid technique, sumptuous tone and innovative methods he brought to his instrument."
Kenny Werner is an American jazz pianist, composer, and author.
Jack Arthur Walrath is an American post-bop jazz trumpeter and musical arranger known for his work with Ray Charles, Gary Peacock, Charles Mingus, and Glenn Ferris, among others.
Mingus Dynasty was an American jazz ensemble formed in 1979, just after the death of Charles Mingus, which featured many musicians Mingus recorded or played with. The group was named after the 1959 album Mingus Dynasty.
Earth Beams is a studio album recorded by noted jazz performers George Adams and Don Pullen as the George Adams/Don Pullen Quartet. Adams and Pullen had met through their work with composer and double-bassist Charles Mingus, who had died the year the Adams/Pullen Quartet began in 1979.
Santi Wilson Debriano is a jazz bassist, composer and music teacher.
Palcoscenico Records was a short-lived Italian jazz record label.
Mike Richmond is an American jazz bassist.
The 360 Degree Music Experience was an American band that performed both traditional and experimental jazz. Active during the 1970s and '80s, the group was initially co-led by drummer Beaver Harris and the pianist Dave Burrell. After Burrell left the group, pianist Don Pullen replaced him. Several other notable musicians were members of the band at one time or another, including Hamiet Bluiett, Cameron Brown, Ron Carter, Ricky Ford, Jimmy Garrison, Grachan Moncur III, Titos Sompa, and Buster Williams among others. The group released two albums for BMG: From Ragtime to No Time and A Well Kept Secret.
All That Funk is a live album by American jazz pianist Don Pullen and saxophonist George Adams recorded in 1979 for the Italian Palcoscenico label.
More Funk is a live album by American jazz pianist Don Pullen and saxophonist George Adams recorded in 1979 for the Italian Palcoscenico label.
Don't Lose Control is a live album by American jazz pianist Don Pullen and saxophonist George Adams recorded in 1979 for the Italian Soul Note label.
Life Line is an album by the George Adams-Don Pullen Quartet, recorded in 1981 for the Dutch Timeless label.
This is the discography for American jazz musician Charlie Haden.
Rahn Burton, also Ron Burton or William Burton was an American jazz pianist.
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