| Cliff Jordan | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1957 | |||
| Recorded | June 2, 1957 | |||
| Studio | Van Gelder Studio Hackensack, New Jersey | |||
| Genre | Jazz | |||
| Length | 40:33 | |||
| Label | Blue Note BN 1565 | |||
| Producer | Alfred Lion | |||
| Clifford Jordan chronology | ||||
| ||||
Cliff Jordan is an album by American jazz saxophonist Clifford Jordan recorded on June 2, 1957 and released on Blue Note later that year. The septet features horn section Lee Morgan, Curtis Fuller and John Jenkins, and rhythm section Ray Bryant, Paul Chambers and Art Taylor. [1]
The AllMusic review by awarded the album 3 stars. [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Rolling Stone Jazz Record Guide | [3] |
All compositions by Cliff Jordan, except as noted.
Conrad Yeatis "Sonny" Clark was an American jazz pianist and composer who mainly worked in the hard bop idiom.
Blue Train is a studio album by American jazz saxophonist John Coltrane, recorded at the Van Gelder Studio in Hackensack, New Jersey on September 15, 1957 and released on Blue Note in January 1958. It is Coltrane's only session as leader for the label.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.
Clifford Laconia Jordan was an American jazz tenor saxophone player. While in Chicago, he performed with Max Roach, Sonny Stitt, and some rhythm and blues groups. He moved to New York City in 1957, after which he recorded three albums for Blue Note. He recorded with Horace Silver, J.J. Johnson, and Kenny Dorham, among others. He was part of the Charles Mingus Sextet, with Eric Dolphy, during its 1964 European tour.
Tom Cat is an album by Lee Morgan recorded in 1964, though only issued in 1980. It was originally released as LT 1058. While lesser known in comparison to The Sidewinder and other albums, it features several of Morgan's contemporary Blue Note recording artists, such as McCoy Tyner, Art Blakey, and Jackie McLean. After The Sidewinder's huge commercial success, Tom Cat and Search for the New Land from earlier in 1964 were both shelved. Instead, Alfred Lion, Blue Note's producer, encouraged Morgan to record a new funky theme and brought him back into the studio to record The Rumproller. Search for the New Land was released in 1966, but Tom Cat remained unreleased until 1980.
Trane's Blues is a compact disc credited to the jazz musician John Coltrane, released in 1999 on Blue Note Records, catalogue 98240. It comprises recordings from sessions for Blue Note and United Artists Records with Coltrane as a sideman for Paul Chambers, Sonny Clark, Johnny Griffin, and Cecil Taylor. These recordings were issued respectively on their Whims of Chambers, Sonny's Crib, A Blowin' Session, and Hard Driving Jazz albums. Two selections are from Coltrane's own 1957 Blue Train, and "One for Four" had been previously unissued. "Trane's Blues" had been issued on the compilation High Step in 1975, previously known as "John Paul Jones" and named after himself, the bass player Chambers, and the drummer Philly Joe Jones. Like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings, often those where Coltrane had been merely a sideman, and reissued them as a new album with Coltrane's name prominently displayed. In this case, the Big Four conglomerate EMI continued that earlier practice.
Mode for Joe is the fifth studio album by American jazz saxophonist Joe Henderson, recorded and released in 1966. Featuring Henderson with a larger than usual ensemble consisting of trumpeter Lee Morgan, trombonist Curtis Fuller, vibraphonist Bobby Hutcherson, pianist Cedar Walton, bassist Ron Carter and drummer Joe Chambers. It was Henderson’s last Blue Note recording as leader until the live albums The State of the Tenor, Vols. 1 & 2 almost 20 years later.
Mosaic is a studio album by Art Blakey & the Jazz Messengers recorded for Blue Note on October 2, 1961 and released the following year. The sextet features horn section Wayne Shorter, Freddie Hubbard and Curtis Fuller and rhythm section Cedar Walton, Jymie Merritt and Art Blakey.
Art Blakey and the Jazz Messengers is a studio album by Art Blakey and the Jazz Messengers, released on September 1, 1961, through Impulse! Records. Expanding to a sextet for the first time, it was the group's final recording with Bobby Timmons, who would be replaced by Cedar Walton.
City Lights is an album by American jazz trumpeter Lee Morgan recorded on August 25, 1957 and released on Blue Note the following year. The sextet features horn section Curtis Fuller and George Coleman and rhythm section Ray Bryant, Paul Chambers and Art Taylor.
The Cooker is an album by American jazz trumpeter Lee Morgan recorded on September 29, 1957, and released on Blue Note in January 1958. The quintet features saxophonist Pepper Adams and rhythm section Bobby Timmons, Paul Chambers and Philly Joe Jones.
Leeway is an album by American jazz trumpeter Lee Morgan recorded on April 28, 1960 and released on Blue Note the following year. Morgan's quintet features saxophonist Jackie McLean and rhythm section Bobby Timmons, Paul Chambers and Art Blakey.
Hank Mobley is an album by American jazz saxophonist Hank Mobley recorded on June 23, 1957 and released on Blue Note the following year. The sextet features horn section Bill Hardman and Curtis Porter and rhythm section Sonny Clark, Paul Chambers, and Art Taylor.
Lou Takes Off is an album by American jazz saxophonist Lou Donaldson recorded on December 15, 1957 and released on Blue Note the following year. The sextet features brass section Donald Byrd and Curtis Fuller and rhythm section Sonny Clark, Jamil Nasser and Art Taylor.
Sonny's Crib is an album by American jazz pianist Sonny Clark, recorded on September 1, 1957 and released on Blue Note in March 1958. The sextet features horn section Donald Byrd, Curtis Fuller, and John Coltrane and rhythm section Paul Chambers and Art Taylor.
In Memory Of is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until 1979, and performed by Turrentine with Blue Mitchell, Curtis Fuller, Herbie Hancock, Bob Cranshaw, and Otis Finch.
The Opener is an album by American jazz trombonist Curtis Fuller, recorded on June 16, 1957 and released on Blue Note later that year—his debut for the label.
Bone & Bari is an album by American jazz trombonist Curtis Fuller, recorded on August 4, 1957 and released on Blue Note early the following year. The quintet features saxophonist Tate Houston and rhythm section Sonny Clark, Paul Chambers and Art Taylor.
Monday Night at Birdland is a live album which was recorded at Birdland in 1958 by tenor saxophonists Hank Mobley and Billy Root, trombonists Kai Winding and Curtis Fuller, and trumpeter Lee Morgan. It was first released by the Roulette label. Symphony Sid wrote the liner notes.
Another Monday Night at Birdland is a live album which was recorded at Birdland in 1958 by tenor saxophonists Hank Mobley and Billy Root, trombonist Curtis Fuller, and trumpeter Lee Morgan. It was released by the Roulette label.
