Elder Don | ||||
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Studio album by Don Wilkerson | ||||
Released | 1962 | |||
Recorded | May 3, 1962 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 34:45 | |||
Label | Blue Note BST 84121 | |||
Producer | Alfred Lion | |||
Don Wilkerson chronology | ||||
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Elder Don is an album by American saxophonist Don Wilkerson recorded in 1962 and released on the Blue Note label. [1] It was recorded a month before Preach Brother! , but released later.
Don Wilkerson was an American soul jazz / R&B tenor saxophonist born in Moreauville, Louisiana, probably better known for his Blue Note Records recordings in the 1960s as bandleader with guitarist Grant Green. Prior to signing with the label, he worked frequently with Cannonball Adderley. Some of his earliest recordings were done in the 1950s as a sideman for Amos Milburn and Ray Charles.
Blue Note Records is an American jazz record label that is owned by Universal Music Group and operated with Decca Records. Established in 1939 by Alfred Lion and Max Margulis, it derives its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, from 1947 the label began to switch its attention to modern jazz. Although the original company did not record many of the pioneers of bebop, significant exceptions are Thelonious Monk, Fats Navarro and Bud Powell.
Preach Brother! is an album by American saxophonist Don Wilkerson recorded in 1962 and released on the Blue Note label.
Professional ratings | |
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Review scores | |
Source | Rating |
Down Beat | |
Allmusic |
Jazz critic Harvey Pekar had this to say in his May 23, 1963 review for Down Beat magazine: "Though not an innovator, the leader is a respectable musician. His style is an amalgam of many sources..." [2]
Harvey Lawrence Pekar was an American underground comic book writer, music critic, and media personality, best known for his autobiographical American Splendor comic series. In 2003, the series inspired a well-received film adaptation of the same name.
The Allmusic review by Stephen Thomas Erlewine awarded the album 4½ stars and stated "records like this go a long way in proving that Wilkerson was one of the great underrated saxophonists of his time". [3]
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Grant Green was an American jazz guitarist and composer.
Lloyd Trotman, born in Boston, Massachusetts, United States, was an American jazz bassist, who backed numerous jazz, dixieland, R&B, and rock and roll artists in the 1940s, 1950s and 1960s. He resided in Huntington, Long Island, New York 1962-2007 and Corona-East Elmhurst, New York 1945-1962. He worked primarily out of New York City. He provided the bass line on Ben E. King's"Stand by Me".{1}
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Good Gracious! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1963 and performed by Donaldson with Grant Green, Big John Patton, and Ben Dixon.
Royal Flush is an album by American trumpeter Donald Byrd featuring Byrd with Pepper Adams, Herbie Hancock, Butch Warren, and Billy Higgins recorded in 1961 and released on the Blue Note label as BLP 4101. The album is notable for being pianist Herbie Hancock's first Blue Note session to be released.
Blues for Lou is an album by American jazz guitarist Grant Green featuring performances recorded in 1963, but not released on the Blue Note label until 1999. The album combines recordings from two different sessions, and the title track is named for saxophonist Lou Donaldson.
Up & Down is an album by American jazz pianist Horace Parlan featuring performances recorded in 1961 and released on the Blue Note label.
Down to Earth is the debut album by American organist Freddie Roach recorded in 1962 and released on the Blue Note label.
Along Came John is the debut album by American organist John Patton, recorded in 1963 and released on the Blue Note label.
Oh Baby! is an album by American organist Big John Patton recorded in 1965 and released on the Blue Note label.
Shoutin' is an album by American saxophonist Don Wilkerson recorded in 1963 and released on the Blue Note label.
The Texas Twister is the debut album by American saxophonist Don Wilkerson recorded in 1960 and released on the Riverside label.
Love Call is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1968 and released on the Blue Note label.
Steppin' Out! is the debut album by American saxophonist Harold Vick recorded in 1963 and released on the Blue Note label.
Soul Stream is the second album by American saxophonist George Braith recorded in 1963 and released on the Blue Note label.
Contours is the second album by American saxophonist Sam Rivers recorded in 1965 and released on the Blue Note label. The CD reissue contains an alternate take as a bonus track.
A New Conception is the third album by American saxophonist Sam Rivers, recorded in 1966 and released on the Blue Note label. The album features Rivers' interpretation of seven jazz standards.
Bucket! is an album by American jazz organist Jimmy Smith featuring performances recorded in 1963 but not released on the Blue Note label until 1966. The CD reissue added two tracks recorded at the same session as bonus tracks.
Jimmy Smith Trio + LD is an album by jazz organist Jimmy Smith and saxophonist Lou Donaldson recorded for the Blue Note label in 1957 and released only in Japan.
Patterns in Jazz is an album by American saxophonist Gil Mellé recorded in 1956 and released on the Blue Note label.